Lingua: Inglese
Editore: Harry N, Abrams, Inc., New York, 1954
Da: Kollectible & Rare Books, Bartlesville, OK, U.S.A.
Soft cover. Condizione: Good. Good clean tight copy. Shelf wear, Rubbing and fading to covers.
Editore: Harry N. Abrams, New York, 1952
Da: Monkey House Books, Miller Place, NY, U.S.A.
Large format softcover. Condizione: Very Good. The Library of Great Painters, Portfolio Edition. 10 hand-tipped color plates, with authoritative text and commentary. 24 pages. Some darkening to covers. Gauguin, 1848-1903, was a French painter with a highly original and distinctive style. Poor and in ill health, in 1891 he separated from his family and went to Tahiti, spending the rest of his life in the South Pacific.
Editore: Perls Galleries, New York, 1970
Da: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Softcover. Condizione: Very Good-. Condizione sovraccoperta: No Dust Jacket. Light creasing to lower outer corners throughout. Covers are very slightly smudged. ; 44 pages; Includes notice of private preview in honor of Dina Vierny.
Lingua: Inglese
Editore: Harry N. Abrams, Inc., New York, 1954
Da: gearbooks, The Bronx, NY, U.S.A.
Soft Cover with Attached Dust. Condizione: Very Good. Condizione sovraccoperta: Very Good. Page Numbers: N/A. Solidly bound copy and dj with moderate external wear, crisp pages and clean text. Slightly creased spine.
Editore: Fontana 1955 (Colour illus.) : Format: paperback. Postage is reduced on multiple orders., 1955
Da: Mr.G.D.Price, Mansfield, Regno Unito
EUR 3,11
Quantità: 1 disponibili
Aggiungi al carrelloVERY GOOD condition.
Editore: Thomas Yoseloff; A Bittner Art Book, New York and London, 1958
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st. Cloth, 40 pages, illustrations, 126 plates; 29 cm. Firm binding, clean inside copy. Expected browning. Dust jacket toned, with clipped flaps & light edgewear, protected in a mylar cover. *** "In this volume, John Rewald displays an unusual sensitivity and insight into the artist and his creative expression. There is no other publication (written 1958) devoted to Paul Gauguin's draftsmanship, yet as Mr. Rewald points out, Gauguin's drawings were his most intimate works. As the artist wrote shortly before his death: 'A critic comes to see my paintings, and somewhat hesitantly, asks for my drawings. My drawings! Oh, no! They are my private letters, my secrets.;" - Publisher. Size: 4to. Collectible.
Editore: Harry N. Abrams
Da: visionarybook, Denver, CO, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. First Edition. This book is part of the beautiful LIbrary of Great Painters, Portfolio Edition. It has wonderful full color plates as well as black and white pictures. Filled with rich history and detailed information. Great collectors series! This larger soft cover is in very good condition. The color plate on the front is actually raised not just printed on. The binding is tight and pages are clean. The cover does have some bumps and scuffs and minor aging.
Lingua: Inglese
Editore: Harry N. Abrams, Inc., Publishers, New York, 1963
ISBN 10: 0810904136 ISBN 13: 9780810904132
Da: gearbooks, The Bronx, NY, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Page Numbers: N/A. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Solidly bound copy and dj with minimal external wear, crisp pages and clean text.
Editore: Editions Marion, Paris and Brussels, 1939
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st. Cloth, [47] pages, colour illustrations; 38 cm. Reproductions in colour of paintings in the museums of the world, 3. Text in French/Texte en francais. TRES BON ETAT. Legerement use. A very good copy, with some splitting along the hinges, expected age toning. Dust jacket toned, with light edgewear, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. 10 colour plates, tipped in. *** Published on the eve of World War II with an introduction by the renowned art historian John Rewald (1912-1994). Size: Folio. Collectible.
Condizione: Very Good. 1954. Paperback. Large format trade paperback with 16 tipped-in colour plates. Mylar covering is torn and there is some tearing to paper covers at spine. Previous owner's ex-libris plate to RFEP. Contents and plates in fine condition. Remains a very good copy. . . . . Books ship from the US and Ireland.
Editore: Thames and Hudson, 1954
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 45,00
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. 1954. Paperback. Large format trade paperback with 16 tipped-in colour plates. Mylar covering is torn and there is some tearing to paper covers at spine. Previous owner's ex-libris plate to RFEP. Contents and plates in fine condition. Remains a very good copy. . . . .
Editore: Hammer Galleries, New York, 1962
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st. Cloth, [122] pages, illustrations (some colour); 18 cm + two softcover volumes, each 64 pages; 17 cm. Errata slips laid in. Edition of 1000 copies. Issued in a slipcase. A fine copy, with light shelfwear to the slipcase. Numbered "204". Please note that the "soiling" on the sketchbook boards reproduces the condition of the original book. Facsimile reprint of a sketchbook, covering the period 1884-1888. Size: 12mo. Collectible.
Editore: Hammer Galleries, New York, 1962
Da: Xochi's Bookstore & Gallery, Truth or consequences, NM, U.S.A.
Hard Cover/Paperback. Condizione: Fine/Fine/Fine. Condizione sovraccoperta: Slipcase Very Good+. Gauguin, Paul (illustratore). Limited, Numbered. 64,64,&unpaginated; HB&SCs; brwn.w/blk.; fine condition w/clean,tight pgs. Slipcase brwn.; lt.rub&stain. Reproduction of one of Gauguin's sketchbooks. "The paintings which resulted from the sketches were done before 1888, and this is confirmed by correspondence." No.272 of 900.