Kahng eik et al (9 risultati)

Hardcover. Condizione: Fine. 1st. Pictorial boards, 135 pages, illustrations (some colour); 29 cm. Published on the occasion of an exhibition held at the Kimbell Art Museum, Fort Worth, Texas, May 29 to August 21, 2011 and the Santa Barbara Museum of Art, Santa Barbara, California, September 17, 2011 to January 8, 2012. Firm binding, clean inside copy. Richly illustrated with colour plates. *** "Picasso and Braque offers an intimate look at one of the most pivotal exchanges in the history of Western art: the culminating two years (1910-12) of Analytic Cubism. While the Cubist experiment has long been a requisite chapter in the history of modernism, this is the first publication to delve deeply into these two intense years of productivity, revealing the intriguing pictorial game being played out between these two great masters. Essays by prominent curators and historians offer sustained readings of paintings, drawings, and prints in terms of their engagement with issues of genre, format, medium, and artistic process. In addition, the new technology of spectral imaging provides reproductions of astounding color and textural fidelity, making this an essential publication for those seeking to understand better the complexity of Picasso's and Braque's mark-making, which typically evades conventional photography. / Eik Kahng is chief curator and curator of 19th- and Early 20th-Century European Art at the Santa Barbara Museum of Art. Harry Cooper is a curator at the National Gallery of Art, Washington, D.C. Charles Palermo is an art history professor at the College of William and Mary. Christine Poggi is an art history professor at the University of Pennsylvania. Annie Bourneuf is an independent scholar. Claire Barry and Bart Devolder are conservators at the Kimbell Art Museum, Fort Worth." - Publisher. *** CONTENTS: Introduction: on the problem of explaining Cubism: a few notes, by Eik Kahng; A project for wholeness, by Charles Palermo; Braque's ovals, by Harry Cooper; Picasso, Braque, and the uses of the print, 1910-1912, by Annie Bourneuf; Cubist faktura, by Christine Poggi; Surface and format: observations on the materials, process, and condition of Cubist paintings, 1910-1912, by Claire Barry and Bart J. C. Devolder. Size: 4to. Collectible. …

Hardcover without dustjacket as issued, 136 pages; very good condition except small crimp to lower corner of rear cover; museum library stamps to title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condizione: NEW. 1st. xiii, 305 pages, illustrations (chiefly colour); 28 cm. Edited by Eik Kahng, Todd Cronan, David Misteli, Rebecca Rainof, Rachel Skokowski, Sjraar van Heugten, Marnin Young. Published in conjunction with the exhibition held at Columbus Museum of Art, November 12, 2021 to February 6, 2022 and Santa Barbara Musuem of Art, February 27 to May 22, 2022. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Vincent van Gogh's (1853-1890) idiosyncratic style grew out of a deep admiration for and connection to the 19th-century art world. This fresh look at Van Gogh's influences explores the artist's relationship to the Barbizon School painters Jean-Francois Millet and Georges Michel--Van Gogh's self-proclaimed mentors--as well as to Realists like Jean-Francois Raffaelli and Leon Lhermitte. New scholarship offers insights into Van Gogh's emulation of Adolphe Monticelli, his absorption of the Hague School through Anton Mauve and Jozef Israels, and his keen interest in the work of the Impressionists. This copiously illustrated volume also discusses Van Gogh's allegiance to the colorism of Eugene Delacroix, as well as his alliance with the Realist literature of Charles Dickens and George Eliot." - Publisher. Size: 4to. Collectible.…

hardcover. Condizione: New. First Edition. Cloth, no dj. In shrinkwrap.

hardcover. Condizione: New. First Edition. Cloth, no dj. In shrinkwrap.

Kahng, Eik et al. PICASSO and BRAQUE: The Cubist Experiment, 1910-1912. 136 pages, illustrated throughout in color and b&w. 4to, boards. Santa Barbara, Santa Barbara Museum of Art, and Fort Worth, Kimbell Art Museum, in association with New Haven and London, Yale University Press, 2011. Exhibition in Santa Barbara and Fort Worth.…

Hardcover. Condizione: NEW. Condizione sovraccoperta: NEW. 1st. 200 pages, illustrations (some colour); 26 cm. Catalogue of an exhibition entitled Deja Vu? Revealing Repetition in French Masterpieces, at the Walters Art Museum, October 7, 2007 to January 1, 2008 and at the Phoenix Museum of Art, January 20 to May 4, 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "Today, repetitive imagery dominates all forms of visual experience, from the realm of advertising to the spaces of contemporary art. In this innovative project, the authors show that the phenomenon of repetition - often considered merely incidental to the age of mechanical reproduction - was a pervasive attribute of early modern painting long before its embrace by twentieth-century high modernism. In works by David, Ingres, Delaroche, Gerome, Corot, Millet, Monet, Cezanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the nineteenth and early twentieth centuries. The authors demonstrate that by making multiples of closely related subject matter in their paintings and in other media, these artists challenged an aesthetic based on the notion of an inimitable, unique masterpiece. Through beautiful illustrations and essays by leading scholars, this book shows how repetition in early modern painting took on a complex, multivalent significance and that the traditional medium of painting remained undiminished despite the nineteenth-century invention of photography and film." - Publisher. *** CONTENTS: Repetition as symbolic form, by Eik Kahng; Reassessing repetition in nineteenth-century academic painting: Delaroche, Gerome, Ingres, by Stephen Bann; Strategies of repetition: Millet/Corot, by Simon Kelly; The predications and implications of Monet's series, by Charles Stuckey; Risible Cezanne, by Richard Shiff; The Matisse grid, by Jeffrey Weiss. Size: 4to. Collectible. …

Hardcover. Condizione: Fine. First edition. 10 1/4'' X 12 1/4''. 110pp. Without dustjacket, as issued. David Wiesner. (illustratore).

Hardcover. Condizione: New.