Ann sofi siden (40 risultati)

Condizione: Good. A sound copy with only light wear. Overall a solid copy at a great price.

hardcover. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, Not a Remainder, No Black Remainder Mark, MH190-508Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Hardcover. Condizione: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Black Remainder Mark, 399-109Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Condizione: Like New. Publisher: Hayward Gallery, London, 2002.First Edition, First Printing. FINE in illustrated/pictorial boards, as issued. Not remainder marked. Not book club edition. Not ex-library.

Hardcover without dustjacket as issued, unpagianted; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condizione: Used - Very Good. VG hardback. 2002 publication to accompany exhibition of same name; colour illustrations; tightly bound in laminated pictorial boards with tiny tear to top front hinge corner; otherwise, a clean, tidy copy. Used - Very Good. VG hardback.

First Edition. First edition. Softcover. 20 pages. Exhibition catalog for a show that ran July 21 through September 3, 2000. Text by Paola Morsiani. Includes several black and white images. An about very good copy in stapled wrappers with a sticker shadow and abrasion to the front panel. Otherwise a clean copy.…

Hardcover. Condizione: As New. Color and black and white illustrations throughout. First edition. As new in pictorial boards. No dust jacket, as issued. Still in original shrinkwrap.

Hardcover. Condizione: Good. No Dust Jacket. Hardcover without jacket in good condition; leading corners, spine head and foot are bumped; minor dents on hardcover top and bottom edge; content clean and clear. AE. Used.

ISBN 1-85332-225-3. Hardback. No dustjacket, probably as issued. Very Good condition. Tight, sound, unmarked copy. No statement of later printing on copyright page.

Paperback. Condizione: Very Good. 46pp. Exhibition catalogue. Texts in Swedish & English. Very Good w/ a moderate scratch line on front cover, minute edge/corner wears. The realisation of womanhood in dediaeval time.

8vo. [144pp.] Colour illustrations. Original pictorial brown boards with black and white lettering to spine. ISBN 1853322253 US$15.

Hardcover. Condizione: VG. Brown boards with mint lettering. 130 pp. Color illustrations. Between 2009-2011, Swedish artist Ann-Sofi Sidén and composer Jonathan Bepler collaborated on the project Curtain Callers , for which they filmed and recorded sounds at the Royal Dramatic Theatre in Stockholm. Products of the effort were a film and an HD video installation, both of which explore the backstage workings of the theatre stagehands, dressing rooms, rehearsals, costuming and makeup, box office and wardrobe attendants and culminate in a live performance. This book documents the project s process through numerous images and film stills, providing critical insight with an interview by Magdalena Malm, essay by Jörg Heiser, and text by Ann-Sofi Sidén. -Amazon. …

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).…

Hardcover. 1. Aufl. In the book Curtain Callers a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. - // Sprache : Englisch (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100.…

Softcover, unpaginated; in English and Swedish, very good condition, light rubbing to covers; light crease to upper right corner of some pages; no internal marks. Foreign shipping may be extra.

1st ed. Curtain Callers by Ann-Sofi Sidén and Jonathan Bepler Entering the role, the stage, the theater house. Setting the scene. The actress smoking nervously before the curtain is liftedor is she acting nervous? Curtain Callers studies the machinations of the theater closely and affords the viewer an unobstructed view into institutional theaters every nook and cranny, weaving together and pursuing different themes. Life behind the curtain, the existing, monotonous, clattering, constantly repeating, nervous, insistent life that drives the meeting between stage and audience. The machine that is institutional theater makes an entrance. In all arenas of the theater, events and processes take place that are like cogs in the huge story-making machinery. A woman in a headscarf and her vacuum cleaner frenetically pick their way through the many rows of seats. Far away in a gilded room bottles are being removed. As if cleaning up after a party. While fingers fasten hair strand by strand into a wig, the corridors, the stage and the antechambers vibrate with expectation. The audience powder their noses in the restrooms and the actors, voice-training for their roles, in their dressing rooms. Curtain Callers portrays the processes before the charged moment when audience and actor meet . The title Curtain Callers came about late in the process and refers to the loaded moment at the end of a performance when the actors are applauded and step out from behind the curtain, the artist explains, adding that the term, like the moment itself, is full of built-in ambiguity about who it is that is the main attractionis it the actor, director, make-up artist, tailor or even the audience? Who is thanking whom? In the book Curtain Callers (Art and Theory, 2012) a new version of the project is created, translating Ann-Sofi Sidéns characteristic narrative technique from film to stills and text. Here the artwork itself makes an appearance in the form of the narrative voice, Curt, in Jörg Heisers text, as an answer to the narrative flow of the film. The book contains a text by Ann-Sofi Sidén and an interview conducted by Magdalena Malm with Ann-Sofi Sidén and Jonathan Bepler. (NEU - Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).…

