joseph constantine stadler (33 risultati)

Condizione: New. In.

Condizione: New. In.

Condizione: Good. Hand-colored Aquatint. 10.5" x 8". Very Good. In mylar protective sleeve.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - Join Joseph Constantine Stadler and Robert Ker Porter on their travels through Russia and Sweden at the turn of the nineteenth century. With detailed descriptions of people, places, and customs, this book offers a fascinating glimpse into the world of imperial Russia and the Scandinavian countries. Porter's beautiful illustrations complement the text, making this book a must-have for anyone interested in the history and culture of this region.

Buch. Condizione: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Einzelblatt. Condizione: Sehr gut. Gerahmte Aquatinta Radierung hinter Passepartout (Ausschnitt 38.5*28 cm), Fol., Plattenabmessungen ca. 32.5*26.5 cm, Schattenfugenrahmen (ca.1970er), Kunststoff m. dezenter Vergoldung, Rahmengröße 47*40.5 cm, Antireflexglas. Original der Zeit, kein Nachdruck. # Entstanden ist die Radierung wohl anläßlich der Inthronisierung Ludwigs XVIII. im Jahr 1814, der während des Ersten Kaiserreichs in England im Exil gelebt hatte. Charles Rosenberg (ca. 1756 - 1844) & Sohn waren Portaitmaler in Bath mit Verbindungen zum englischen Hof, bekannt hauptsächlich für Silhouettenportraits, insbesondere auf Glas. J. C. Stadler (1755 - 1828), deutscher Emigrant, ab 1780 in London ansässig, war seinerzeit bekannt v.a. für seine Aquatinta Radierungen. * Versand versichert & nachverfolgbar / Shipping fees include insurance & tracking. ** Auf Nachfrage werden Bibliotheken und öffentliche Einrichtungen gerne gegen offene Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 2050.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Print on Demand.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Condizione: ACEPTABLE. Joseph Constantine Stadler (.1780-1812) - Cooper Willyams delt. - I.C Stadler sculpt. - London, Pub. By L. White, Fleet Street 1801 Formato (cm): 25x19.

Condizione: ACEPTABLE. Joseph Constantine Stadler (.1780-1812) - Cooper Willyams delt. - I.C Stadler sculpt. - London, Pub. By L. White, Fleet Street 1801 Formato (cm): 25x19.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1808 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 95 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 95 Language: English.

Hand-coloured aquatint engraving. Very good condition apart from some overall light foxing in the margins. A picturesque view of the Pyran falls near Hafod House from "Tour to Hafod," a fine collection of plates depicting the mansion and its surrounding landscape engraved by Stadler after drawings by Smith. In his text, J. E. Smith describes Pyran as "one of the most favourite water-falls" and explains how it "terminates an umbrageous glen in the most advantageous manner, opening upon the spectator by degrees, till the whole is seen in perfection" (p. 13). Comprised of 15 views, Tour to Hafod also included comprehensive descriptive text by the scientist and collector James Edward Smith. The work was most likely intended as a tribute to the social benefactor and literary man Thomas Johnes (1748-1816), who devoted much of his life to his home region of Cardiganshire, where he served as a lord-lieutenant, a colonel in the militia, and an MP for the borough of Cardigan. Located in Cardiganshire, Western Wales, Hafodychtryd or Hafod for short, was Johnes's country estate. Hafod House, his principal residence, was erected in 1785 in the "gothic" style of Thomas Baldwin of Bath. Upon settling there, Johnes set about ameliorating the conditions of the local poor by providing them with comfortable housing and employing them in a planting project that would beautify the neighboring areas. In addition to his concern for social welfare, he was extremely interested in improving parts of Cardiganshire and actively involved himself in the building of roads and bridges. Born in Irthington in 1749, John "Warwick" Smith was an accomplished topographical draughtsman and watercolourist, who enjoyed the generous patronage of the Earl of Warwick. In addition to his fine engravings of Italy, he contributed numerous illustrations to topographical publications such as Select Views in Great Britain (1812), Views of the Lakes of Cumberland (1791-5), Tour through Wales (1794), and A Tour to Hafod (1810). In 1805, Smith became a member of the Watercolour Society, where he frequently exhibited his works. Cf. Abbey, Scenery of Great Britain and Ireland 533; cf. Dictionary of National Biography.

Hand-coloured aquatint engraving. A picturesque view of the valley of the Rhydol River, near Hafod from "Tour to Hafod," a fine collection of plates depicting the mansion and its surrounding landscape engraved by Stadler after drawings by Smith. Comprised of 15 views, Tour to Hafod also included comprehensive descriptive text by the scientist and collector James Edward Smith. The work was most likely intended as a tribute to the social benefactor and literary man Thomas Johnes (1748-1816), who devoted much of his life to his home region of Cardiganshire, where he served as a lord-lieutenant, a colonel in the militia, and an MP for the borough of Cardigan. Located in Cardiganshire, Western Wales, Hafodychtryd or Hafod for short, was Johnes's country estate. Hafod House, his principal residence, was erected in 1785 in the "gothic" style of Thomas Baldwin of Bath. Upon settling there, Johnes set about ameliorating the conditions of the local poor by providing them with comfortable housing and employing them in a planting project that would beautify the neighboring areas. In addition to his concern for social welfare, he was extremely interested in improving parts of Cardiganshire and actively involved himself in the building of roads and bridges. Born in Irthington in 1749, John "Warwick" Smith was an accomplished topographical draughtsman and watercolourist, who enjoyed the generous patronage of the Earl of Warwick. In addition to his fine engravings of Italy, he contributed numerous illustrations to topographical publications such as Select Views in Great Britain (1812), Views of the Lakes of Cumberland (1791-5), Tour through Wales (1794), and A Tour to Hafod (1810). In 1805, Smith became a member of the Watercolour Society, where he frequently exhibited his works. Cf. Abbey, Scenery of Great Britain and Ireland 533; cf. Dictionary of National Biography.

