Jonathan vernon (107 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. A lively and accessible introduction to the life and work of Amedeo Modigliani. Amedeo Modigliani (1884-1920) produced some of the most memorable art of the early twentieth century. Born in Livorno, Italy and working in Paris from 1906, he was unappreciated in his lifetime but has come to be regarded as one of the most influential figures of early modernism. In a tragically short career, experimentation and innovation were consistent priorities. Part of the Tate Introduction series, this book offers a concise and engaging account of Modigliani's. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Condizione: As New. Unread book in perfect condition.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Mass Market Paperback. Condizione: Good. Paperback magazine. Cover art by Howard Rogers. Includes "Editor's Notes"; "Innocence" by Harold Brodkey; "The Way Was Wine, the Voyage Was the Night" by Herbert Morris; "Greying" by Larry Rubin; "Lovers Leaving My Bed" by Maura Stanton; "Our Place in Winter, Looking for Spring" by Stephen Dobyns; "Interview With the Author of Caryatids: Excerpts from a Tape" by George Dennison; "Grand Tour/ Last Things/ Houdini at the Gates of Hell" by Alvin Greenberg; "Being in Sound: A Conversation with Stockhausen" by Jonathan Cott; "Variations on a Text by Vallejo" by Donald Justice; "The Money Room" by Jill Hoffman; "To a Cow" by Mary Gordon; "Primitive" by Rodney Phillips; "The Universal Fears" by John Hawkes; "Ecologue" by Allen Ginsberg; "Poetry and the Body" by John Vernon; "Meditations for a Savage Child" by Adrienne Rich; "God of Many Names" by Peter Schneeman; "Aaron" by Terry Bagg; "Hope Diamonds" by Madeline Defrees; "Anatolian Institutions, Katherine" by Sam Courtney; "Sister Francetta and the Pig Baby/ The Queen of Moths" by Kenneth Bernard; "Semele Recycled" by Carolyn Kizer; "Among the Dead" by Clark Blaise; "The Art of Poetry" by Richard Hugo; "Laughter" by Allen Wiggins; "Buying the Child" by Maxine Kumin; "Going Home" by Kenneth Rosen; "A Letter to a Friend" by Arvind Khrisna Mehrotra; "Cadillac Flambe" by Ralph Ellison; "Contributors". Tears and tape mends; creasing; edge and corner wear; tanning; rubbing. Book. …

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. Dialectical Materialism: Aspects of British Sculpture Since the 1960s charts a network of relations linking the work of six sculptors: Anthony Caro, Barry Flanagan, Richard Long, William Turnbull, Rachel Whiteread and Alison Wilding. Since the 1960s, successive artists and art-critical frameworks have sought to undermine or dispense with traditional media and the boundaries between painting and sculpture, the core disciplines of modern Western art. The artists studied here are united by their commitment to sculpture as a distinct practice, but also to broadening, challenging and redefining the basis of that practice. In his essay, art historian Jonathan Vernon argues that each of these sculptors has engaged in a realignment of sculptural and material space in removing sculpture from the disembodied, disinterested spaces of mid-century modernism and returning it to a shared world inhabited by other objects, ourselves and our material interests. From the conflicts that inhere in this space, we may discern the outlines of a new idea of British sculpture since the 1960s an idea by turns narrative, dramatic and dysfunctional. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Condizione: New.

Paperback. Condizione: New. Dialectical Materialism: Aspects of British Sculpture Since the 1960s charts a network of relations linking the work of six sculptors: Anthony Caro, Barry Flanagan, Richard Long, William Turnbull, Rachel Whiteread and Alison Wilding. Since the 1960s, successive artists and art-critical frameworks have sought to undermine or dispense with traditional media and the boundaries between painting and sculpture, the core disciplines of modern Western art. The artists studied here are united by their commitment to sculpture as a distinct practice, but also to broadening, challenging and redefining the basis of that practice. In his essay, art historian Jonathan Vernon argues that each of these sculptors has engaged in a realignment of sculptural and material space - in removing sculpture from the disembodied, 'disinterested' spaces of mid-century modernism and returning it to a shared world inhabited by other objects, ourselves and our material interests. From the conflicts that inhere in this space, we may discern the outlines of a new idea of British sculpture since the 1960s - an idea by turns narrative, dramatic and dysfunctional.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Dialectical Materialism: Aspects of British Sculpture Since the 1960s charts a network of relations linking the work of six sculptors: Anthony Caro, Barry Flanagan, Richard Long, William Turnbull, Rachel Whiteread and Alison Wilding. Since the 1960s, successive artists and art-critical frameworks have sought to undermine or dispense with traditional media and the boundaries between painting and sculpture, the core disciplines of modern Western art. The artists studied here are united by their commitment to sculpture as a distinct practice, but also to broadening, challenging and redefining the basis of that practice. In his essay, art historian Jonathan Vernon argues that each of these sculptors has engaged in a realignment of sculptural and material space in removing sculpture from the disembodied, 'disinterested' spaces of mid-century modernism and returning it to a shared world inhabited by other objects, ourselves and our material interests. From the conflicts that inhere in this space, we may discern the outlines of a new idea of British sculpture since the 1960s an idea by turns narrative, dramatic and dysfunctional. AUTHORS: Dr Jonathan Vernon is an Associate Lecturer at the Courtauld Institute of Art, London and a specialist on Constantin Brancu?i and Cold War-era interpretations of twentieth-century modernism. He was previously a Fellow at The Metropolitan Museum of Art, New York and Contributing Editor at The Burlington Magazine. Dr Jon Wood is an art historian and curator specialising in modern and contemporary sculpture, and a trustee of the Gabo Trust for Sculpture Conservation. He worked for 20 years at the Henry Moore Institute, running its research programme and organising exhibitions. Tom Rowland is Managing Director of Karsten Schubert London. SELLING POINTS: . Published to accompany the last (posthumous) exhibition by gallerist Karsten Schubert . Focuses on the relations linking the work of six prominent sculptors: Anthony Caro, Barry Flanagan, Richard Long, William Turnbull, Rachel Whiteread and Alison Wilding . Analyses the ways these artists are both embedded within the sculptural tradition and have also broadened and redefined that practice . Identifies a sculptural shift from the formal and detached spaces of modernism to a world inhabited by other objects and forces as well as humans 22 colour illustrations Interrogates the forces of opposition and reaction that drove the creation of much British postwar sculpture from the 1960s onwards, through the work of six sculptors, including Anthony Caro, Rachel Whiteread and Alison Wilding. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condizione: Very Good. AIP conference proceedings, number 203.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condizione: Very Good+. Text clean and tight; Writings from the Greco-Roman World Suppl; 8.90 X 5.70 X 1.10 inches; 362 pages.

Hardcover. Condizione: New.

Paperback. Condizione: Brand New. 128 pages. 9.25x6.50x0.25 inches. In Stock.

paperback. Condizione: Fine.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 53 pages. 10.25x8.25x0.25 inches. In Stock.

Paperback. Condizione: Very Good. Spine not creased. 270 x 220 mm. 56 pp. Published for the exhibition at Karsten Schubert, London, September-October 2019. Includes work by Anthony Caro, Barry Flanagan, Richard Long, William Turnbull, Rachael Whiteread and Alison Wilding. Leaflet for the exhibition laid in. Book.…

Condizione: New.