John newenham summerson (47 risultati)

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Trade Paperback. Condizione: Used - Very Good.

Soft cover. Condizione: Very Good. trade paperback in very good minus condition.

Trade Paperback. Condizione: Used - Very Good. The architecture produced between 1700 and 1800 represents a classic perfection which no later age has equaled. The first half of the eighteenth century was pervaded by the spirit of the Baroque, epitomized most completely in palaces and churches: Schonbrunn in Vienna, the Winter Palace in St. Petersburg, the dazzling theatrical churches and Residenzes of Germany and Central Europe. After 1750 architecture turned away from Baroque toward Neo-classicism, whose most characteristic types included private houses, institutional buildings and planned towns--Bath, Philadelphia and Washington, with their theaters, museums, hospitals and banks. Summerson provides a succinct and elegant summary of the entire period, bringing into focus not only the stunning beauty of these buildings, but also the background of ideas from which they sprang. Book has remainder mark on text edge. Used copy with light wewar. …

Trade Paperback. Condizione: Used - Very Good. Classical architecture is a visual 'language' and like any other languagehas its own grammatical rules. Classical buildings as widely spaced in time as aRoman temple, an Italian Renaissance palace and a Regency house all show anawareness of these rules even if they vary them, break them or poetically contradictthem. Sir Christopher Wren described them as the 'Latin' of architecture and theanalogy is almost exact. There is the difference, however, that whereas the learningof Latin is a slow and difficult business, the language of classical architecture isrelatively simple. It is still, to a great extent, the mode of expression of oururban surroundings, since classical architecture was the common language of thewestern world till comparatively recent times. Anybody to whom architecture makes astrong appeal has probably already discovered something of its grammar forhimself.in this book, the author's purpose is to set out as simply and vividly aspossible the exact grammatical workings of this architectural language. He is lessconcerned with its development in Greece and Rome than with its expansion and use inthe centuries since the Renaissance. He explains the vigorous discipline of 'theorders' and the scope of 'rustication'; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the'modern' architecture of today. The book is intended for anybody who cares forarchitecture but more specifically for students beginning a course in the history ofarchitecture, to whom a guide to the classical rules will be an essentialcompanion. The author's purpose is to set out as simply and vividly as possible the exact grammatical workings of an architectural language. Book is signed by previous owner. Very nice clean, tight copy free of any marks. Used copy with only slight wear.…

Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good-. Rounded corner, owner info to front free endpaper, blue underlining on 9 pages of the text, otherwise solid, reading condition with all illustrations in excellent condition; light wear to dust jacket; Walter Neurath Memorial Lectures; 8vo 8" - 9" tall; 60 pages. Well-illustrated (illustratore).…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Near fine book and jacket. Price-clipped.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

hardcover. Condizione: Good. Unclipped. Presumed first ed., 1970; 131 p., clean and unmarked except for name of former owner, a distinguished architect, on upper corner of front end paper; paper strong and only faintly age-toned; photos and drawings; binding tight; boards have minimal wear, well protected by pictorial d.j. with slight wear at upper edges and crown of spine panel.…

Trade Paperback. Condizione: Used - Good. Classical architecture is a visual 'language' and like any other languagehas its own grammatical rules. Classical buildings as widely spaced in time as aRoman temple, an Italian Renaissance palace and a Regency house all show anawareness of these rules even if they vary them, break them or poetically contradictthem. Sir Christopher Wren described them as the 'Latin' of architecture and theanalogy is almost exact. There is the difference, however, that whereas the learningof Latin is a slow and difficult business, the language of classical architecture isrelatively simple. It is still, to a great extent, the mode of expression of oururban surroundings, since classical architecture was the common language of thewestern world till comparatively recent times. Anybody to whom architecture makes astrong appeal has probably already discovered something of its grammar forhimself.in this book, the author's purpose is to set out as simply and vividly aspossible the exact grammatical workings of this architectural language. He is lessconcerned with its development in Greece and Rome than with its expansion and use inthe centuries since the Renaissance. He explains the vigorous discipline of 'theorders' and the scope of 'rustication'; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the'modern' architecture of today. The book is intended for anybody who cares forarchitecture but more specifically for students beginning a course in the history ofarchitecture, to whom a guide to the classical rules will be an essentialcompanion. The author's purpose is to set out as simply and vividly as possible the exact grammatical workings of an architectural language. Used copy with some wear. Good reading copy.…

