John henry keux (69 risultati)

Condizione: New. Jewitt, Thomas Orlando Sheldon; Le Keux, John (illustratore).

Condizione: New. Jewitt, Thomas Orlando Sheldon; Le Keux, John (illustratore).

Single sheet. A view from the top of the city down to the sea. The tower of Llandaff Cathedral and smoking factory chimneys, the dominant features. A steel engraving with later hand colouring. In very good and clean state. A guaranteed genuine antique print. A steel engraving with later hand colouring. In very good and clean state. A guaranteed genuine antique print. Image 18 x 12 cm.…

Condizione: New. Jewitt, Thomas Orlando Sheldon; Le Keux, John (illustratore).

No Binding. Condizione: Very Good. Print is 19cm by 13cm. Delicately hand coloured. The surround is a bit browned. Johan Wolfensberger died in 1850 so presumably from before that date.Unmounted. Wolfensberger (artist), John Henry Le Keux (engraver) (illustratore).

1. Original-Stahlstich von Le Keux (in der Platte signiert) nach Bartlett auf rückseitig unbedrucktem Büttenblatt, extrem feine und detailreiche Ansicht, bildliche Darstellung ca. 17 x 12,5 cm, Blattgröße ca. 27 x 20,5 cm (jeweils Höhe x Breite), sauber und sehr gut erhalten, sehr schönes und seltenes Blatt 1100 gr.…

Antique 19th-century engraving with the ruined interior of Iona Abbey (Hebrides, Scotland): the choir looking east, with the east window and the sea beyond under the arch at the right. Drawn by R. W. Billings and engraved by J. H. Le Keux. From Robert William Billings's The Baronial and Ecclesiastical Antiquities of Scotland, published in Edinburgh by William Blackwood & Sons between 1845 and 1852, the great illustrated survey of Scottish medieval architecture. The Le Keux family were the most highly regarded architectural engravers of Victorian England. Medium: Steel engraving (intaglio). Artist / after: R. W. Billings. Engraver / lithographer: J. H. Le Keux. Source: Edinburgh, William Blackwood & Sons. Condition: Paper with light toning and some scattered staining; small tears and soiling at the upper edge, outside the image. Español Grabado original antiguo del siglo XIX con el interior en ruinas de la abadía de Iona (Hébridas, Escocia): el coro mirando a levante, con la ventana del testero y el mar al fondo bajo el arco de la derecha. Dibujó R. W. Billings y grabó J. H. Le Keux. Procede de The Baronial and Ecclesiastical Antiquities of Scotland de Robert William Billings, publicada en Edimburgo por William Blackwood & Sons entre 1845 y 1852, la gran recopilación ilustrada de la arquitectura medieval escocesa. Los Le Keux fueron la saga de grabadores de arquitectura más reputada de la Inglaterra victoriana. Técnica: Grabado sobre acero (talla dulce). Autor / dibujante: R. W. Billings. Grabador / litógrafo: J. H. Le Keux. Procedencia: Edimburgo, William Blackwood & Sons. Estado de conservación: Papel con leve amarilleo y alguna mancha dispersa; pequeñas roturas y suciedad en el borde superior, fuera de la imagen. Antigüedades y coleccionables > Arte. Le Keux, John Henry (1812-1896) (illustratore).…

Original 19th-century engraving with the ivy-covered abbey of Pluscarden, Moray, Scotland, drawn by Robert William Billings and engraved by John Henry Le Keux. A steel engraving, hand-colored at a later date. From The Baronial and Ecclesiastical Antiquities of Scotland, Billings's illustrated repertory. The monastery was founded in 1230 by Alexander II of Scotland for the Valliscaulian Order and is today a Benedictine priory. Medium: Steel engraving, hand-colored. Artist / after: Robert William Billings (1812-1874). Engraver: John Henry Le Keux (1812-1896). Source: The Baronial and Ecclesiastical Antiquities of Scotland. Dimensions: 9.1 x 7.7 in (23 x 19.5 cm). Condition: Fair. Light foxing spots in the margins, outside the image. Español Grabado original del siglo XIX con la abadía de Pluscarden (Moray, Escocia) cubierta de hiedra, dibujada por Robert William Billings y grabada por John Henry Le Keux. Grabado calcográfico sobre acero, coloreado a mano con posterioridad. Procede de The Baronial and Ecclesiastical Antiquities of Scotland, el repertorio ilustrado de Billings. El monasterio fue fundado en 1230 por Alejandro II de Escocia para la orden de Valliscaulium y hoy es priorato benedictino. Técnica: Grabado sobre acero, coloreado a mano. Autor / dibujante: Robert William Billings (1812-1874). Grabador: John Henry Le Keux (1812-1896). Procedencia: The Baronial and Ecclesiastical Antiquities of Scotland. Medidas: 23 x 19,5 cm. Estado de conservación: correcta. Leves puntos de humedad (foxing) en los márgenes, fuera de la imagen. Antigüedades y coleccionables > Arte. Le Keux, John Henry (1812-1896) (illustratore).…

