Jonathan w marshall (92 risultati)

No Binding. Condizione: Very Good. ORIGINAL Articles, disbound from journal; no covers; in very good condition. Journal.

Hardcover w/DJ. Condizione: Very Good/Very Good. New York, NY: Harry N. Abrams Incorporated. Very Good/Very Good. 1988. . Hardcover w/DJ. 4to., 304pp., dust jacket light shelf wear at edges and corners, otherwise very good; cover light shelf wear on edges and corners, otherwise very good; text block very lightly foxed on top edge, otherwise pages clean and unmarked. . Color, B&W Photographs (illustratore).…

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: New. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "Where?" the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical practice, addressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scène become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.…

Paperback. Condizione: New. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "Where?" the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical practice, addressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scène become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.…

Condizione: New.

Condizione: New.

Paperback. Condizione: New. Brand new. Excellent customer service.

Paperback. Condizione: New.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New.

Paperback. Condizione: Brand New. 178 pages. 9.18x6.12x9.21 inches. In Stock.

Condizione: NEW.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "Where?" the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical practice, addressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scène become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.…

Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: New. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "Where?" the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical practice, addressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scène become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.…

Spiralbound. Condizione: Good. Presumed first edition/first printing. x, 83 p. Occasional footnotes. Tables. Acronyms. Title continues: "A Report by a Panel of the National Academy of Public Administration for the U. S> Congress and the Department of Energy." Authors continue: "Hunter, Thomas O." Congress tasked the Academy to review how DOE oversees its contractor-operated labs, including a review of the performance metrics and systems that DOE uses to evaluate the performance of the labs. While conducting this review, the Academy Panel overseeing this study determined that these management issues must be considered as aprt of a broader issue about defining and ensuring thefuture of the lab complex. Accordingly, the Panel has made several recommendations that recognize that the labs are important not only to their DOE sponsoring orgnaizaitons; they also play a critical role helping other DOE organizations and other government agencies meet their missions. From WIkipedia: "The National Academy of Public Administration was founded by James E. Webb, then-administrator of NASA, and other leading public administration practitioners in 1967 and chartered under Title 36 of the United States Code in 1984 under Public Law 98? 257. The Academy is a nonprofit, nonpartisan organization focused on analyzing emerging trends in governance and public administration. Though the Academy's funding comes primarily from studies that are Congressionally requested or mandated, it is not considered a government agency.The Academy's studies are directed by a group of close to 800 peer-elected fellows. They are responsible for establishing the organization's policies and priorities and serving as advisers on panels, convened for each study, which issue the studies findings and recommendations. Webb's impetus in forming the Academy was to create an organization that would provide independent, nonpartisan and neutral advice to government leaders and agencies.". …

Paperback. Condizione: New.