Lingua: Russo
Editore: Al'tsiona, Moskva, 1910
Da: Sounds of Forest, Tallinn, Estonia
Prima edizione
EUR 700,00
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 1st Edition. Russian language. Octavo 22 x 16 cm. Wrappers, 96, [7] pp. Print run 1,000 copies. Slight foxing of the wrappers, repaired spine and small missing pieces of bottom outer corners of front wrapper and six first sheets, fingerprints on several pages. The only collection of poems by a talented Russian poet Iuri Sidorov (1887-1909) published already posthumously. During his short lifetime of twenty-one years only two of his poems were published, both in the almanac Chrysopras (1906), which are not included in the current collection. The poet's disappointment with the results of the 19051907 revolution and his turn towards monarchist sentiments, with subsequent support of the religious-minded ideology within symbolism that was promoted by the Moscow magazine Vesy (the Scales) influenced his poetic works. The poetry collection opens with three articles by Andrei Belii, Boris Sadovskii, Sergei Solov'ev, and includes 55 poems. According to the critics, Sidorov due to his young age, did not have time to develop his own manner. His poem "Muse" is reminiscent of early Khodasevich, and "Oleography" even of Georgy Ivanov, in the poem "Psychopompus" images derived from Judaic, Greek, Persian and other mythologies. "In his review of Sidorov's posthumous poetic book we see Bryusov's polemic against Bely's obituary of Sidorov. In Sidorov's works and personality Bely saw a synthesis of "a writer" and "a man" whereas Bryusov emphasized primarily bookisch, literary nature of the early deceased poet's works." (V. Savelov Yu. Sidorov and V. Bryusov") The book came out from Moscow-based Al'tsiona publishing house (1910-1923), founded primarily to feature works by symbolists. Publisher's logo on the first page designed by art nouveau and symbolist artist Nikolay Petrovich Feofilaktov (1876-1941). Edition is richly decorated wirh abundance of graphic illustrations, which include refined decadent drawing by the painter Olga Pavlovna Mikhailova and six full-page graphic illustrations serving as chapter openers by Anatolii Arapov. Painter O. P. Mikhailova, a native from Nizny Novgorod (practically unknown to the researchers of Russian Silver Age culture) was a favourite student of professor Konstantin Alekseyevich Korovin at the Moscow School of Painting, Sculpture and Architecture. Illustrated books of poems by noted symbolists, such as Konstantin Balmont. Russian painter and graphic artist Anatolii Arapov (1876-1949) in his early works (1900s-1910s) was close to Symbolism, in the 1920's went through a fascination with constructivism, and since 1930s turned to socialist realism. As symbolist collaborated with magazines Vesy, Iskusstvo, Zolotoe Runo.