Judd bernard (16 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: FINE+, Near New. First Edition By This Publisher. 138 pages. "Thirty years after WW2, a team of former GIs and German soldiers plans to retrieve Nazi loot hidden in the Soviet occupied East Germany, its exact location only known to an imprisoned Nazi war criminal." Nice Copy Size: 12mo - over 6¾" - 7¾" Tall. Painted Cover Art! (illustratore). Book.…

Soft cover. Condizione: Very Good. 1st Edition. First Edition. Very Good with moderate wear around the extremities of cover. Telly Savalas as Harry Morgan on conver.

preloaded_digital_audio_player. Condizione: Good. PLAYAWAY ** DIGITAL AUDIO PLAYAWAY EDITION ** withdrawn from the library collection. A PLAYAWAY is a Compact Digital Audio Player already pre-loaded with your audio book. PLAYAWAY IS EASY TO USE! Just plug in the earphones, press the power button ON and begin to listen and enjoy. Included is a NEW BATTERY and NEW EARBUDS. Light weight with a powerful purpose. Take along on your next journey. Makes a sensitive get well gift! Enjoy the convenience and versatility of the PLAYAWAY for all your travel and leisure needs.…

Paperback. Condizione: Very Good. 1st. 127 pages, illustrations (some colour); 28 cm. Circulated by the International Exhibitions Foundation, 1968. Exhibition shown at the National Gallery of Art and four other American museums. Firm binding, clean text. Wraps lightly rubbed. Light foxing/half-title page (minor). *** The School of Paris, profusely illustrated. Although the first half-century is amply represented by well-known artists affiliated with Fauvism, Cubism and Surrealism, the post-World War II half of the catalogue contains a number of lesser-known artists connected with Art Informel/Tachisme (abstract expressionism) and Le Nouveau Realisme (pop art), including rarely-seen works of art. Size: 4to.…

POOR. GD. ONLY BALD SEVENTIES TV STAR.

paperback / softback. Condizione: fine. 1st edition Tandem 1975 film tie-in paperback, fine, Telly Savalas In stock shipped from our UK warehouse.

Five vintage black-and-white still photographs from the UK release of the 1974 French-English film. Photographer's rubber-stamp on the versos of 4 stills, with layout annotations on the versos of 3 stills and on the recto of 1 still. When a US intelligence agent (Anthony Quinn) is unable to bring a ruthless drug baron (James Mason) to justice, he hires an assassin. But the hired killer (Michael Caine) turns out to be an old friend. 1 still 8 x 10 inches; 3 stills 7.25 x 9.25 inches; 1 still 6.5 x 9.25 inches. Brief ink annotations on the versos, else Near Fine.…

Paperback. Condizione: VG+. 1st Edition. Film cover.

Condizione: Very Good. First edition - 8vo. Very good in worn dustwrapper - Illustrated - Signed by the author - Rel0045 - 222pp. - Marshall Morgan, London. 1951. Hardcover. . . . .

Condizione: Very Good. First edition - 8vo. Very good in worn dustwrapper - Illustrated - Signed by the author - Rel0045 - 222pp. - Marshall Morgan, London. 1951. Hardcover. . . . . Books ship from the US and Ireland.

No Binding. Condizione: Near Fine. First Edition. Original film poster measuring 27" by 41" folded three times (as issued). Containing film credits and starring Franco Nero, Susan George, and Sho Kosugi. The headline reads: "WARRIORS OF A LOST MARTIAL ART! HIRED ASSASSINS - HUMAN KILLING MACHINES!" The lightest of wear along narrow folds; small pinhole to each corner (where poster has been hung). …

70 pp.; 26.9 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; January / February 1981 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Warhol: Backwards and Forwards," by Charles F. Stuckey; "Violet Painting," by Ernst Busche; "André Masson," by Carmine Benincasa; "Realism between Revolution and Reaction," by Jean Clair; "The Art Sanctuary," by Jeffrey Deitch; "Flash Art New York," reviews by Valentine Tatransky, Kim Levin, Lynn Zelevansky, Jesse Murry, Douglas Blau, Judd Tully, Attanasio Di Felice; "Books," reviews by John Robinson, Henry Marin, Helena Kontova; "Flash Art Australia," reviews by Bernice Murphy, Jennifer Phipps; "Flash Art France," reviews by Bernard Blistene, Xavier Girard, Catherine Strasser, Michel Nuridsany and "Flash Art Israel: Tel-Hai '80," by Amnon Barzel. Cover: Andy Warhol Very Good. Yellowing of cover and page edges with light foxing along to edge of pages. Two 2 cm. pricing stickers on recto (see image). Light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

69 pp.; 27 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; February / March 1982 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "From Performance to Painting," by Helena Kontova; "Sam Francis," by Jan Butterfield; "New German Painting," by Johannes Gachnang; "The Situation and the Artists," by Siegfried Gohr; "The Austrian Trans-Avantgarde," by Wilfried Skreiner; "Flash Art Reviews New York," by Judd Tully, Douglas Blau, Valerie Smith, Lynn Meyers; "Flash Art Reviews London," by Michael Newman, Nena Dimitrijevic, Caroline Collier; "Flash Art Reviews Switzerland," by Bice Curiger; "Flash Art Reviews Holland," by Paul Groot; "Flash Art Reviews Germany," by Annelie Pohlen, Ingrid Rein; "Flash Art Reviews Spain," by Gloria Moure; "Flash Art Reviews Austria," by Jan Tabor, Robert Fleck "Flash Art Reviews Paris," by Bernard Blistene, Catherine Strasser, Marie Boué, Jean-Marc Prevost. Cover: Georg Baselitz. Very Good / Fine. Light dusting of covers with and light yellowing of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

65 pp.; 27 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; December 1981 / January 1982 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Philip Guston," by Dore Ashton; "Le Nouveau Réalisme," by Pierre Restany; "Is There Life After Performance?," by Lynn Zelevansky; "Jirí Kolár," by Thomas M. Messer; "Art and Psychoanalysis," by Peter Fuller; "Flash Art London," reviews by Caroline Collier, Nena Dimitrijevic, Michael Newman; "Flash Art New York," reviews by Barbara Cavaliere, Jonathan Crary, Judd Tully, Lynn Zelevansky, Valerie Smith, Douglas Blau; "Flash Art Germany," reviews by Annelie Pohlen; "Flash Art Spain," reviews by Gloria Moure; "Flash Art Australia," reviews by Jennifer Phipps, Mike Parr, Bernice Murphy "Flash Art Paris," reviews by Marie Boué, Bernard Blistene, Catherine Strasser, Anne Dagbert. Cover: Philip Guston. Very Good / Fine. Light dusting of covers with light edge wear and light sunning of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…