Johnson samuel contributor (7 risultati)

Paperback. Condizione: Very Good. signed copy with a note ***please read*** name inside cover with light pencil - no marks on text - has a light blue stain on the right edge - my shelf location - 27-d-25*. Signed by Author.

Hardcover. Condizione: Brand New. 2nd edition. 184 pages. 10.00x8.00x1.00 inches. In Stock.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Full-Leather. First Edition. Second volume only. Folio, measuring approximately 12 by 8 inches. Includes general title, contents and mottoes of the second volume. Contains 69 consecutive issues, beginning with Number LXXI (Tuesday, July 10, 1753) and ending with Number CXL (Saturday, March 9, 1754). Numerous contributions by Samuel Johnson, signed "T". Small title-page engraving, decorative head-pieces, and large initials throughout. Bound in contemporary (or slightly later) full polished calf with five large raised bands, gilt-tooled coat of arms to front board, gilt designs in each spine compartment. Lacking spine label. Green ribbon marker and marbled endpapers. Contents are in very good condition, generally quite clean, with generous margins. Imprints are still visible at the foot of the last page of each issue. Small ink signature of Elizabeth Hutchinson to upper corner of fly-leaf, dated 1775, otherwise unmarked. Mild foxing and age-toning to prelims; text is unaffected. Binding is intact but worn, with slight loss to board corners, joints cracked but boards remain attached by cords. The text-block itself is intact and strong. A good solid copy overall. Scarce. Signed by Author(s). Book. …

Two volumes, small 8vo, pp. xvi, 272; [ii], 287, [1] advertisements; a fine copy in contemporary straight-grained red morocco, spines and edges gilt, very slightly rubbed. Contemporary bookplate of Richard Duffield, fellow of St John's Cambridge; and later booklabel of William Sturgis Bigelow. First edition of this collection, including Johnson's Essay upon Epitaphs, which had first appeared in the Gentleman's Magazine in December 1740. Fleeman 40GM10/EE/2 (pp. 55-6). Provenance. Contemporary bookplate of Richard Duffield, fellow of St John's Cambridge; and later booklabel of William Sturgis Bigelow.…

Two volumes, 8vo, pp. [ii], l, [5]-466; [ii], 560, [16] advertisements; with an engraved frontispiece in each volume, plus a total of 32 plates (wanting number 6 of the 'drawings' at the end of volume I); nearly all the plates folding, but many rather frayed at edges, and one of two loose; contemporary sheep, somewhat worn, but nonetheless sound, with green morocco labels, green edges. Second edition: first published by Dodsley in 1748. Samuel Johnson wrote the preface in volume I and contributed The Vision of Theodore the Hermit of Teneriffe (II 520-30). Tyers said that this piece was composed in one night 'after finishing an evening in Holborn'; and Percy related that he had heard Johnson say it was the best thing he ever wrote (see Courtney p. 22). Other contributors include Nathaniel Hooke, Anthony Blackwall, William Duncan, Joseph Spence, David Fordyce and Robert Lowth. Hazen notes that in this second edition Johnson's preface is 'extensively revised', with 'about thirty important verbal changes. That these revisions are by Johnson I am convinced'. Courtney pp. 21-2; Hazen, Prefaces and Dedications, 171-9; Fleeman 48.4DP/3 (pp. 153-5). Fleeman calls for engraved title pages in each volume, but this seems to be a mistake no such plates are found either in this set or that reproduced by ECCO. ESTC locates just twenty copies, of which only six are in the UK. (The British Library copy lacks volume II.) Provenance: Inscription in volume I recording the gift of H. Classon to her fifth son George Fredrick Classon in 1804; and then, he having died the following year (at the age of 21 years and 11 months) her subsequent gift of the books to her daughter Eliza Classon in March 1806. Eliza Classon has written her name on both titles: on the title to volume I, it is over an erased inscription of David B[remainder illegible]. Given the fact that this book was with an Irish bookseller in 1969, and that the volumes have green edges, it was probably bound in Ireland, and remained there for all of its first two centuries. …