Trade Paperback. Condizione: Used - Very Good. Classical architecture is a visual 'language' and like any other languagehas its own grammatical rules. Classical buildings as widely spaced in time as aRoman temple, an Italian Renaissance palace and a Regency house all show anawareness of these rules even if they vary them, break them or poetically contradictthem. Sir Christopher Wren described them as the 'Latin' of architecture and theanalogy is almost exact. There is the difference, however, that whereas the learningof Latin is a slow and difficult business, the language of classical architecture isrelatively simple. It is still, to a great extent, the mode of expression of oururban surroundings, since classical architecture was the common language of thewestern world till comparatively recent times. Anybody to whom architecture makes astrong appeal has probably already discovered something of its grammar forhimself.in this book, the author's purpose is to set out as simply and vividly aspossible the exact grammatical workings of this architectural language. He is lessconcerned with its development in Greece and Rome than with its expansion and use inthe centuries since the Renaissance. He explains the vigorous discipline of 'theorders' and the scope of 'rustication'; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the'modern' architecture of today. The book is intended for anybody who cares forarchitecture but more specifically for students beginning a course in the history ofarchitecture, to whom a guide to the classical rules will be an essentialcompanion. The author's purpose is to set out as simply and vividly as possible the exact grammatical workings of an architectural language. Used copy wit light wear.…

Trade Paperback. Condizione: Used - Very Good. Classical architecture is a visual 'language' and like any other languagehas its own grammatical rules. Classical buildings as widely spaced in time as aRoman temple, an Italian Renaissance palace and a Regency house all show anawareness of these rules even if they vary them, break them or poetically contradictthem. Sir Christopher Wren described them as the 'Latin' of architecture and theanalogy is almost exact. There is the difference, however, that whereas the learningof Latin is a slow and difficult business, the language of classical architecture isrelatively simple. It is still, to a great extent, the mode of expression of oururban surroundings, since classical architecture was the common language of thewestern world till comparatively recent times. Anybody to whom architecture makes astrong appeal has probably already discovered something of its grammar forhimself.in this book, the author's purpose is to set out as simply and vividly aspossible the exact grammatical workings of this architectural language. He is lessconcerned with its development in Greece and Rome than with its expansion and use inthe centuries since the Renaissance. He explains the vigorous discipline of 'theorders' and the scope of 'rustication'; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the'modern' architecture of today. The book is intended for anybody who cares forarchitecture but more specifically for students beginning a course in the history ofarchitecture, to whom a guide to the classical rules will be an essentialcompanion. The author's purpose is to set out as simply and vividly as possible the exact grammatical workings of an architectural language. Book has remainder mark on text edge. Very nice clean, tight copy free of any marks.…

Hardcover. Condizione: As New. Condizione sovraccoperta: Very Good. 1st Edition. First Edition: no later printings listed. AS NEW. No wear to the binding. No distortion from reading or improper shelving. Pages are tight and clean with no marks. No name of previous owner. No odor. No water damage. No soiling. The dust jacket priced at $7.50 (not clipped) shows light edge wear, no sun fading.…

, Summerson, John Newenham, 1904-1992. Victorian architecture. Four studies in evaluation. New York, Columbia University Press, 1970, 2d printing, 131pp., very good blue cloth, light wear, many black and white photos in text. Bampton lectures in America, no. 19. - CONTENTS: The evaluation of Victorian architecture : the problem of failure -- Two Victorian stations -- Two London churches -- A Victorian competition : the Royal Courts of Justice. 9780231032612 ISBN 0231032617.…

Hardcover. Condizione: Used - very good.

Trade Paperback. Condizione: Used - Good. The architecture produced between 1700 and 1800 represents a classic perfection which no later age has equaled. The first half of the eighteenth century was pervaded by the spirit of the Baroque, epitomized most completely in palaces and churches: Schonbrunn in Vienna, the Winter Palace in St. Petersburg, the dazzling theatrical churches and Residenzes of Germany and Central Europe. After 1750 architecture turned away from Baroque toward Neo-classicism, whose most characteristic types included private houses, institutional buildings and planned towns--Bath, Philadelphia and Washington, with their theaters, museums, hospitals and banks. Summerson provides a succinct and elegant summary of the entire period, bringing into focus not only the stunning beauty of these buildings, but also the background of ideas from which they sprang. Corner is creased. Book has minor shelf wear.…