Original hand-colored steel engraving with the east view of Glasgow Cathedral. Drawn by Robert William Billings and engraved by J. H. Le Keux for "The Baronial and Ecclesiastical Antiquities of Scotland", published in Edinburgh between 1845 and 1852. Medium: Steel engraving, hand-colored. Artist / after: Robert William Billings. Engraver: J. H. Le Keux. Date: 1847. Source: R. W. Billings, "The Baronial and Ecclesiastical Antiquities of Scotland", Edinburgh. Dimensions: 10.4 x 7.9 in (26.5 x 20 cm). Condition: Good. Some light rust spotting at the top of the paper; fresh color and a crisp image. Español Grabado original sobre acero coloreado a mano con la vista este de la catedral de Glasgow. Dibujado por Robert William Billings y grabado por J. H. Le Keux para "The Baronial and Ecclesiastical Antiquities of Scotland", publicada en Edimburgo entre 1845 y 1852. Técnica: Grabado sobre acero coloreado a mano. Autor / dibujante: Robert William Billings. Grabador: J. H. Le Keux. Fecha: 1847. Procedencia: R. W. Billings, "The Baronial and Ecclesiastical Antiquities of Scotland", Edimburgo. Medidas: 26,5 x 20 cm. Estado de conservación: Buena. Algunas manchas leves de oxidación en la parte superior del papel; color fresco e imagen nítida. Antigüedades y coleccionables > Arte. Le Keux, John Henry (1812-1896) (illustratore). …

Original hand-colored steel engraving of St Monance church, standing on the sea-beaten rocks of the Fife coast. Drawn by Robert William Billings and engraved by J. H. Le Keux for "The Baronial and Ecclesiastical Antiquities of Scotland". Medium: Steel engraving, hand-colored. Artist / after: Robert William Billings. Engraver: J. H. Le Keux. Date: 1847. Source: R. W. Billings, "The Baronial and Ecclesiastical Antiquities of Scotland", Edinburgh. Dimensions: 10.4 x 7.9 in (26.5 x 20 cm). Condition: Good. Rust spotting at the upper right corner and along the edges of the paper; image and color well preserved. Español Grabado original sobre acero coloreado a mano de la iglesia de St Monance, alzada sobre las rocas batidas por el mar en la costa de Fife. Dibujado por Robert William Billings y grabado por J. H. Le Keux para "The Baronial and Ecclesiastical Antiquities of Scotland". Técnica: Grabado sobre acero coloreado a mano. Autor / dibujante: Robert William Billings. Grabador: J. H. Le Keux. Fecha: 1847. Procedencia: R. W. Billings, "The Baronial and Ecclesiastical Antiquities of Scotland", Edimburgo. Medidas: 26,5 x 20 cm. Estado de conservación: Buena. Manchas de oxidación en la esquina superior derecha y en los bordes del papel; imagen y color bien conservados. Antigüedades y coleccionables > Arte. Le Keux, John Henry (1812-1896) (illustratore).…

