John blockley music (15 risultati)

Softcover. Condizione: Good+. Disbound, two separated leaves. First leaf has a small tear to the upper margin. ; BAL Vol. V, p. 619, this printing not listed.

Softcover. Condizione: Very Good. Sheet music. Folio. Single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold from once being bound within an album as a result the insert remains bound to the bifolium, owner name in pencil on the front cover, light dampstains at the top of the front cover with light corresponding stains throughout, and foxing throughout, still a complete and very good copy. For voice and piano. Plate number, 31.…

Soft Covers. Condizione: Very Good. Undated but probably c. 1905> [list of 'The Musical Home Journal on rear cover - this started in 1905]. Pp 7. Upper fold has music tape strengthener; slight nick to centre of fold; lower fold split; otherwise this is a sound, clean copy; no previous names, markings, annotation etc and score is clean and bright. Image/further information available upon request. …

Softcover. Condizione: Good. Unknown edition. Folio. Two nested bifolia with a single sheet insert making ten pages. Outer bifolium separated along the fold and lacking the back cover though the score remains complete, inner bifolium nearly separated along the fold, owner name in pencil on the front cover, light offsetting and foxing throughout, and light edgewear, a good only copy. For voice and piano. Plate number, 21437. A few different publishers appear to have produced copies of this composition by John Blockley to Longfellow's poem, but *OCLC* locates only two of this edition published by Oliver Ditson.…

Softcover. Condizione: Fair. Possibly the first American edition. Folio. Originally two nested bifolia making eight pages. Both bifolias are neatly separated along the fold with all leaves present save for the final page/back cover which did not contain any music, edgewear including tears with a few tape repairs, and the front cover trimmed shorter than the rest, a fair only copy but with the complete music. For voice and piano. Plate number, 9683 4. We believe this may be the first American edition, an edition was published in London in 1855 and the address given here for Lee & Walker suggests this edition was published in 1856. *OCLC* locates only a single physical holding of this Lee & Walker edition (21 digital holdings) and it appears to be equally scarce in the trade.…

Softcover. Condizione: Good. Unknown edition. Lithograph by J.H. Bufford. Folio. Single bifolium with a single-sheet-insert making six pages. Bifolium neatly separated along the fold with both leaves present, early tape repair to the unprinted verso of the front cover resulting in corresponding offsetting to the front cover, light edgewear, and light foxing and offsetting throughout, a complete but good only copy. For voice and piano. Plate number, 8368. *OCLC* locates only a single holding and it appears to be equally scarce in the trade.…

Softcover. Condizione: Very Good. Unknown edition. Originally two nested bifolia with a single-sheet-insert making ten pages. Outer bifolium notched and worn along the fold from once being bound within an album as a result the leaves remain bound together, a small ink notation at the top of the front cover, soiling throughout, and light edgewear, a complete but good only copy. For voice and piano. Plate imprint, "Ring out wild bells." *OCLC* locates eight holdings (some attributing publication to John Blockley) and it appears to be equally uncommon in the trade.…

Softcover. Condizione: Very Good. Unknown edition. Folio. Wrappers. 5pp. Notched along the spine from once being bound within an album, light foxing throughout, and rubbing to the exterior, still a very good and complete copy. For voice and piano. Plate number, 362-5. There are quite a few holdings of this song by different publishers recorded by *OCLC*, but this W.H. Oakes edition is unrecorded.…

Softcover. Condizione: Good. Unknown edition. Folio. 6pp. Wrappers. The front wrapper and first leaf are separated from the spine but present, pages five/six are separating from the spine, notched and worn along the spine from once being bound within an album, foxing and offsetting throughout, and possibly missing the rear wrapper, an otherwise complete but good only copy. For voice and piano. Front cover states, "No. 1 Songs from The Princess." We suspect that the bottom of the pages have been trimmed to fit within an album, though not affecting any of the music, it may have cut off the publisher's information. The bottom of the last page reads, "Published by John Blockley. 23 Gloucester St. Regent's Plc.," the bottom of the first page reads, "Published by the kind permission of Mr. Moxon," and across 15 holdings in *OCLC* there are six different publisher's listed. Regardless, it remains a complete score with a wonderful cover illustration.…

Softcover. Condizione: Good. Unknown edition. Folio. Two nested bifoliums making eight pages. Outer bifolium nearly separated along the fold, a large dampstain to the bottom of the front cover affecting throughout, music shop blind stamp on the front cover, a "J. Blockley" blind stamp at the top of each page, and edgewear, a complete but good only copy. For voice and piano. There a few different London publications of this song and while all appear somewhat scarce, *OCLC* records only two holdings of this edition published by Cramer, Beale & Co.…

Softcover. Condizione: Very Good. Unknown edition. Folio. Two nested bifolia with a single sheet insert making ten pages. Notched and worn with some loss along the fold from once being bound within an album, light edgewear, a stain to the unprinted back cover not affecting the verso, and toning to the fore edge of the insert, a very good copy. For voice and piano. Plate imprint, "The Memory of the Past. John Blockley." The illustration on the front cover is colored with a striking gradient effect we have never seen before on a piece of sheet music. *OCLC* locates only two holdings of this song and it appears to be equally scarce in the trade.…

Softcover. Condizione: Very Good. Unknown edition. Folio. Two nested bifoliums making eight pages. Notched and worn along the folds from once being bound within an album, toning and some light foxing throughout, still a very good and complete copy. For voice and piano. A musical setting to one of Longfellow's most celebrated poems with a rather haunting cover illustration. There are a few versions of this piece produced by different publishers, but *OCLC* locates only seven holdings of this edition published by Blockley.…

Softcover. Condizione: Very Good. Unknown edition. Folio. Single bifolium with two single-sheet inserts making for eight pages. Internal tape repair to the bifolium along the length of the fold, toning and offsetting throughout, and each page numbered in ink from once being part of an album, still a very good and complete copy. For voice and piano. "Composed and Inscribed to Charles Dickens Esq." *OCLC* locates three holdings.…

Softcover. Condizione: Good. Unknown edition. Two scores in one volume. Folio. Wrappers. Leaves separated at the spine, a dampstaining along the foot of the spine partially affecting the wrappers and only slightly affecting the interior, toning, and edgewear, still a good copy with the score complete but possibly lacking the rear wrapper. For solo voice and piano. Plate impression "The Consecration of the Banner." *OCLC* locates five holdings of this title.…

Softcover. Condizione: Very Good. Unknown edition. Lithograph by A. Laby. Folio. 7pp. Wrappers. Notched and worn along the spine from once being bound within an album, music shop blind stamp on the front cover, toning and light soiling throughout but mostly limited to the margins, still a very good and complete copy. For voice and piano. Plate imprint, "The Charge of the Light Brigade!" Includes a brief introductory statement, Tennyson's note to the first publication after its appearance in *The Examiner* (which was printed exclusively for the soldiers), and the printed poem, in addition to the musical setting. One of Tennyson's most famous poems set to music with a dramatic cover illustration perfect for framing. *OCLC* locates only five holdings and it appears to be equally scarce in the trade.…