John pilson (21 risultati)

Hardcover. Condizione: new. Hardcover. Through engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson's wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff Whetstone Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

No Binding. Condizione: Near Fine. 1st. Invitation postcard in near-fine condition, a little wear. Unmailed. Cards are sent in stiff mailers. Photo.

Hardcover without dustjacket as issued, 128 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign and shipping may be extra.

Hardcover. Condizione: Very Good. No Jacket. Hardbound, no dust jacket. Previous owner's inscription on the front free end page.

Hardcover. Condizione: New.

Condizione: New. 2022. 1st Edition. Hardcover. . . . . .

Hardcover without dustjacket as issued, 128 pages; as new condition; clean and crisp; no internal marks. Foreign and shipping may be extra.

Hardcover. Condizione: New.

Paperback. Condizione: New. Print on Demand. This book presents a set of new basic grading rules and working stresses for softwood and hardwood structural timbers, with the purpose of introducing greater efficiency in the use of timber in construction. The book is the result of many years of research by the Forest Service and addresses the current lack of standardized grading rules within the construction industry. Before the development of the rules presented in this book, working stress limits were assigned to individual species without accounting for differences in material quality, making this book the first of its kind. The author provides a detailed explanation of the rules and stresses, which are based on the results of hundreds of thousands of tests of small clear specimens, as well as numerous tests on structural timbers containing defects. They also account for differences in the strength and character of various species, ensuring safe working stresses. This book is an essential read for anyone involved in structural timber use, including manufacturers, consumers, and builders. By providing clear and concise rules and stresses for structural timbers, this book will aid in the more efficient use of available material, ultimately contributing to the safety and longevity of timber construction. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Condizione: Sehr gut. Formateinband: Großformat, illustrierter Pappband / gebundene Ausgabe 127 S. (25x27,5 cm) Gebundene Ausgabe; 1st Edition; (Durchgehend fotografisch bebildert); Sehr guter Zustand. Sprache: Englisch Gewicht in Gramm: 1300 [Stichwörter: Investment Bank in Manhattan's Financial District, pre-9/11 moment, Bildband, Photographie, Fotografie].…

Wrappers. Condizione: Very Good. Folio. is issue only. Ltd. poster laid-in. Mild rubbing to edges of wrappers. Crease to lower fore-corner of front wrapper and first few leaves. VG in wrappers.

Condizione: New. 2022. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 14,5 x 21,5 cm, DVD with booklet - Glamour is thus a technology of radical visibility. And as with all technologies and archives of visibility, the access to glamour is politically, economically, and culturally regulated. Including artists such as Michel Auder, Tom Burr, Cosey Fanni Tutti, Sylvie Fleury, General Idea, Manon, T.J. Wilcox.…

Condizione: NEW.

Hardcover. Condizione: new. Hardcover. Through engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction. From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Bensons wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world. Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff Whetstone Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Gebunden. Condizione: New. In this body of work, I deal with my insecurities about my body image and the direct correlation between self-perception and the way one is perceived by others. Photography is the medium that I use to tell my story through life, an outlet for revealing my .

Encuadernación de tapa blanda. Condizione: Muy bien. Condizione sovraccoperta: Aceptable. Essays "Reading 9-11-01," by Charles Simic, Catharine R. Stimpson, Andrew Ross, Daniel Libeskind, Daniel Birnbaum, Homi K. Bhabha, Avital Ronell, Arthur C. Danto, Anne Carson, Carlos Basualdo, Johan Grimonprez, Linda Nochlin, William Gass, Barbara Kruger, Allucquère Rosanne Stone, Robert Storr, and Leon Golub; "Adam Lehner on Art in the Aftermath," by Adam Lehner; "Philip Nobel on the Future," by Philip Nobel; "Passages: Benjamin Ivry on Pierre Klossowski," by Benjamin Ivry; "Passages: Paul Mattick on Sidney Tillim," by Paul Mattick; "Hotlist," by Ken Goldberg; "Hotlist: Matthew Israel on Video-game Art." by Matthew Israel; "First Break: Michael Duncan on Peter Saul," by Michael Duncan; "Top Ten," by Richard Phillips; "10-20-30: Eric C. Banks on Artforum, November 1971," by Eric C. Banks; "Cargo and Cult: The Displays of Thomas Hirschhorn," by Benjamin H.D. Buchloh; "A Thousand Words: Rodney Graham," by Rachel Kushner; "Artists Curate: Impact and Satori - Instruments of Comprehension," by Gabriel Orozco; "Plane Songs," Lauren Sedofsky talks with Alexander Sokurov; "Centerfold: Wolfgang Staehle," by Alexi Worth; "Eternal Returns: The Art of Verne Dawson," by Bob Nickas; "Openings: Jennifer and Kevin McCoy," by David Frankel. Reviews by Daniel Soutif, David Lubin, Richard Shone, James Meyer, George Baker, Julie Caniglia, Frances Richard, Meghan Dailey, Nico Israel, David Frankel, Donald Kuspit, Gregory Williams, Martha Schwendener, Tom Breidenbach, Joan Seeman Robinson, Philip Auslander, Ellen Berkovitch, Christopher Miles, Bruce Hainley, Alexandre Melo, Pablo Llorca, Massimo Carboni, Hans Rudolf Reust, Philipp Kaiser, Miriam Rosen, Matthias Dusini, Jennifer Allen, Noemi Smolik, Lars Bang Larsen, Barry Schwabsky, and James Hall. Cover: John Pilson. …

Gebunden, illustrierter Hartkartoneinband. 128 Seiten mit 59 Abbildungen in Duplex. Format 27,3 x 25,2 cm. Sehr gutes Exemplar. John Pilson (geb. 1968) stellt die triste und unpersönliche Atmoshäre in einer amerikanischen Investmentbank dar und sucht in den kahlen Räumlichkeiten nach menschlichen Spuren. Text von Jeffrey Anderson in englischer Sprache.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1923 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 28 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 28 Volume no.295.…