Joe cardella (57 risultati)

Soft cover. Condizione: Near Fine. 1st Edition. SIGNED by "Cardella '90" with the limitation 200/250 on the cover. Limited first edition, first printing, 1990. Subtitle: "For Vincent 1853 - 1890 No One Should Die Without PROPER Recognition of Their Life's Work". Tightly bound and filled with various artworks, many signed and limited. Near fine, tightly bound and unmarked. Signed by Author(s).…

Soft cover. Condizione: Very good. No jacket. Volume 4, Number 3 only. Limited edition of 150 copies printed. Copy #104. Pages are lightly worn along edges, but otherwise clean and unmarked.

Soft cover. Condizione: Very good. No jacket. Volume 4, number 2 only. Limited edition of 150 copies printed. Copy #17. Bottom corner of clear plastic back cover is creased. Pages are lightly worn along edges, but otherwise clean and unmarked.

Softcover. Condizione: Very Good-. Limited Edition. Clear plastic front cover (with the title, volume, number, etc printed in red) has a diagonal crease to the area of the upper outer corner. A piece of one of the art works has come unglued. ; Limited to 150 copies. 31/150 written in pencil on the title page. "Original art works" by 37 artists. (one appears to have a loose piece).…

Limited. Perfect bound, very good. Filled with various signed artworks, some signed and numbered.

Limited. Perfect bound, very good. Filled with various signed artworks, some signed and numbered. Book.

Limited. Perfect bound, very good. Filled with various signed artworks, some signed and numbered.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine Third Anniversary Issue.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Includes illustrations. Very good. very lightest of shelfwear, near fine.

0 Rare monthly art portfolio consisting entirely of original art, photographs, and writing, most of which is hand signed and numbered by the creater. Very good. No dust jacket as issued. Signed by author. moderate shelfwear to the box.

Paperback. Condizione: Very Good. Velo binding, paper covers with vinyl protective cover. Very good with just light shelf wear. Previous owner's information written in blue ink on verso of front and back covers. Pages else unmarked, artwork well preserved.

0 Rare monthly art portfolio consisting entirely of original art, photographs, and writing, most of which is hand signed and numbered by the creater. Very good. No dust jacket as issued. Signed by author. lightest of shelfwear, near fine.

0 Rare monthly art portfolio consisting entirely of original art, photographs, and writing, most of which is hand signed and numbered by the creater. Very good. No dust jacket as issued. Signed by author. lightest of shelfwear, near fine.

0 Rare monthly art portfolio consisting entirely of original art, photographs, and writing, most of which is hand signed and numbered by the creater. Very good. No dust jacket as issued. Signed by author. lightest of shelfwear, near fine.

o. Pag. OHeft. 1 von 200 Expl. Mit original Serigraphie, Lithographien, Collagen und Fotos etc. alle eighd. signiert. - Mit einer Auswahl von Beiträgen unter anderem von Jensen, Hainke, Luh, Mittendorf, Olbrich, Schroder, Weyel, Baroni, Uklanski, Brandt, Stover, Askew, Baylis, Beede, Cardella, Carlander, Davids, Eagle, garvey/Yee, Gigante, Goldenberg, D. und T. Hatlen, Jacob-Jaffe, La Mers, Mesa, Olden, Regis, Row, Wertin, Zaid, Zimmermann, Maselli, Thompson, Kloefkorn, Angelo, Bridges, Fincke und Myers. - Mit dem Ende des 19. Jahrhunderts begann der Siegeszug der Werbung und damit auch die bebilderten Anzeigen, diese Entwicklung wurde bald auch von Künstler aufgegriffen und für sich nutzbar gemacht, sei es mit eigenen Illustrierten und Magazinen, sei es in der Buchgestaltung. In dieser Kombination zwischen den Künstlern und ihren Zeitschriften, bewegt sich auch die amerikanische Zeitschrift "Art/Life" 1981 von Joe Cardella in Ventura gegründet. Die Zeitschrift ist de facto eine Arbeitsgemeinschaft zwischen Cardella und den einzelnen Künstler, die ca. 11 mal pro Jahr publiziert wurde. Cardella zog Mitte der 70ziger Jahre von New York nach Californien. Da sich die künstlerische Landschaft' in dieser Zeit sich erst entwickelte, war Cardella einer der ersten, die sich dessen bewußt waren und diese Lücke füllen wollten: "He stated the purposes and intent of ART/LIFE tob e a means of visual communication between artists, establishing his belief that art was life, and life was art, existing together in a continuum, with no difference or separation between them" (Zitat A Perspective of the ART/Life Continuum). Die Wurzeln liegen neben Dada, Surrealismus in der Gruppe Fluxus. …