Original 1847 steel engraving, hand-colored, with the south side of the refectory and the gatehouse of Dunfermline Abbey, in Scotland, taken from the ivy-covered ruins. Drawn by R. W. Billings and engraved by J. H. Le Keux, as lettered at the foot. It comes from The Baronial and Ecclesiastical Antiquities of Scotland by Robert William Billings, which William Blackwood & Sons published in Edinburgh between 1845 and 1852: the most ambitious illustrated survey devoted to Scottish medieval architecture. Dunfermline Abbey was a royal mausoleum and the burial place of Robert I of Scotland, Robert the Bruce. Medium: Steel engraving, hand-colored. Artist / after: Robert William Billings. Engraver: John Henry Le Keux. Date: 1847. Source: The Baronial and Ecclesiastical Antiquities of Scotland, William Blackwood & Sons, Edinburgh. Dimensions: 11.4 x 8.4 in (29 x 21.3 cm). Condition: Good overall. Paper somewhat toned in the margins, with light staining and small areas of wear along the lower and left edges; image clean and the coloring well preserved. Español Grabado original en acero de 1847, coloreado a mano, con el costado sur del refectorio y la portería de la abadía de Dunfermline, en Escocia, tomados de las ruinas invadidas por la hiedra. Dibujado por R. W. Billings y abierto por J. H. Le Keux, según consta al pie. Procede de The Baronial and Ecclesiastical Antiquities of Scotland, de Robert William Billings, que William Blackwood & Sons publicó en Edimburgo entre 1845 y 1852: el repertorio ilustrado más ambicioso dedicado a la arquitectura medieval escocesa. La abadía de Dunfermline fue panteón real y lugar de enterramiento de Roberto I de Escocia, Robert the Bruce. Técnica: Grabado sobre acero coloreado a mano. Autor / dibujante: Robert William Billings. Grabador: John Henry Le Keux. Fecha: 1847. Procedencia: The Baronial and Ecclesiastical Antiquities of Scotland, William Blackwood & Sons, Edimburgo. Medidas: 29 x 21,3 cm. Estado de conservación: Buena en conjunto. Papel algo tostado en los márgenes, con leves manchas y pequeños desgastes en los bordes inferior e izquierdo; imagen limpia y coloreado bien conservado. Antigüedades y coleccionables > Arte. Le Keux, John Henry (1812-1896) (illustratore).…

A 19th-century steel engraving of the main square of Mechelen (Malines) and the unfinished tower of St. Rumbold's Cathedral, enlivened by the market, its awnings and groups of market women in the foreground. Drawn by Thomas Allom and engraved by John Henry Le Keux, with the imprint of Peter Jackson, London and Paris. Thomas Allom (1804-1872), architect and draughtsman, was one of the most prolific view illustrators of Victorian England, author of the well-known series on China, Constantinople and the countries of Europe. Medium: steel engraving, black and white. Artist / after: Thomas Allom (1804-1872). Engraver: John Henry Le Keux (1812-1896). Date: 19th century. Source: Peter Jackson, London and Paris (per the imprint). Dimensions: Plate mark 6.7 x 9.9 in (17 x 25.2 cm). Condition: good condition, with wide margins; a light crease mark in the upper margin. Español Grabado original del siglo XIX con una vista de la plaza mayor de Malinas (Mechelen) y la torre inacabada de la catedral de San Rumoldo, animada por el mercado, sus toldos y los grupos de vendedoras en primer término. Dibujó Thomas Allom y grabó John Henry Le Keux, con pie editorial de Peter Jackson, Londres y París. Thomas Allom (1804-1872), arquitecto y dibujante, fue uno de los ilustradores de vistas más prolíficos de la Inglaterra victoriana, autor de las conocidas series sobre China, Constantinopla y los países de Europa. Técnica: grabado calcográfico sobre acero, en blanco y negro. Autor / dibujante: Thomas Allom (1804-1872). Grabador: John Henry Le Keux (1812-1896). Fecha: siglo XIX. Procedencia: Peter Jackson, Londres y París (según el pie). Medidas: huella 17 x 25,2 cm. Estado de conservación: buena conservación, con márgenes amplios; leve marca de pliegue en el margen superior. Antigüedades y coleccionables > Arte. Le Keux, John Henry (1812-1896) (illustratore). …

1. Original-Stahlstich in Aquatinta-Manier von Le Keux (in der Platte signiert) nach einer Zeichnung von Wagner auf rückseitig unbedrucktem Büttenblatt, extrem feine und detailreiche Ansicht, bildliche Darstellung ca. 15,5 x 10 cm, Kartongröße ca. 21,5 x 14 cm (jeweils Höhe x Breite), sauber und sehr gut erhalten 2100 gr.…

Condizione: Good. Engraving. 5 1/4 x 3 3/4 in. (image); 7 7/8 x 5 1/8 in. (sheet). Very Good, light toning and foxing in the margins and image.

