Jonckheere k (42 risultati)

in-8 de 96 pp., photos de Cas Oorthuys ; Reliure: br., couverture illustrée.

Condizione: Good. No edition remarks. 94 pages. Paperback book with pictorial cover. Black and white photographs. 1950s? Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Paper cover has mild edge wear with light rubbing and creasing. Some light marking and tanning.…

Glossy Pictorial Card. Condizione: Near Fine (NEAR NEW). No Jacket. Undated Circa 1940's/50's. .Please email for further details Size: 12mo - over 6¾" - 7¾". 83 Photographs By Cas Oorthuys (illustratore). Not Inscribed or Signed.

paperbound, 8vo n.p. (±100 pp.), num. ills. boekenweekgeschenk 1962; VG condition.

paperbound, 8vo pp. 705-768 bijdragen van o.a. J. Hoste, Johan Daisne, Gerard Walschap, G. Stuiveling en anderen; redelijke conditie (omslag vergeeld, rug met slijtage).

paperbound, 8vo n.p. (±100 pp.), num. ills. boekenweekgeschenk 1962; ALS NIEUW conditie.

paperbound, 8vo n.p. (±100 pp.), num. ills. boekenweekgeschenk 1962; good condition.

Hardcover. Condizione: Gut. Einband: Hard Cover. Buchzustand: Gut. Ein empfehlenswertes und informatives Buch im Taschenbuchformat, mit Abbildungen und 92 Seiten. Index: 156.

Encuadernación de tapa dura. Condizione: Como Nuevo. 294pp El relato corto y el cuento, el naturalismo y el realismo se dan la mano en unos textos que, en definitiva, son fiel reflejo de la polifacética "alma" del pueblo neerlandés.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9028901728.…

Paperback. Condizione: Good. pp. 86 Dutch.

Paperback. Condizione: Good. pp. 63 Dutch.

Paperback. Condizione: Fair. Verkreukeld, achterflap vuil, 54p. Dutch.

Softcover/Paperback. Condizione: Very Good. In zeer goede staat. Paperback met stofomslag.

Couverture souple. Condizione: bon. RO80244317: Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages. Nombreuses photos monochromes dans et hors texte. . . . Classification Dewey : 949.3-Belgique.

Couverture rigide. Condizione: bon. R150071137: Non daté. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages. 1ère et 4 ème de couverture illustrées en noir et blanc. Frontispice illustré en noir et blanc. Nombreuses photographies en noir et blanc, dans le texte et hors texte. . . . Classification Dewey : 949.3-Belgique.…

Hardcover. Condizione: Good. p.116 Met naamstempel vorige eigenaar Dutch.

Couverture souple. Condizione: bon. R320168364: non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 95 pages - nombreuses photos en noir et blanc dans et hors texte. . . . Classification Dewey : 949.3-Belgique.

Couverture souple. Condizione: bon. R160215458: non daté. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 95 pages - nombreuses photos en noir et blanc dans et hors texte dont le frontispice. . . . Classification Dewey : 949.3-Belgique.

Paperback. Condizione: Fair. 1. Verkleuring. Ezelsoor Dutch Herdenkingsuitgave ter ere van Julius Sabbe, samengesteld naar aanleiding van de honderdste verjaardag van zijn geboorte. Het gedenkboek bevat bijdragen van verschillende auteurs over zijn leven, zijn betekenis voor de Vlaamse Beweging, zijn werk als publicist, schrijver en cultuurbevorderaar, en zijn blijvende invloed op Brugge en Vlaanderen. …

Paperback. Condizione: Poor. 1. Verkleuring. Omslag afgescheurd en verkleurd. Dutch.

Couverture souple. Condizione: bon. R150220188: NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages- nombreuses illustrations en noir et blanc dans le texte. . . . Classification Dewey : 949.3-Belgique.

