Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Northwest Review Books, 1977
Da: Tree Frog Fine Books and Graphic Arts, Beaverton, OR, U.S.A.
Soft cover. Condizione: Very Good. Trade Sized Paperback. 9 x 6 inches.197 pages. Staple bound. With manuscript pages, short pieces, poems, photos, drawings and the first two parts of "Seven Prayers by Grandma Whittier". VERY GOOD. All corners pointed. Binding square. Without tears, bumps, creases, or chips. With slight wear from handling. Not marked and very bright and clean. All items carefully wrapped and sent boxed.
Editore: Eugene, OR: Northwest Review Books, 1977
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. VG+. 8vo, viii+200pp, printed wrappers. The Northwest Review Books stated second edition of this issue of Northwest Review entirely devoted to work by and about Ken Kesey. Nice unmarked copy, light outer spots. Not Signed.
hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Brown cloth boards with gilt lettering & decoration under white dust jacket priced at $8.00. First edition, no flaws noted. Includes manuscript pages, working notes, and various selections & drawings by Kesey. A popular adjunct to any Kesey collection.
Lingua: Inglese
Editore: Eugene, Oregon, Northwest Review Books, 1977. [, 1977
ISBN 10: 0918402018 ISBN 13: 9780918402011
Da: Reiner Books, Minneapolis, MN, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. ] Hardback, octavo, pp viii, 197, [iii], Fine in VG+ to Near Fine dj (dj now in protective mylar). Book itself fine & flawless. DJ clean, price-corner intact, couple of very small & very minor edge kinks (one each - top edge front panel, top edge back panel). Illustrations in b&w include vintage photos, Kesey art, manuscript notes. Original purchase receipt laid-in. RWR5 Literature Literary Criticism Beat Poets.
Editore: Haags Gemeentemuseum The Haag, Netherlands, 1970
Da: Specific Object / David Platzker, New York, NY, U.S.A.
64 pp.; 26 x 26 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held July 25 - August 30, 1970. Includes writing on LeWitt's work by Carl Andre, Terry Atkinson, Mel Bochner, John N. Chandler, Enoo Develing, Dan Flavin, Dan Graham, Coosje Kapteyn-van Bruggen, Eva Hesse, Michael Kirby, Rosalind Krauss, Ira Licht, Lucy R. Lippard, Dick van der Net, Barbara M. Reise, Hans Strelow and Lawrence Weiner. Also includes list of projects, plans and proposals, biography, bibliography and exhibition history. The exhibition was dedicated to Eva Hesse, who passed away a few months before the opening of the exhibition. Catalogue design by LeWitt. Text in English. Poor. THIS COPY SIGNED BY DAN GRAHAM in pen on page 24. Significant wear to covers including rubbing, bumping and creasing. 5 mm. tear to recto, 2.5 cm. tear to right side edge of recto with 5 mm. of loss. Corners of covers and pages are rounded from wear. Paper over spine edge is missing and has been haphazardly repaired with clear tape which has yellowed and is torn and missing in places. Handling wear to pages and 5.8 cm. of water damage to bottom right corner of pages with additional rippling from moisture damage to bottom edge.
Editore: Studio International and Seth Siegelaub London / New York, United Kingdom / US, 1970
Da: Specific Object / David Platzker, New York, NY, U.S.A.
48 pp.; 31.5 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. Lippard, and Hans Strelow. Artists include Dan Graham, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penone, Emilio Prini, Pistoletti, Gilberto Zorio, Daniel Buren, Keith Arnatt, Terry Atkinson, David Bainbridge, Harold Hurrell, Michael Baldwin, Victor Burgin, Joseph Kosuth, Barry Flanagan, John Latham, Roelof Louw, Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme, Jan Dibbets, and Hanne Darboven. "This exhibition was organized by requesting six critics to each edit an 8-page section and in turn, to make available their section to the artist(s) that interest them." -- from Siegelaub's introduction. Text in English, German, and French. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 39. "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208-211. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 179. Good / Very Good. Curve to recto with mild rubbing of covers. Light yellowing of pages. Contents otherwise clean and unmarked.