Condizione: Good. Hand-colored engraving. 5 1/4 x 3 3/4 in. (image); 7 7/8 x 5 1/8 in. (sheet). Very Good, light toning and foxing in the margins, a crease in upper right margin.

Condizione: Good. Hand-colored engraving. 5 x 7 1/4 in. (image); 9 x 12 in. (sheet). Very Good, light toning and foxing in the margins, tape along verso top sheet edge.

1. Original-Stahlstich von Le Kreux (in der Platte signiert) nach Bartlett und Brooke auf Büttenblatt, sehr geschmackvoll koloriert, bildliche Darstellung ca. 22 x 14 cm, Passepartoutgröße ca. 31,5 x 27 cm, unter Schrägschnitt-Passepartout montiert, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und sehr gut erhalten, selten 2100 gr.…

Softcover. Condizione: Very Good. Folded for mailing. Remains of prior mounting on the reverse. Tiny chips to the lower outer corner and one to the center of the right edge. ; Handwritten note, one page, signed J. H. Le Keux. Approx. 4 3/8" wide by 7". Handwritten heading 30 [or 31] Argyle St, New Road, April 19/50 [or 56]. To H. [Henry] Mogford. In its entirety "I am glad to see the announcement of a picture gallery at Sydenham under your direction. Do you admit Water Colour! If so I shall be glad to contribute.".…

Brown hardback cloth cover. Condizione: Good. First Edition. G : in good condition. Cover lightly rubbed with some edge wear. Respined with new eps and tape reinforcements. Some browning and age toning to plates. 300mm x 230mm (12" x 9"). 80 plates,4pp, viii, xx, 40pp, + plates. 80 plates. Heavy item - shipping supplement may apply for overseas.…

80 plates of which two on stained glass are coloured, 64pp, 10pp publishers catalogue (this dated 1837) 30x23, boards, pasted on spine label. Covered rather rubbed, with small hole on front edge of spine, foxing and damp marks on most plates, text less affected, edges of pages a little rubbed, binding cracking in a few places. Important Gothic revival source book, with its fine accurate measured drawings, reissued in the 1870s in an edition edited by Spiers. Editor's Introduction explains why Nattali had felt in necessary to issue the essays separately to the engravings (to avoid the "arbitrary and oppressive" requirement to lodge no few than eleven copies of each book in public libraries, something that was prohibitive for heavily illustrated books like this); readers were then encouraged to reassemble their separate purchases. The date on the catalogue suggest that this copy was probably bound by the publisher in around 1837. …

Couverture rigide. Condizione: Assez bon. Historical and descriptive essays accompanying a series of Engraved Specimens of The Architectural Antiquities of Normandy. Edited by John Britton. The subjects measured and drawn by Augustus Pugin and engraved by John and Henry Le Keux.London, Britton - 1828. Eighty prints (80 planches légendées). 40 pages de texte.Reliure demi basane rouge de l'époque. Dos lisse muet. Étiquette de titre sur le premier plat. Accident au dos. 1er plat en partie détaché. Plats frottés. Pas de rousseur. Intérieur en bon état. Format in-4°(30x24). …

Hardcover. Condizione: Near Fine. 1st Edition. The Engraved title page is dated 1827 and the printed title dated 1828, also the dedication is dated 1828. The plates are all dated between 1825 and 1827. PP: xx, 40, 4, Plus the plates. Contemporary half leather, rubbed and faded; occasional browning and foxing. Size: 29 X 23 Cms.…

First Edition. Worn copy bound in quarter leather over buckram boards with a gilt title to the spine. Some slight wear and tear as with age. Remains well preserved overall; bright, clean and sharp-cornered. Includes previous owner's inscription. Physical description; 291 p., CXI [i.e. CXV] leaves of plates : ill., plans ; 35 cm. Notes; "An extensive series of plates and many hundred engravings on wood." Includes index. Subjects; Carpentry. Joinery. Geometrical drawing. Framing (Building). Carpentry. Geometry and geometrical drawing. Joinery. Genres; Engraved title pages - Scotland - 1860. Engraved title pages - Scotland - 1869. Etchings - Scotland - 1860. Etchings - Scotland - 1869. Illustrated. Library bindings - England - 1894. Library bindings - England - 1934. Library bindings - England - 1974. Marbled papers - England - 1894. Steel engravings - Scotland - 1860. Steel engravings - Scotland - 1869. Treatises - Scotland - 1860. Wood engravings - Scotland - 1860. Wood engravings - Scotland - 1869. 3 Kg.…