o. Pag. OHeft. 1 von 200 Expl. Mit original Serigraphie, Lithographien, Collagen und Fotos etc. alle eighd. signiert. - Mit einer Auswahl von Beiträgen unter anderem von Jensen, Hainke, Luh, Mittendorf, Olbrich, Schroder, Weyel, Baroni, Uklanski, Brandt, Stover, Askew, Baylis, Beede, Cardella, Carlander, Davids, Eagle, garvey/Yee, Gigante, Goldenberg, D. und T. Hatlen, Jacob-Jaffe, La Mers, Mesa, Olden, Regis, Row, Wertin, Zaid, Zimmermann, Maselli, Thompson, Kloefkorn, Angelo, Bridges, Fincke und Myers. - Mit dem Ende des 19. Jahrhunderts begann der Siegeszug der Werbung und damit auch die bebilderten Anzeigen, diese Entwicklung wurde bald auch von Künstler aufgegriffen und für sich nutzbar gemacht, sei es mit eigenen Illustrierten und Magazinen, sei es in der Buchgestaltung. In dieser Kombination zwischen den Künstlern und ihren Zeitschriften, bewegt sich auch die amerikanische Zeitschrift "Art/Life" 1981 von Joe Cardella in Ventura gegründet. Die Zeitschrift ist de facto eine Arbeitsgemeinschaft zwischen Cardella und den einzelnen Künstler, die ca. 11 mal pro Jahr publiziert wurde. Cardella zog Mitte der 70ziger Jahre von New York nach Californien. Da sich die künstlerische Landschaft' in dieser Zeit sich erst entwickelte, war Cardella einer der ersten, die sich dessen bewußt waren und diese Lücke füllen wollten: "He stated the purposes and intent of ART/LIFE tob e a means of visual communication between artists, establishing his belief that art was life, and life was art, existing together in a continuum, with no difference or separation between them" (Zitat A Perspective of the ART/Life Continuum). Die Wurzeln liegen neben Dada, Surrealismus in der Gruppe Fluxus. …

o. Pag. OHeft. 1 von 200 Expl. Mit original Serigraphie, Lithographien, Collagen und Fotos etc. alle eighd. signiert. - Mit einer Auswahl von Beiträgen unter anderem von Jensen, Hainke, Luh, Mittendorf, Olbrich, Schroder, Weyel, Baroni, Uklanski, Brandt, Stover, Askew, Baylis, Beede, Cardella, Carlander, Davids, Eagle, garvey/Yee, Gigante, Goldenberg, D. und T. Hatlen, Jacob-Jaffe, La Mers, Mesa, Olden, Regis, Row, Wertin, Zaid, Zimmermann, Maselli, Thompson, Kloefkorn, Angelo, Bridges, Fincke und Myers. - Mit dem Ende des 19. Jahrhunderts begann der Siegeszug der Werbung und damit auch die bebilderten Anzeigen, diese Entwicklung wurde bald auch von Künstler aufgegriffen und für sich nutzbar gemacht, sei es mit eigenen Illustrierten und Magazinen, sei es in der Buchgestaltung. In dieser Kombination zwischen den Künstlern und ihren Zeitschriften, bewegt sich auch die amerikanische Zeitschrift "Art/Life" 1981 von Joe Cardella in Ventura gegründet. Die Zeitschrift ist de facto eine Arbeitsgemeinschaft zwischen Cardella und den einzelnen Künstler, die ca. 11 mal pro Jahr publiziert wurde. Cardella zog Mitte der 70ziger Jahre von New York nach Californien. Da sich die künstlerische Landschaft' in dieser Zeit sich erst entwickelte, war Cardella einer der ersten, die sich dessen bewußt waren und diese Lücke füllen wollten: "He stated the purposes and intent of ART/LIFE tob e a means of visual communication between artists, establishing his belief that art was life, and life was art, existing together in a continuum, with no difference or separation between them" (Zitat A Perspective of the ART/Life Continuum). Die Wurzeln liegen neben Dada, Surrealismus in der Gruppe Fluxus. …