Johanna malt (23 risultati)

Hardcover. Condizione: Used.

Hardcover. Condizione: Very Good. No dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condizione: New. No Dust Jacket. This book is new still in the original shrink wrap.

First edition. Signed by the artist. 285x230mm 174 pages. Illustrated in colour. Pictorial boards, no dustjacket issued. Fine.

4°. Orig.-Pappband. 173 S. mit zahlreichen Abbildungen. Erste Auflage (gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 1800.

Hardcover. Condizione: Brand New. 174 pages. 11.25x9.50x0.75 inches. In Stock.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. First Edition, First Printing with a complete numberline. 234pp., including bibliography and index. Illustrated throughout with 7 b/w plates. A Fine copy in a Fine jacket. // 'Through the analysis of narratives, paintings and objets surréalistes by Breton, Aragon, Dalì, and others, Malt examines how the object emerges as psychologically and historically marked in the surrealist context, functioning as both fetish and fetishized commodity. Responding to recent debates about the role of the uncanny and the representation of the body in surrealist art and literature, Malt's study offers new perspectives on familiar works such as the paintings of Salvador Dalì as well as illuminating relatively neglected ones such as Breton's poèmes-objets.' ~ Publisher.…

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. This book offers a critical approach to the political claims of the surrealist movement, asking whether it is possible to theorize a connection between the surrealists' commitment to the cause of revolutionary socialism, and the form that surrealist art and writing took. Num Pages: 248 pages, 7 halftones. BIC Classification: ACXD7; DSBH; JP. Category: (P) Professional & Vocational. Dimension: 224 x 145 x 17. Weight in Grams: 469. . 2004. Illustrated. hardcover. . . . . …

Condizione: New.

Condizione: New. This book offers a critical approach to the political claims of the surrealist movement, asking whether it is possible to theorize a connection between the surrealists' commitment to the cause of revolutionary socialism, and the form that surrealist art and writing took. Num Pages: 248 pages, 7 halftones. BIC Classification: ACXD7; DSBH; JP. Category: (P) Professional & Vocational. Dimension: 224 x 145 x 17. Weight in Grams: 469. . 2004. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. In a speech given in Prague in 1935, Andre Breton asked, 'Is there, properly speaking, a left-wing art capable of defending itself?'. But despite his conviction that surrealism did indeed offer such an art, Breton always struggled to make a theoretical connection between the surrealists' commitment to the cause of revolutionary socialism and the form that surrealist art and literature took. Obscure Objects of Desire explores ways in which such aconnection might be drawn, addressing the possibility of surrealist works as political in themselves and drawing on ways in which they have been considered as such by Marxists such as Benjamin and Adorno and by recentcultural critics. Encompassing Breton's and Aragon's textual accounts of the object, as well as paintings and the various kinds of objet surrealiste produced from the end of the 1920s, Malt mobilises the concept of the fetish in order to consider such works as meeting points of surrealism's psychoanalytic and revolutionary preoccupations.Reading surrealist works of art and literature as political is by no means the same thing as knowing the surrealistmovement to have been a politically motivated one. The revolutionary character of the surrealist work itself, in isolation from the polemical positions taken up by Breton and others on its behalf, is not always evident;indeed, the works themselves often seem to express a rather different set of concerns. As well as offering a new perspective on familiar works such as the paintings of Salvador Dali, and relatively neglected ones like Breton's poemes-objets, this book recuperates the gap between theory and practice as a productive space in which it is possible to recontextualize surrealist practice as an engagement with political questions on its own terms. This book offers a critical approach to the political claims of the surrealist movement, asking whether it is possible to theorize a connection between the surrealists' commitment to the cause of revolutionary socialism, and the form that surrealist art and writing took. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: new. Questo è un articolo print on demand.

Hardcover. Condizione: new. Hardcover. In a speech given in Prague in 1935, Andre Breton asked, 'Is there, properly speaking, a left-wing art capable of defending itself?'. But despite his conviction that surrealism did indeed offer such an art, Breton always struggled to make a theoretical connection between the surrealists' commitment to the cause of revolutionary socialism and the form that surrealist art and literature took. Obscure Objects of Desire explores ways in which such aconnection might be drawn, addressing the possibility of surrealist works as political in themselves and drawing on ways in which they have been considered as such by Marxists such as Benjamin and Adorno and by recentcultural critics. Encompassing Breton's and Aragon's textual accounts of the object, as well as paintings and the various kinds of objet surrealiste produced from the end of the 1920s, Malt mobilises the concept of the fetish in order to consider such works as meeting points of surrealism's psychoanalytic and revolutionary preoccupations.Reading surrealist works of art and literature as political is by no means the same thing as knowing the surrealistmovement to have been a politically motivated one. The revolutionary character of the surrealist work itself, in isolation from the polemical positions taken up by Breton and others on its behalf, is not always evident;indeed, the works themselves often seem to express a rather different set of concerns. As well as offering a new perspective on familiar works such as the paintings of Salvador Dali, and relatively neglected ones like Breton's poemes-objets, this book recuperates the gap between theory and practice as a productive space in which it is possible to recontextualize surrealist practice as an engagement with political questions on its own terms. This book offers a critical approach to the political claims of the surrealist movement, asking whether it is possible to theorize a connection between the surrealists' commitment to the cause of revolutionary socialism, and the form that surrealist art and writing took. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. In a speech given in Prague in 1935, Andre Breton asked, 'Is there, properly speaking, a left-wing art capable of defending itself?'. But despite his conviction that surrealism did indeed offer such an art, Breton always struggled to make a theoretical connection between the surrealists' commitment to the cause of revolutionary socialism and the form that surrealist art and literature took. Obscure Objects of Desire explores ways in which such aconnection might be drawn, addressing the possibility of surrealist works as political in themselves and drawing on ways in which they have been considered as such by Marxists such as Benjamin and Adorno and by recentcultural critics. Encompassing Breton's and Aragon's textual accounts of the object, as well as paintings and the various kinds of objet surrealiste produced from the end of the 1920s, Malt mobilises the concept of the fetish in order to consider such works as meeting points of surrealism's psychoanalytic and revolutionary preoccupations.Reading surrealist works of art and literature as political is by no means the same thing as knowing the surrealistmovement to have been a politically motivated one. The revolutionary character of the surrealist work itself, in isolation from the polemical positions taken up by Breton and others on its behalf, is not always evident;indeed, the works themselves often seem to express a rather different set of concerns. As well as offering a new perspective on familiar works such as the paintings of Salvador Dali, and relatively neglected ones like Breton's poemes-objets, this book recuperates the gap between theory and practice as a productive space in which it is possible to recontextualize surrealist practice as an engagement with political questions on its own terms. This book offers a critical approach to the political claims of the surrealist movement, asking whether it is possible to theorize a connection between the surrealists' commitment to the cause of revolutionary socialism, and the form that surrealist art and writing took. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. Obscure Objects of Desire | Surrealism, Fetishism, and Politics | Johanna Malt | Buch | Gebunden | Englisch | 2004 | OUP Oxford | EAN 9780199253425 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Condizione: New. Print on Demand pp. 248.

Condizione: New. Print on Demand pp. 248 Illus.

Condizione: New. PRINT ON DEMAND pp. 248.