Joseph r winters (103 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 176 pages, with color illustrations.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. Richard and Irna Flagg Collection of Renaissance decorative arts and sculpture was given to the Milwaukie Museum of Art in 1991, and this is the exhibition catalog that accompanied its debut Superior copy, gift-quality condition, inside and out, no discernible wear, bright and shiny dust jacket, protected. Contributions from several scholars, including the editors Laurie Winters and Joseph R. Bliss, essays by Russell Bowman and Charles Avery, and entries by Joseph R. Bliss, Jody Clowes, Elizabeth Ourusoff de Fernandez-Gimenez, Annemarie Sawkins, Jennifer Van Schmus, W. David Todd, Barry Wind and Laurie Winters. 67 color plates and 29 black and white illustrations. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. [5], 6-176 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback or Softback. Condizione: New. The Disturbing Profane: Hip Hop, Blackness, and the Sacred. Book.

Condizione: New.

Condizione: new.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. In The Disturbing Profane, Joseph R. Winters explores how hip hop's religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners' investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hop's dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world.…

Hardcover. Condizione: Book fine, Dust jacket fine. dj. 1st. Bound in the publisher's original black cloth with the spine stamped in gilt.

Condizione: New.

Condizione: New. 2025. paperback. . . . . .

Paperback. Condizione: New. In The Disturbing Profane, Joseph R. Winters explores how hip hop's religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners' investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hop's dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world.…

Condizione: new.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. In The Disturbing Profane, Joseph R. Winters explores how hip hops religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, and exorbitance and anguish. Winters draws on religious studies, Black studies, Black feminist thought, and critical theory to bear on contemporary hip hop in order to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Manaj undermine stable meanings of the sacred to reveal listeners investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Moreover, Winters demonstrates that hip hops dark sacrality makes it inseparable from its expression of, participation in, and resistance to the anti-Black and Black gendered violence that organizes the social world. Joseph R. Winters explores how hip hop troubles notions of the sacred and the profane, arguing that it opens up its audience to a volatile notion of the sacred and the unruly qualities of Blackness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. pp. 304.

paperback. Condizione: LikeNew. Used Like New, no missing pages, no damage to binding, may have a remainder mark.

Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. pp. 304.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In Hope Draped in Black Joseph R. Winters responds to the belief that America follows a constant trajectory of racial progress, using African American literature and film to construct an idea of hope that embraces melancholy in order to acknowledge and mourn America's traumatic history. Series: Religious Cultures of African and African Diaspora People. Num Pages: 320 pages. BIC Classification: 1KBB; 3JJ; AB; HRC; JFSL3. Category: (G) General (US: Trade). Dimension: 231 x 194 x 21. Weight in Grams: 472. . 2016. Paperback. . . . .…

Condizione: New.

Paperback. Condizione: New. In Hope Draped in Black Joseph R. Winters responds to the enduring belief that America follows a constant trajectory of racial progress. Such notions-like those that suggested the passage into a postracial era following Barack Obama's election-gloss over the history of racial violence and oppression to create an imaginary and self-congratulatory world where painful memories are conveniently forgotten. In place of these narratives, Winters advocates for an idea of hope that is predicated on a continuous engagement with loss and melancholy. Signaling a heightened sensitivity to the suffering of others, melancholy disconcerts us and allows us to cut against dominant narratives and identities. Winters identifies a black literary and aesthetic tradition in the work of intellectuals, writers, and artists such as W. E. B. Du Bois, Ralph Ellison, Toni Morrison, and Charles Burnett that often underscores melancholy, remembrance, loss, and tragedy in ways that gesture toward such a conception of hope. Winters also draws on Walter Benjamin and Theodor Adorno to highlight how remembering and mourning the uncomfortable dimensions of American social life can provide alternate sources for hope and imagination that might lead to building a better world.…