John o'neill translator (5 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. book has slight edge and corner wear, otherwise in bright clean shape. dust jacket has light wear to ends of spine, corners and edges, light shelf wear, otherwise in sharp solid condition. Barruel, Paul; O'Neill, John P. (illustratore). …

Soft cover. Condizione: Very Good. 1st Edition. First English Edition. Octavo, xlvii, 189 pp. Illustrated wraps. Light edge-wear, moderate rubbing, no internal markings. Very Good.

Hardcover. Condizione: New. Condizione sovraccoperta: Very Good. First English language edition. First English language edition 1993, first printing, numbers line starts with 1. Translated from Portuguese. Published by Princeton University Press. Hardcover in dark green cloth boards with light green cloth spine with DJ. Condition new, square, tight and clean book, no edgewear, corners not bumped, no names, no underlinings, no highlights, not a reminder. DJ very good, bright, two closed tears, no chips, no edgewear, not clipped. Large 4to, XVII + 703 pages, illustrated with color plates and color and b/w smaller illustration by Paul Barruel and John p. O'Neill. Large and heavuy book will require additional postage for international orders. First class shipping is unavailable for international orders due to weight limitations. Paul Barruel; John p. O'Neill; (illustratore).…

Paperback. Condizione: Brand New. reprint edition. 189 pages. 6.50x9.50x0.75 inches. In Stock.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. 499, [1] pages. Illustrations (many in color). Lenders List. Director's Foreword. Catalogue (pages 109-469. Biographies of the Artists. Bibliography. Index. Photograph Credits. DJ has slight wear. This exhibition was conceived and organized by Philippe de Montebello and Gerhard Bott, William D. Wixom, Chairman, Department of Medieval Art and several institutions. Both this book and the exhibition, Gothic and Renaissance Art in Nuremberg, document the artistic vitality of one of the most influential urban centers in Europe to arise at the end of the Middle Ages. The selection of specific works of art, and the essays that illuminate them, give a clear focus to the period from the fourteenth through the first half of the sixteenth century. This was a transitional and pivotal time for Nuremberg in its evolution from an important but artistically self-contained Late Gothic town to a Renaissance city, whose artistic, humanistic, technological, and scientific endeavors were of far-reaching consequence. Another milestone of Gothic and Renaissance Art in Nuremberg is that it represents the remarkable international collaboration between the Germanisches Nationalmuseum and The Metropolitan Museum of Art. The project, initiated by the Metropolitan Museum but quickly augmented and given impetus by the museum in Nuremberg, has been formed, carried forward, and refined by the two curators-in-charge, Rainer Kahsnitz and William D. Wixom. The selection of subjects and objects is theirs. This effort has resulted in a valuable overview of many aspects of the theme of the exhibition and, at the same time, has led to intelligent reappraisals of a number of unfamiliar-as well as familiar-works of art. Presumed First U. S. Edition, First printing. Profusely Illustrated (illustratore).…