EUR 21,90
Quantità: 1 disponibili
Aggiungi al carrellopaperback in very good condition; 128 pages, colour and b/w photos, heavy book which will require excess postage outside Australia.
EUR 15,64
Quantità: 1 disponibili
Aggiungi al carrelloSoft Cover with French Flaps. Condizione: Good to Very Good. First Edition. Light general wear to covers. Spine not creased. Area of eraser rubbing to top corner of title-page - otherwise internally clean. 128pp Size: 250mm x 290mm. Book.
Lingua: Inglese
Editore: MCA Museum of Contemporary Art Sydney, 2007
ISBN 10: 0975190148 ISBN 13: 9780975190142
Da: ANARTIST, New York, NY, U.S.A.
Copia autografata
Hardcover with dustjacket, 168 pages; very good condition, clean and crisp; warmly inscribed on title page "For Barbara" and signed "Julie"; no other internal marks. From the library of MOMA curator Barbara London. Foreign shipping may be extra.
Editore: Sydney, Museum of Contemporary Art, 2007., 2007
Da: Grant's Bookshop, Cheltenham, VIC, Australia
Prima edizione
EUR 41,30
Quantità: 1 disponibili
Aggiungi al carrello4to, 168pp. Original cloth in predominantly white pictorial wrapper, encased in additional protective transparant mylar wrapper, causing some slight warping to dustwrapper. Numerous full-coloured reproductions of Rrap's works. A near-fine copy. First edition.
Hardcover. Condizione: New.
Editore: Melbourne; Ian Potter Museum of Art, The University of Melbourne; 2015, 2015
ISBN 10: 0734049102 ISBN 13: 9780734049100
Da: Fine Print Books (ABA), Erskineville, Sydney, NSW, Australia
EUR 59,45
Quantità: 1 disponibili
Aggiungi al carrellopaperback in very good condition, gift inscription from the artist(?); c60 pages, "Published by the Ian Potter Museum of Art, the University of Melbourne, on the occasion of the exhibition Julie Rrap: Remaking the world, 23 July to 15 November 2015".
Editore: Museum of Contemporary Art and Piper Press, Sydney, 2007
Da: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, Australia
Prima edizione Copia autografata
EUR 93,87
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Dust Jacket Included. First Edition. Sydney, Museum of Contemporary Art and Piper Press, 2007. Quarto, 168 pages with numerous illustrations from photographs (many in colour). Cloth; a fine copy with the dustwrapper slightly sunned and rubbed. Inscribed and signed by Julie Rrap and Victoria Lynn to Melbourne photographer and pioneering gallerist Joyce Evans OAM (1929-2019). Published to accompany the exhibition of the same name held at the Museum of Contemporary Art between 30 August 2007 and 28 January 2008. Signed.
Da: Douglas Stewart Fine Books, Armadale, VIC, Australia
EUR 43,77
Quantità: 1 disponibili
Aggiungi al carrelloSydney : Museum of Contemporary Art / Piper Press, 2007. Quarto, cloth in illustrated dustjacket, pp. 168, illustrated. New copy. 'Since the 1980s Julie Rrap has sought to 'disclose' the human body, and unravel the ways in which it has been represented in art and elsewhere For the most part, Rrap has used her own body in photographs, videos and sculptures. This has not simply been a documentation of the female form. This is a performing body ' one that enacts various postures through shadow play, masquerade, mirror and mime. Rrap's works go to the heart of photography ' they occupy the zone between the documentation of reality and the artifice of invention.Rrap's representation of the body is never comfortable. Her human figures are often dissected into parts, distorted, and at times squeezed into the stance of the artist's muse. In her sculptures, the body disappears altogether, as if it has slipped into the negative spaces of solid forms that beg to cradle flesh once again. Julie Rrap is a leading Australian artist depicting the female form through her own body. Rrap combines an intellectual framework with a sense of wit and works in sculpture, installation, photography and video in consistently compelling ways. Author Victoria Lynn explores Rrap's role as 'the trickster' in her work, how she uses the 'body double', and how she oversteps the limits of bodily representation.' - the publisher.