2 vol. : 1 vol. 207 pp. ; 1 vol. 175 pp.; 2 vol. : 30.5 x 21.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with show held November 6, 1999 - March 26, 2000. Essays by Richard Armstrong, Madeleine Grynsztejn, Jonathan Crary, Jean Fisher, Saskia Sassen, Slavoj ?i?ek, and Alyson Baker. Artists include Franz Ackermann, Matthew Barney, Janet Cardiff, John Currin, Hanne Darboven, Thomas Demand, Mark Dion, Willie Doherty, Olafur Eliasson, Kendell Geers, Felix Gonzalez-Torres, Ann Hamilton, José Antonio Hernández-Diez, Pierre Huyghe, Alex Katz, William Kentridge, Bodys Isek Kingelez, Suchan Kinoshita, Martin Kippenberger, Kerry James Marshall, Takashi Murakami, Shirin Neshat, Ernesto Neto, Chris Ofili, Gabriel Orozco, Markéta Othová, Laura Owens, Edward Ruscha, Gregor Schneider, Ann-Sofi Sidén, Roman Signer, Sarah Sze, Sam Taylor-Wood, Nahum Tevet, Diana Thater, Luc Tuymans, Kara Walker, Jeff Wall, Jane & Louise Wilson and Chen Zhen. Includes biographies, bibliographies, contributor biographies, and a checklist of the exhibition. Fine. Due to large size and weight additional shipping charges may be required for international orders. …

Soft cover. Condizione: Very Good. Green soft cover with black lettering on front cover and spine. No date on title page. Copyright page dated 1993. Text written in Swedish with English translations. 46 pages. Very minor shelf wear along edges of covers. Lettering on front cover and spine is neat and legible. Pages are in excellent condition. Black and white photographs throughout depicting different punishments for women of the 15th century in Switzerland. First part of this title is written in Swedish, 2nd more condensed part translated to English. Binding strong and secure with no missing pages. Very Good condition. Please contact us with questions or if you would like to see photographs.…

First Edition. Fine copy in the original color printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 143 pages; Description: 143 p. ; 21 cm. Subjects: Video art --Sweden, Exhibitions --Prostitutes --Czech Republic, Interviews --Dubi (Czech Republic) --Social life and customs, Exhibitions --Women Artists --Video --Installation Art --Visual Arts. 1 Kg. …

First Edition. Fine copy in the original color printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 143 pages; Description: 143 p. ; 21 cm. Subjects: Video art --Sweden, Exhibitions --Prostitutes --Czech Republic, Interviews --Dubi (Czech Republic) --Social life and customs, Exhibitions --Women Artists --Video --Installation Art --Visual Arts. 1 Kg. …

Condizione: Gut. 146 Seiten Sauberes und frisch erhaltenes Exemplar, keine wahrnehmbaren Gebrauchsspuren. Between 2009-2011, Swedish artist Ann-Sofi Sidén and composer Jonathan Bepler collaborated on the project Curtain Callers , for which they filmed and recorded sounds at the Royal Dramatic Theatre in Stockholm. Products of the effort were a film and an HD video installation, both of which explore the backstage workings of the theatre stagehands, dressing rooms, rehearsals, costuming and makeup, box office and wardrobe attendants and culminate in a live performance. This book documents the project s process through numerous images and film stills, providing critical insight with an interview by Magdalena Malm, essay by Jörg Heiser, and text by Ann-Sofi Sidén. ISBN 9789197998505 Sprache: Englisch Gewicht in Gramm: 698 19,0 x 1,5 x 24,8 cm, Gebundene Ausgabe.…

Hard Cover. Condizione: Very Good. The cover is slightly rubbed. 138 apges. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size E: 8"-9" Tall (203-228mm).

29,5x23,5 cm. 184 pp. Richly illustrated, including several folded plates. Soft cover.

Soft cover. Condizione: Good. Stockholm, Utica Publishing. 1995. (98) pages. Spiral-bound. Minor creases and scratch marks on the front wrapper. Illustrated. With CD ROM.

Hardcover. Condizione: Sehr gut. 146 Seiten Zustand: SEHR GUTER Zustand! HC1-460-4/8-00096832 Sprache: Englisch Gewicht in Gramm: 683.

Hardcover without dustjacket as issued, 48 pages, in English and Swedish; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.