Trade Paperback. Condizione: Used - Very Good. Classical architecture is a visual 'language' and like any other languagehas its own grammatical rules. Classical buildings as widely spaced in time as aRoman temple, an Italian Renaissance palace and a Regency house all show anawareness of these rules even if they vary them, break them or poetically contradictthem. Sir Christopher Wren described them as the 'Latin' of architecture and theanalogy is almost exact. There is the difference, however, that whereas the learningof Latin is a slow and difficult business, the language of classical architecture isrelatively simple. It is still, to a great extent, the mode of expression of oururban surroundings, since classical architecture was the common language of thewestern world till comparatively recent times. Anybody to whom architecture makes astrong appeal has probably already discovered something of its grammar forhimself.in this book, the author's purpose is to set out as simply and vividly aspossible the exact grammatical workings of this architectural language. He is lessconcerned with its development in Greece and Rome than with its expansion and use inthe centuries since the Renaissance. He explains the vigorous discipline of 'theorders' and the scope of 'rustication'; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the'modern' architecture of today. The book is intended for anybody who cares forarchitecture but more specifically for students beginning a course in the history ofarchitecture, to whom a guide to the classical rules will be an essentialcompanion. The author's purpose is to set out as simply and vividly as possible the exact grammatical workings of an architectural language. Used copy with light weawr.…

Trade Paperback. Condizione: Used - Very Good. Classical architecture is a visual 'language' and like any other languagehas its own grammatical rules. Classical buildings as widely spaced in time as aRoman temple, an Italian Renaissance palace and a Regency house all show anawareness of these rules even if they vary them, break them or poetically contradictthem. Sir Christopher Wren described them as the 'Latin' of architecture and theanalogy is almost exact. There is the difference, however, that whereas the learningof Latin is a slow and difficult business, the language of classical architecture isrelatively simple. It is still, to a great extent, the mode of expression of oururban surroundings, since classical architecture was the common language of thewestern world till comparatively recent times. Anybody to whom architecture makes astrong appeal has probably already discovered something of its grammar forhimself.in this book, the author's purpose is to set out as simply and vividly aspossible the exact grammatical workings of this architectural language. He is lessconcerned with its development in Greece and Rome than with its expansion and use inthe centuries since the Renaissance. He explains the vigorous discipline of 'theorders' and the scope of 'rustication'; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the'modern' architecture of today. The book is intended for anybody who cares forarchitecture but more specifically for students beginning a course in the history ofarchitecture, to whom a guide to the classical rules will be an essentialcompanion. The author's purpose is to set out as simply and vividly as possible the exact grammatical workings of an architectural language. Used copy with light wear.…

Hard cover. First edition. 348 p. illus., maps, plans, plates. 23 cm. Includes: Illustrations, Maps, Plans, Plates. Bibliography: p. 329-331. Fine in very good dust jacket. light shelfwear to the jacket (very good plus), no ownership marks first printing, book itself like new.

Trade paperback. First edition. Trade paperback (US). Glued binding. Audience: General/trade. Fine. excellent condition, first printing.

Reprint. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 176 pages : illustrations ; 21 cm. Subjects; Architecture, Baroque Europe. Neoclassicism (Architecture) Europe. Architecture Europe 18th century. Architecture, German. Neo-classical architecture. 1 Kg. …

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condizione: Fine. hardback book in fine condition.

Trade Paperback. Condizione: Used - Very Good. The architecture produced between 1700 and 1800 represents a classic perfection which no later age has equaled. The first half of the eighteenth century was pervaded by the spirit of the Baroque, epitomized most completely in palaces and churches: Schonbrunn in Vienna, the Winter Palace in St. Petersburg, the dazzling theatrical churches and Residenzes of Germany and Central Europe. After 1750 architecture turned away from Baroque toward Neo-classicism, whose most characteristic types included private houses, institutional buildings and planned towns--Bath, Philadelphia and Washington, with their theaters, museums, hospitals and banks. Summerson provides a succinct and elegant summary of the entire period, bringing into focus not only the stunning beauty of these buildings, but also the background of ideas from which they sprang. …

Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

Trade Paperback. Condizione: Used - Very Good. Open paperback copy in very good condition, light wear on cover(s), tight binding with clean pages/interiors.

Soft Cover. Condizione: Very Good. New Edition. Unopened. Size: 8vo - over 7¾" - 9¾" tall. Softback.

Reprint. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 176 pages : illustrations ; 21 cm. Subjects; Architecture, Baroque Europe. Neoclassicism (Architecture) Europe. Architecture Europe 18th century. Architecture, German. Neo-classical architecture. 1 Kg. …