Condizione: very good. Foto's van Cas Oorthuys. Tekst van K. Jonckheere. Amsterdam : Contact , 1955 (1e-43e duizendtal). Illustrated hardcover binding. 96 pp. Ills. 19 cm. (Contact-foto-pockets). Fine copy. - Cas Oorthuys bracht met zijn foto's het Europa van de jaren vijftig en zestig van de twintigste eeuw in beeld. Zijn foto's werden gebruikt voor vele tientallen reis- en fotopockets, die veelal werden uitgebracht bij uitgeverij Contact. De tekst van deze boeken werd telkens verzorgd door een auteur die de situatie ter plekke goed kende, terwijl Cas Oorthuys de foto's verzorgde. Een impressie van het Europa van voor het massa-toerisme. Condition : very good copy. Keywords : PHOTOGRAPHY, Oorthuys, Cas (1908-1975).…

Paperback. Condizione: As New. Condizione sovraccoperta: As New. prima edizione. Museums at the Crossroads (MAC 25) Art after Iconoclasm Painting in the Netherlands between 1566 and 1585 K. Jonckheere, R. Suykerbuyk (eds.) Add to basket -> 130 p., 60 b/w ill., 210 x 297 mm, 2012 ISBN: 978-2-503-54596-7 Languages: English Paperback The publication is available. Retail price: EURO 150,00 Rather than as a destructive moment in history, the Iconoclasm of 1566 in the Netherlands was the catalyst for a re-evaluation of (religious) art in the Low Countries. It forced painters to question the very nature of the artistic tradition they grew up in. Is it merely a coincidence that the art markets changed so swiftly after the Fall of Antwerp, that art theory in the Low Countries originated in the wake of Iconoclasm (De Heere, Lampsonius, .), or that painting in the second half of the sixteenth century saw the impetus of new styles, genres, specialisations (Aertsen, De Beuckelaer, ¿)? Iconoclasm forced people to think about art. The generation of painters active in the two decades between the Beeldenstorm and the fall of Antwerp did this by questioning the decorum of the work of their famous predecessors. This volume, with contributions by eminent specialists in the field, addresses some of these questions and by doing so marks the beginning of a re-assessment of one of the most fascinating and complex but also understudied periods in Netherlandish Art History. Language : English text Size: 210 X297 Mm. Coll. Bibl.Maison : C 7. …

Condizione: Good. Vendeur professionnel - spécialiste du livre d'occasion. État : Bon État. Livre d'occasion expédié depuis la France.

Paperback. Condizione: New. New .Ships From Multiple Locations. book.

Condizione: gut. Portraits After Existing Prototypes Corpus Rubenianum Ludwig Burchard part XIX.- 4 In englischer Sprache. pages.

Condizione: gut. Michiel Coxcie (1499-1592) and the Giants of His Age In englischer Sprache. pages.

Hardcover. Condizione: New. Willem Key was one of the leading portrait and history painters in sixteenth-century Antwerp. He was born in Breda in 1516. Following in his older brother Wouter's footsteps, Willem went to Antwerp to become a painter. He studied under Pieter Coecke (1529) and later, like Frans Floris, apprenticed in the workshop of Lambert Lombard in Liege before becoming a free master in 1542. In 1568, just when he had reached the top of his abilities and enjoyed the patronage of outstanding individuals and institutions, Willem Key died suddenly. The artist's biographer and painter Karel van Mander tells us that Key was blessed with 'Sulcke edele gheesten,' such a noble mind. And, he had a 'Docta manus,' a learned hand, as the Bruges humanist and painter Domenicus Lampsonius phrased this topos in 1572. This is the first monograph to place Willem Key and his oeuvre in a historical framework. It demonstrates why the nobility, including the Duke of Alba and Cardinal Granvelle, considered him the best portrait painter of his day and why leading humanists viewed his many history paintings as eloquent visualizations of contemporary art theory. The reason why Willem Key's peers regarded him as such an exceptional painter lay in his creative ability to do battle on an uneven playing field with the artists who had been to Italy. In his reconciliation of the Netherlandish tradition with the rapidly advancing Italian manner, Key grasped the spirit of the Renaissance as formulated by Alberti. The quintessence of Key's art inspired numerous artists in his own time and later, including the grandmaster of the Baroque, Pieter Paul Rubens. By shedding light on this amazing confrere of Pieter Bruegel, Pieter Aertsen, Anthonis Mor and Frans Floris and placing him in the highly complex and fascinating time he lived in, this monograph and catalogue raisonne of the art of Willem Key restores the artist to his rightful place in sixteenth-century Antwerp art. The book also contains an appendix of the many new works by Adriaen Thomasz Key that have been discovered since the publication of the catalogue of Adriaen's oeuvre in this same series in 2007.…

Paperback. Condizione: Fair. Dutch schrijvers) Brussel-1971. Gebonden. 208 blz.