Hand-coloured aquatint engraving. Good condition apart from some overall light soiling, a few mild surface abrasions in the margins, and several small tears and minor losses at the edges of the sheet. Light water stain in the lower left corner. A picturesque view of Hafod House from "Tour to Hafod", a fine collection of plates depicting the mansion and its surrounding landscape engraved by Stadler after drawings by Smith. Comprised of 15 views, Tour to Hafod also included comprehensive descriptive text by the scientist and collector James Edward Smith. The work was most likely intended as a tribute to the social benefactor and literary man Thomas Johnes (1748-1816), who devoted much of his life to his home region of Cardiganshire, where he served as a lord-lieutenant, a colonel in the militia, and an MP for the borough of Cardigan. Located in Cardiganshire, Western Wales, Hafodychtryd or Hafod for short, was Johnes's country estate. Hafod House, his principal residence, was erected in 1785 in the "gothic" style of Thomas Baldwin of Bath. Smith describes it as being "situated on a rising ground, in a rich and beautiful valley, watered by the river Ystwith, and encompassed with bold hills, richly wooded, or a great variety of forms. These woods abound with magnificent water-falls, formed chiefly by three mountain streams that empty themselves into the Ystwith in different parts of the valley, and are never dry." Upon settling there, Johnes set about ameliorating the conditions of the local poor by providing them with comfortable housing and employing them in a planting project that would beautify the neighboring areas. In addition to his concern for social welfare, he was extremely interested in improving parts of Cardiganshire and actively involved himself in the building of roads and bridges. Born in Irthington in 1749, John "Warwick" Smith was an accomplished topographical draughtsman and watercolourist, who enjoyed the generous patronage of the Earl of Warwick. In addition to his fine engravings of Italy, he contributed numerous illustrations to topographical publications such as Select Views in Great Britain (1812), Views of the Lakes of Cumberland (1791-5), Tour through Wales (1794), and A Tour to Hafod (1810). In 1805, Smith became a member of the Watercolour Society, where he frequently exhibited his works. Cf. Abbey, Scenery of Great Britain and Ireland 533; cf. Dictionary of National Biography.

Maps. Condizione: Very Good. First Edition. [18th Century London] 20.5 x 32 cm (13 x 22 inches). Double-page hand-coloured aquatint. Neatly matted, in gilt and black wooden glass-fronted frame. Some browning down central fold. View across the Thames to Lambeth Palace and the former parish church of St Mary at Lambeth. Figures disembarking from a pleasure boat in the foreground. From Boydell's "History of the River Thames." Abbey, Scenery 432; Tooley 102; Hardie, pages 126-27. Also see: Adams, Bernard, London Illustrated 1604-1850: a survey and index of topographical books and their plates, 1983. British Museum number 1871,0812.191.

Condizione: New. Print on Demand.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1808. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 95, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 95 95.

Joseph Farington (illustratore). 'VIEW OF CARFAX & ABINGDON FROM WHITEHEADS OAK.'A man sitting on a bench under the oak tree in the right foreground, next to an urn, looking at the view of Abingdon in the background, and the Carfax Conduit in the left middle distance.Made by Joseph Constantine Stadler after Joseph Farington.Medium: Hand-coloured line etching and aquatint on wove (vellin) paper.Sheet size: 32.4 x 21.5 cm (12.76 x 8.46 inch). Image size: 30.2 x 19.5 cm. (11.89 x 7.68 inch).VIEW-OF-CARFAX-ABINGDON | EXPO-UKBACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Abbey Scenery 432.17, Adams 1983 75.17.Biography engraver: Joseph Constantine Stadler (active 1780-1819) was a German-born engraver known for his detailed aquatint and etching works, particularly in landscape and topographical subjects.Biography artist: Joseph Farington (1747-1821) was an English landscape painter and diarist. He contributed numerous topographical views to books and journals. Condition: good, given age. Light foxing and ghosting frommprevious matting. Remains of tape on rear from attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Joseph Farington (illustratore). 'VIEW OF READING FROM CAVERSHAM.'A view of Reading from Caversham, showing the countryside with a river and buildings in the background.Made by Joseph Constantine Stadler after Joseph Farington.Medium: Hand-coloured line etching and aquatint on wove (vellin) paper. Watermark: NOT BLEACHED 1825.Sheet size: 32.4 x 21.5 cm (12.76 x 8.46 inch). Image size: 30.2 x 19.5 cm. (11.89 x 7.68 inch).VIEW-OF-READING-CAVERSHAM | EXPO-UKBACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Abbey Scenery 432.17, Adams 1983 75.17.Biography engraver: Joseph Constantine Stadler (active 1780-1819) was a German-born engraver known for his detailed aquatint and etching works, particularly in landscape and topographical subjects.Biography artist: Joseph Farington (1747-1821) was an English landscape painter and diarist. He contributed numerous topographical views to books and journals. Condition: good, given age. Light foxing and ghosting frommprevious matting. Remains of tape on rear from attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1809. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 2, Pages:- 359, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 2 359 359.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1809. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 1, Pages:- 431, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1 431 431.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1799 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 857 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 857 Volume 3-04 Language: English.