john davies jump (15 risultati)

Paperback. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: USED Good. a selection of critical essays edited by John Jump.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Softcover. Condizione: Fine. Reprint dated 2002 as stated. Text is clean, pages are white and crisp. Binding is tight and solid. Minor shelving wear to edges; otherwise, copy is in excellent condition. Preface by editor dated 1964. 179 pp. Quantity Available: 1. Shipped Weight: Under 250 grams. Category: Literature & Literary; ISBN: 0415039606. ISBN/EAN: 9780415039604. Pictures of this item not already displayed here available upon request. Inventory No: 1561002620.

Hardcover. 2d impr., corr. viii, 185 p.; 19 cm. [First printed in 1955] VG orig. red boards in p-c illus. dj. Outer leaves lt. foxed.

Hardcover. Condizione: Fair. Beschriftungen / Markierungen bis 20 %; Ohne Umschlag; Aus Bibliothek aussortiert.

Cloth. Condizione: Fine. Condizione sovraccoperta: Near Very Fine. First Edition. (1st) Smaller, thinner book, light green cloth with embossed title on front, gilt lettering very bright on spine, 77 lightly browned heavy pages. DJ beneath mylar, price-clipped, glossy red and white with design, white spine and back are lightly and uniformly browned. Near Very Fine DJ/Very Fine book.

brossura. Condizione: Poor. Copertina: in brossura, con segni d'usura ai margini, ombrataa lievemente. Pagine testo: ingiallite, brunite ai margini, con sottolineature a matita. Taglio: sporco. 925 p. ; 21 cm 925 0192810685 Mediocre (Poor) . Book.

Hardback. Condizione: New. The authors in this collection join an animated debate on the persistence of Romanticism. Even as dominant twentieth-century cultural movements have contested Romantic ""myths"" of redemptive Nature, individualism, perfectibility, the transcendence of art, and the heart's affections, the Romantic legacy survives as a point of tension and of inspiration for modern writers. Rejecting the Bloomian notion of anxious revisionism, ""The Monstrous Debt"" argues that various kinds of influences, inheritances, and indebtedness exist between well-known twentieth-century authors and canonical Romantic writers. Among the questions asked by this volume are: How does Blake's graphic mythology submit to ""redemptive translations"" in the work of Dylan Thomas? How might Ted Hughes' strong readings of a ""snaky"" Coleridge illuminate the ""mercurial"" poetic identity of Sylvia Plath? How does Shelley ""sustain"" the work of W. B. Yeats and Elizabeth Bishop with supplies of ""imaginative oxygen""? In what ways does Keats enable Bob Dylan to embrace influence? How does Keats prove inadequate for Tony Harrison as he confronts contemporary violence? How does ""cockney"" Romanticism succeed in shocking John Betjeman's poetry out of kitsch into something new and strange? ""The Monstrous Debt"" seeks to broaden our sense of what ""influence"" is by defining the complex of relations that contribute to the making of the modern literary text. Scholars and students of the Romantic era will enjoy this informative volume.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Title: Byron-A Symposium. Macmillan, 1975. First edition. Hardcover, in jacket. 181 pages, notes, index. Author: J. Dump (Ed.)Condition: VERY GOOD. Clean, glossy jacket, bright, unmarked pages. About the book: Collection of essays, mostly based on lectures given during the commemoration of the 150th. anniversary of Byron's death. All our books are securely packed, and dispatched without delay. Quantity Available: 1. Category: Literature & Literary; ISBN: 0333178289. ISBN/EAN: 9780333178287. Pictures of this item not already displayed here available upon request. Inventory No: ABE-5874684785.

Condizione: New. pp. 184.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardback. Condizione: New. The authors in this collection join an animated debate on the persistence of Romanticism. Even as dominant twentieth-century cultural movements have contested Romantic ""myths"" of redemptive Nature, individualism, perfectibility, the transcendence of art, and the heart's affections, the Romantic legacy survives as a point of tension and of inspiration for modern writers. Rejecting the Bloomian notion of anxious revisionism, ""The Monstrous Debt"" argues that various kinds of influences, inheritances, and indebtedness exist between well-known twentieth-century authors and canonical Romantic writers. Among the questions asked by this volume are: How does Blake's graphic mythology submit to ""redemptive translations"" in the work of Dylan Thomas? How might Ted Hughes' strong readings of a ""snaky"" Coleridge illuminate the ""mercurial"" poetic identity of Sylvia Plath? How does Shelley ""sustain"" the work of W. B. Yeats and Elizabeth Bishop with supplies of ""imaginative oxygen""? In what ways does Keats enable Bob Dylan to embrace influence? How does Keats prove inadequate for Tony Harrison as he confronts contemporary violence? How does ""cockney"" Romanticism succeed in shocking John Betjeman's poetry out of kitsch into something new and strange? ""The Monstrous Debt"" seeks to broaden our sense of what ""influence"" is by defining the complex of relations that contribute to the making of the modern literary text. Scholars and students of the Romantic era will enjoy this informative volume.

hardcover. Condizione: Acceptable. Ex-library book, usual marking. Clean copy in good condition. Coffee/tea stain on pp. 126-27. Stained at fore and bottom edges. Quick dispatch from UK seller.