johnston weisberg (14 risultati)

Soft cover. Condizione: Very Good. 1st Edition. Paperback. Minor wear to wrappers, otherwise very good.

Soft cover. Condizione: Very Good. PHOTOS TIPPED IN PLATES (illustratore). 1st Edition. A RARE TITLE BEAUTIFULLY PHOTOGRAPHED MANY TIPPED IN PLATES SOLID CLEAN BRIGHT AND UNMARKED PUBLISHED IN CONJUNCTION WITH AN EXHIBIT EVERY PIECE HAS A HISTORY AND DESCRIPTION A VERY WELL RESEARCHED BOOK FAINT DISCOLORATION WHERE GLUE FROM THE TIPPED IN PLATES LEAKED OVER SOME DISCOLORATION TO THE SPINE STILL QUITE A LOVELY BOOK NO BENDS OR FOLDS.

Soft cover. Condizione: Very Good. 1st Edition. spine sunned.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Hardback book (220 pages) with color frontispiece, tipped in clor plates and b/w photographs/reproductions. Dust jacket shows light soiling/creases with tips bumped. Bookseller since 1995 (LL-Base2-C-1-Middle) rareviewbooks.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. 1st Edition. Dust jacket has light stains, foxing, light yellowing; pencil residue to front endpaper--pricing notes; otherwise a clean and sound copy of this book; no writing, highlighting, odors, stains, tears or folds. Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon. This is not an ex-library book.

Soft cover. Condizione: Good. From the Library of John Russell Taylor.

First Edition. First edition. Oblong softcover. 63 pages. Exhibition catalog for a show that ran November 12, 1980 through January 18, 1981 at The Cleveland Museum of Art and then February through March 1981 at The Walters Art Gallery in Baltimore. Features texts by Gabriel P. Weisberg and William R. Johnston. Includes numerous illustrations with a few in color. A near fine copy in wrappers with some very minor wear. Internally a clean copy.

Soft cover. Condizione: Very Good. 1st Edition. Clevland Museum of Art, USA, 1988. Softcover. Condition: Very Good+ 1st edition.

Hardcover. First Edition, First Printing. Very Good, with a Very Good dust jacket. A few short tears to jacket edges, toning. Interior is clean and unmarked. Profusely illustrated throughout. 4to, 10 3/4"h x 7 3/4"w.

Soft cover. Condizione: Good. Dust Jacket Included. 1st Edition. English text.; Paperback (with dust jacket).; 19.5 x 27 cm.; 0.8 kg.; 220 pages with black and white and a few colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Tear and chip at the bottom of the dust jacket spine. The Paperback shows also a chip and tear at the bottom. Tear at the bottom of the dust jacket back cover. Interior with minor signs of wear.; Catalog from an exhibition shown at The Cleveland Museum of Art, July 9-Aug. 31, 1975; The Rutgers University Art Gallery, Oct. 4-Nov. 16, 1975; and The Walters Art Gallery, Dec. 10, 1975-Jan. 26, 1976.; "Japonisme: Japanese Influence on French Art 1854-1910 marks a milestone in examining relationships periodically existing between the Far East and the West. As the exhibition and accompanying catalog suggest, contacts with the Far East led to fruitful periods of artistic interchange. The creation of chinoiseries during the eighteenth century is one such example. While contacts were maturing with China, Portuguese and Dutch traders searching for a faster way to reach the Orient contacted Japan and established trading ties. At first these ties were cordial, but misuse of the arrangements forced Japan to adopt a policy of seclusion. While some goods reached European ports during this bleak period and collections of Japanese objects were formed in Holland, it was not until the nineteenth century that Japan reached out to again establish normal relations with Western nations. Then, under the stimulus of Commodore Matthew C. Perry's trip to Japan, the doors of the country were thrown open to all Western nations. Throughout the 1850's and 1860's, art objects poured into the West, turning attention from the fading tradition of chinoiseries toward a fuller appreciation of Japonisme the study of the culture, history, and art of Japan. Lacquers, fans, bronzes, kakemonos, ceramics, illustrated books, and single ukiyo-e prints became prized possessions, frequently fought over by collectors in their quest to obtain all that was new and novel from this exotic country. The result of this constant association with and study of Japanese art objects is recorded in the French prints, paintings, and decorative-art objects assembled for this exhibition." excerpt from the foreword by Sherman E. Lee, Director, The Cleveland Museum of Art; Richard Randall, Director, The Walters Art Gallery, Baltimore; and Phillip Dennis Cate, Director, Rutgers University Art Gallery.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: Used: Very Good. Relié, jaquette illustrée, nombreuses illustrations, très bon état.

3. Cleveland, Museum of Art (and others), (1975), 27 x 19 cm, 220 pp, hardback, with orig. printed wrapper, 308 items and b/w ills + some col. tipped-in coloured plates, bibliographies. ISBN 0-910386-22-6 .