joerg heiser (143 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Remainder mark. Cover/edges have minor shelf wear.

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: Very Good. 148 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. With remainder mark. With contributions by: Aleksandra Domanovic, Mark Fisher, Nathalie Heinich, Mark Leckey, Jean-François Lyotard and Bernard Blistène, Jussi Parikka, Christiane Sauer, Timotheus Vermeulen.

Condizione: New.

Paperback. Condizione: new. Paperback. Exploring the relationship between art and pop music over the last fifty years.Why did Andy Warhol decide to enter the music business by producing the Velvet Underground, and what did the band expect to gain in return? What made Yoko Ono use the skills she developed in the artistic avant-garde in pop music, and what drew John Lennon, in turn, to visual art? Why, in 1982, did Joseph Beuys record the pop single "Sonne statt Reagan," and why, around the same time did, West German artists such as Michaela Melian move into pop music?In Double Lives in Art and Pop Music, J rg Heiser argues that context shifting between art and pop music is an attempt to find solutions for contradictions faced in one field of cultural production. Heiser looks closely at the careers of artists and pop musicians who work in both fields professionally. The seeming acceptance and effortlessness today of current border crossings can be deceptive, since they might be serving vested economic or ideological interests. Exploring a pop and art history of more than fifty years, Heiser shows that those leading double lives in art and pop music may often be best able to detect these vested interests while he points toward radical alternatives. Exploring the relationship between art and pop music over the last fifty years. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: Very Good.

Soft cover. Condizione: Very Good. Softcover, 4to., 159pp. A clean, tight copy.

Paperback. Condizione: New.

Broschiert. Condizione: Gut. 24 cm 207 S. Broschiert. Zustand: Sehr Gut (Innen); Einband Außen hat min. Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Stiff Wrappers. Condizione: Near Fine. 248 pages color illustrations throughout. Stiff Illustrated wraps. Minor rubbing and wear to the paper covers and edges. Insert: Loredana Sperini.

159 Seiten/Pages. Mit Illustrationen/Ilustrated. 4°, ,kartoniert mit Schutzumschlag / Softcover. Schutzumschlag mit geringen Randblessuren. Sonst einwandfrei. Sprache: Englisch.

hardcover. Condizione: near fine. oblong octavo. 7" x9 1/2. Hardcover with wrap-a-round jacket.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: New.

Soft cover. Condizione: Very Good. Excellent used condition soft cover, light edge wear, uncreased spine, unmarked text, Ships from Berlin Bookshop bxn127.

Paperback. Condizione: New.

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Hardcover. 1. Aufl. In the book Curtain Callers a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. - // Sprache : Englisch (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100.

Condizione: As New. Unread copy in mint condition.

Softcover. Condizione: Fine. Leichte Risse; Gebogener Buchrucken; Farbveranderung durch Alter/Sonne. Kunst boomt. Von allem gibt es mehr: mehr Kunstler, mehr Museen, mehr Markt, mehr Publikum. Nur von einem gibt es weniger: Kriterien. Wie die Kunst verstehen und beurteilen, um die es bei dem ganzen Spektakel doch gehen soll? Jorg Heiser, deutscher Chefredakteur der britischen Kunstzeitschrift frieze und Autor fur die Suddeutsche Zeitung, umreisst am Beispiel zahlreicher Kunstler und Werke die wichtigsten Stromungen der zeitgenossischen Kunst. ,Da haben wir gedacht, zeitgenossische Kunst ware diese Sorte Kultur, die uns eine Story erzahlen konnte uber das bessere Leben oder wenigstens die schonere Wohnungsausstattung, und dann das: nichts als ein schwarzes Loch, nichts als peinliche Pausen, komische Stolpersteine, stumme Zwischenstucke. Pollocks Suff, van Goghs Ohr, Picassos Unterhosen, all das und noch viel mehr kann man uber Kunstler und ihr Leben erzahlen, ohne dabei auch nur zu streifen, was ihre Kunst eigentlich bewirkt.".

Condizione: New. Brand New.

Softcover. Condizione: As New. Leichte Abnutzungen. Kunst boomt. Von allem gibt es mehr: mehr Kunstler, mehr Museen, mehr Markt, mehr Publikum. Nur von einem gibt es weniger: Kriterien. Wie die Kunst verstehen und beurteilen, um die es bei dem ganzen Spektakel doch gehen soll? Jorg Heiser, deutscher Chefredakteur der britischen Kunstzeitschrift frieze und Autor fur die Suddeutsche Zeitung, umreisst am Beispiel zahlreicher Kunstler und Werke die wichtigsten Stromungen der zeitgenossischen Kunst. ,Da haben wir gedacht, zeitgenossische Kunst ware diese Sorte Kultur, die uns eine Story erzahlen konnte uber das bessere Leben oder wenigstens die schonere Wohnungsausstattung, und dann das: nichts als ein schwarzes Loch, nichts als peinliche Pausen, komische Stolpersteine, stumme Zwischenstucke. Pollocks Suff, van Goghs Ohr, Picassos Unterhosen, all das und noch viel mehr kann man uber Kunstler und ihr Leben erzahlen, ohne dabei auch nur zu streifen, was ihre Kunst eigentlich bewirkt.".

Hardcover. Condizione: Very Good. Nice clean copy. Inscribed by the artist on title page.

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Condizione: New. In.