Cloth with leather spine. Condizione: G/No Dustjacket. First Edition. London, UK: J. Britten. G/No Dustjacket. 1827. First Edition. Cloth with leather spine. Cover is rubbed, bumped, leather has scrapes, corners are frayed, The front hinge has separated from the textblock, rear hinge is cracked and weak. There is a hinge crack inside the textblock. light foxing Each plate is separated by a blank sheet. Pugin is credited as the pioneer of Gothic Revival. Two stained glass plates are hand colored. . 4to., 80 plates, 64 pp text. . Black&White/Color Plates (illustratore).…

First Edition. Worn copy bound in quarter leather over buckram boards with a gilt title to the spine. Some slight wear and tear as with age. Remains well preserved overall; bright, clean and sharp-cornered. Includes previous owner's inscription. Physical description; 291 p., CXI [i.e. CXV] leaves of plates : ill., plans ; 35 cm. Notes; "An extensive series of plates and many hundred engravings on wood." Includes index. Subjects; Carpentry. Joinery. Geometrical drawing. Framing (Building). Carpentry. Geometry and geometrical drawing. Joinery. Genres; Engraved title pages - Scotland - 1860. Engraved title pages - Scotland - 1869. Etchings - Scotland - 1860. Etchings - Scotland - 1869. Illustrated. Library bindings - England - 1894. Library bindings - England - 1934. Library bindings - England - 1974. Marbled papers - England - 1894. Steel engravings - Scotland - 1860. Steel engravings - Scotland - 1869. Treatises - Scotland - 1860. Wood engravings - Scotland - 1860. Wood engravings - Scotland - 1869. 3 Kg.…

Leather. Condizione: Very Good Indeed. First edition. Two volumes bound together of these fascinating first editions of fundamental works on English ecclesiastical architecture by John Britton, with superb illustrations. Two works by nineteenth-century, antiquary, John Britton. Comprised of; the 1817 first edition The History and Antiquities of the See and Cathedral Church of Winchester, bound with the 1819 first edition of The History and Antiquities of the Metropolitical Church of York.Two books bound in one volume of half calf with marble covered boards.Illustrated with two engraved title pages, additionally, Winchester Cathedral with a frontispiece and twenty-nine further plates, York Cathedral with thiry-four plates [xxx and xxv omitted]. Collated complete from digitised copies held by the New York Public Library and Harvard University via The Hathi Trust.These works were published as part of a monumental, fourteen-volume series on ecclesiastical architecture entitled; Cathedral Antiquities of England: Or, an Historical, Architectural, and Graphical Illustration of the English Cathedral Churches andproduced by Britton between 1814 and 1835.The series included surveys of the Cathedrals at Salisbury, Norwich, Winchester, York, Lichfield, Oxford, Canterbury, Wells, Exeter, Peterborough, Gloucester, Bristol, Hereford and Worcester.The copious beautiful plates required a remarkable collaboration between multiple renowed artists and engravers.With many ambitious ventures such as this having failed during the nineteenth-century, Britton is celebrated as an early populariser of the genre of vast, detailed topographical works. Two books bound in one, with a half calf binding and marbled boards. Externally, in smart condition. Noticeable scuffs to paper covers. Wear from rubbing to extremities and joints. The odd mark to leather. Rebound, with new end papers. Hinges starting but firm. Internally, firmly bound. Pages bright and clean. Plates collated complete, numbers xxx and xxv omitted in original publication. Offsetting from plates to opposing pages throughout. Scattered spotting to pages and plates, Notably to Winchester engraved title page. Age toning throughout. Very Good Indeed. Edward Blore; Frederick Mackenzie; John and Henry Le Keux; Charles Askey; Augustus Pugin; Charles Ferdinand Porden; Thomas Frazer Ranson; Samuel Rawle; R.C. Roffe; Robert Sands; John Scott; Edmund Turrell (illustratore). book.…

