John szarkowski preface (18 risultati)

Paperback. Condizione: Very Good. New York: The Museum of Modern Art, 1985. 136 pages; 70 photographs well-chosen by Mr. Walter. As Szarkowski says, "wide and varied interests". Each photo enjoys an essay with its catalogue entry. Clean and tight. Printed Wrapper (softcover). Very Good. 4to. Language: ENG. …

Paperback. Condizione: Very Good. Washington, D.C.: The Wilderness Society not paginated but about 30 pages and nearly as many photographs, a few full-page. Clean throughout. binding tight; corner of the back cover bent. Pictorial Wrappers (softcover). Very Good. 11" x 8 1/2".

Paperback. Condizione: Very Good. 4th Printing. grey pictorial staple wraps, owner' name covered with a sticker; includes Photographs and article by Ansel Adams, The Meaning of the National Parks & a biographical sketch by Robert Turnage; unpaginated. B/W Illus (illustratore).

Soft cover. Condizione: Very Good. Very good oversized soft cover booklet, clean & unmarked. Size 8x11 with about 28 pages, nicely illustrated throughout with photographs by Ansel Adams. Ansel Adams (illustratore).

Paperback. Condizione: Near Fine. 1st. 133 pages, illustrations; 29 cm. Near fine. Firm binding, clean inside copy. Light shelfwear. Profusely illustrated. Size: 4to.

Near fine oversize stapled wraps with crisp bright text throughout. Showcasing some of the photographers greatest prints in black and white.

Wrappers (Paperbound). Condizione: Very Good. Article by Adams on the national parks with a portfolio of his photographs. Another related article. Very Good.

Original Wraps. Condizione: Near Fine. First Edition. Undated ca. 1980s, original pictorial wraps. Lightly sunned along binding fold, light handling wear. 24 pp., unpaginated, illus. w/ numerous b&w Adams photographs. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. The Museum of Modern Art, Published 1968. Hardcover, 79 pp.; 23 cm; illustrated with black-and-white photographs (61 illustrations), frontispiece portrait of Brassai by Andre Kertesz. Introductory essay by Lawrence Durrell; preface by John Szarkowski; bibliography by Bruce K. MacDonald. In Very Good condition with a Very Good dust jacket. Blue cloth boards, black lettering on spine; mild shelf and edge wear. Binding tight. Previous owner's bookplate on front pastedown and previous owner's name in ink on front free endpaper. Mild toning to endpapers; pages otherwise clean and unmarked. Glossy white pictorial dust jacket with gray title lettering, Brassai photographs on front and rear panels; a few small nicks and short tears, light creasing along edges, mild shelf and edge wear, faint soiling at head of rear panel. Now in an archival quality (removable) Brodart cover. Monograph published with the Museum of Modern Art's retrospective Brassai: Photographs (October 29, 1968 to January 5, 1969), selected by John Szarkowski, Director of the Department of Photography. Printed in Switzerland, with design by J. Bourke Del Valle; issued in the same format as the Museum's monographs on Harry Callahan and Dorothea Lange. Szarkowski's preface pairs Brassai with Henri Cartier-Bresson as the two dominant figures in European photography of the preceding thirty-five years. Durrell's essay, written from personal acquaintance, traces Brassai's arrival in Paris as a young painter in 1923, his friendships with Picasso, Dali and Braque, his graffiti work and his film. Plates span four decades, from the Paris by night series of the early 1930s (dance halls, cafes, streetwalkers, Kiki singing in a Montparnasse cabaret, fog on the Avenue de l'Observatoire, the Pont Neuf) to Maxim's, the Place de la Concorde, portraits such as the poet Leon-Paul Fargue, and his photographs of Paris wall graffiti. Contents: Preface and Acknowledgments; Essay by Lawrence Durrell; Photographs by Brassai; Bibliography by Bruce K. MacDonald. …

Soft Cover. Condizione: Very Good. A beautiful tribute to Ansel Adams on the conservation of nature. Black & white photos throughout. Front wraps have 2 very small pen marks. Light scuffing to corners. Size: 4to - over 9¾" - 12" tall.

trade paperback. Condizione: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood trade paperback; slight crease to cover; slight tanning to spine area; tips/edges bumped; slight nicks top edge back cover; clean pages; 4to; pages are not numbered; clean pages; prompt shipping with tracking.…

hardcover. Condizione: Good.

First edition. 4to. 133 pp. Frontispiece. 69 duotone plates. Cloth binding in unclipped dustwrapper, very good condition. (43568). Introduction by John Pultz.

Condizione: New. Satisfaction Guaranteed or your money back. Well-illustrated (illustratore).

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

24.5X28.5 cm. 17 pages. Gilt Hardcover with dust jacket. In good condition. The book is in : English.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 4to. 18 pp. + 34 b/w photo plates. 4th printing. The preliminary text includes a preface by Friedlander, describing his discovery of Bellocq's plates and his restoration project, as well as notes from a roundtable discussion about Bellocq that includes Friedlander and numerous New Orleans musicians, photographers, and one of Bellocq's models. Ships fast with tracking.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good+. First Edition; First Printing. First edition. Fine in very good+ dust jacket. (Light shelf-wear to jacket with couple tiny chips at base of front panel. Short tears & rubbing to jacket. ) (65pp. ) (9 1/2" X 11 1/4") 34 plates printed by meriden gravure. ; 9 1/2" x 11 1/4"; 65 pages.…