Condizione: Good. Large folio. 3/4 red morocco and red roan boards, repaired. 59 x 45 cm.[62] p., [29] pl.; 606 mm. Some foxing. Tissue guards.OCLC Number: 1105189Each plate gives the name of the source-artist and is signed by its engraver. The engravers were H. Le Keux, George T. Doo, W. Bromley, J.H. Watt, E. Goodall, John Pye, William Miller, W. Humphrys, John Burnet, J. Stewart, W. Greatbatch, John H. Robinson, R. Golding, W. Finden and J. Le Keux. Each plate carries the publisher's imprint of John Pye, and the name of the printer, McQueen. The work is dedicated to King William IV by John Burnet, George Cooke, George T. Doo, William Finden, Edward Goodall, John Le Keux, Henry Le Keux, John Pye and John H. Robinson.The title page and plate [10] carry the date of 1840, but all other plates carry an earlier date - 1830 March 1 (nos. 5, 17, 24, 26, 28); 1832 March (1, 9, 11); 1837 March (1) (2, 14, 19, 20, 22, 29); 1834 Sep. 1 (6, 15, 16); 1836 July (1) (12, 13, 21, 25); 1837 July (3, 8, 18, 27); 1839 Aug. (4, 23); 1839 Nov. (7). The idea of publishing a series of engravings after paintings in the National Gallery (which had opened to the public in 1824) originated with John Pye, and was subsidised by John Sheepshanks. Seven instalments appeared by 1840. Pye was a leading advocate of the Royal Academy's opening full Membership to engravers. He had petitioned the Prince Regent for this in 1812; in 1826 he and other leading engravers vowed never to apply for Associateship; in 1836 and 1859 he published pamphlets attacking the Academy. Each plate is accompanied by one leaf of printed explanatory text (in English on the recto, in French on the verso); and each is captioned. They show: [1]'A view of Venice' by Canaletto; [2]'Christ appearing to St. Peter' by Ann. Carracci; [3] 'Silenus' by Ann. Carracci; [4] 'Susanna and the elders' by Lud. Carracci; [5] 'An Italian sea-port' by Claude; [6] 'The marriage-festival of Isaac and Rebecca' by Claude; [7] 'The embarkation of St. Ursula' by Claude; [8] 'A pastoral landscape' by Claude; [9] 'The Annunciation' (in text, ' . appearance of the angel to Hagar') by Claude; [10] 'The Holy Family' by Correggio; [11] 'Evening' by A. Cuyp; [12] 'The market cart' by Gainsborough; [13] 'The watering place' by Gainsborough; [14] 'Spanish peasant boy' by Murillo; [15] 'A landscape with figures representing Abraham preparing for the sacrifice' by Gaspar Poussin; [16] 'A Bacchanalian scene' by N. Poussin; [17] 'The adoration of the shepherds' by Rembrandt; [18] 'The Crucifixion' (in text 'Christ taken down from the Cross') by Rembrandt; [19] 'Portrait of a Jew' by Rembrandt; [20] 'The banished lord' by Reynolds; [21] 'Lord Heathfield' by Reynolds; [22] 'The rape of the Sabines' by Rubens; [23] 'Peace and War' by Rubens; [24] 'Gevartius' by A. Van Dyck; [25] 'The Emperor Theodosius refused admission into the church' by Van Dyck; [26] 'Portrait of Rubens' by Van Dyck; [27] 'The consecration of St Nicolas' by Veronese; [28] 'The village festival' by D. Wilkie; [29] 'Maecenas' villa at Tivoli' by R. Wilson.Ref: A. Dyson, Picture to print: the nineteenth-century engraving trade (1984); C. Fox, 'The engraver's battle for professional recognition in early nineteenth-century London', in London journal, 2 (1976), p.3-31. …

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1825 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 28 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 28.…

No Binding. Condizione: Good. Cathedral and Market Place, Mechlin. A view of St. Rumbold's Cathedral in Mechelen. Steel Engraving by John Henry Le Keux (1812-1896), after Thomas Allom (1804-1872), c. 1850. Source: Published in London by Longman &co. Good condition. Paper slighty browned. Some minor creasing. Verso: blank. Dimensions: 113 x 174 mm. c. 1850. Print.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1859 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 135 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 135 Volume 1 Language: English.…