kallai erno (7 risultati)

Leinen im SU, 1. 1. Auflage, Gustav-Kiepenheuer-Bücherei, 73, 8°, 274 Seiten, Leinen im SU, Buch gut erhalten, normale Gebrauchsspuren, Einband bzw. Schutzumschlag berieben u. etwas angeschmutzt, Ecken und Kanten abgerieben u. leicht bestossen, SU mit kleinen Läsuren RW 7 R 1/ B Sprache: Deutsch 0,340 gr.

Vinyl. Condizione: Sehr gut. Made in Hungary. Vinyl sehr gut erhalten, Cover sehr gut erhalten, Kanten, Ecken und Fläche leicht berieben. hu Gewicht in Gramm: 2005.

Hardcover. Condizione: Gut bis sehr gut. 1. Auflage. Gustav Kiepenheuer Bücherei 73. 274 S. Orig.- Ganzleinen. Mit dem Orig.- Schutzumschlag. Schnellster Versand per Rechnung ist möglich.

Condizione: Minor rubbing. VG. orig.wrappers Minor rubbing. VG. Textual maps & tables. 24x16cm, 145 pp. Text entirely in Hungarian. Contains 6 papers concerning social & economic conditions of Hungarian Roma minority. Includes: "A 2003. évi cigány felmé résröl"; "Cigány kisebbségi önkormányzatok Magyarországon"; "Tereptapaszta Heves megyében"; "A roma szegregáció kutaásának területi szempontjai a halmozottan hátrányos helyzetú encsi és a sellyei-siklósi kistérségekben"; "Gettósodó térség, gettósodó iskolanendszer"; "A szociális földprogram tá rsadalomfejlesztési hatásai".

LP. Condizione: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Die Vinyl-Platte(n) sind stets in Inlays. Stereo und/oder Mono. (Keine genaue Jahreszahl angegeben.) A1a The Snow Is Falling In The Bakony A1b I Wrote A Letter To The Emperor A1c Hey, How Long Ago It Was A1d To Horse, Kuruc, To Horse A2 F Minor Lament, Verbunk And "Friss" A3 Dances Of Oltenia A4a Memories Of Miskolc A4b Court Dance A4c Concert Friss A5 Melody And Concert Friss B1a The Great Miklós Bercsényi B1b The Song Of Ádám Balogh B1c Csínom Palkó B2 Ornamented Songs B3 Hora Of Besarabia B4a Flora Romance B4b Witch Csárdás B5a Little Csárdás B5b I Will Marry In The Summer B5c My Thirty-three Rose Bushes B6a When Your Fevered Lips Complain B6b Berci Has Gone For A Soldier LP19 Sprache: Deutsch Gewicht in Gramm: 1001.

RARE illustrated monograph on the art and life of an eminent Hungarian painter and graphic artist Ilka Gedo (1921-1985), including a catalog of her works, chronological review, the list of her graphic works, the list of exhibitions, the list of works in public collections, bibliography and documents, catalog of works and collection of documents, all prepared by the artist`s son - David Biro. The introduction is by a distinguished Hungarian art critic Istvan Hajdu. Ilka Gedo still did not receive the recognition she deserves during her lifetime, and thus, this publication is an important step towards recognition of this great 20th-century artist, known until now mostly for her work series called `Budapest ghetto`, `the Ganz Factory` and `Table Series`. Contains 152 color and numerous b&w reproductions of Gedo`s works. 320x250mm. 258 pages. Hardcover with dust-jacket (both lllustrated). Jacket slightly rubbed. Jacket bottom edge creased. Jacket rear side bottom edge slightly torn and taped. Spine edges slightly bumped. Cover slightly curved. Pages slightly wavy. [SUMMARY]: This extremely rare comprehensive illustrated catalog of works and vast collection of materials on the life of "one of the solitary masters of Hungarian art", still not duly recognised, is otherwise in good condition. The book is in : English.

Budapest: Magyar Müvészeti Tanács, 1947-1948. Quartos (30 × 24 cm). Original pictorial wrappers; 41 to 68 pp. per issue. Numerous full-page illustrations, including some in color. About very good; light traces of use, one issue with somewhat defective binding; wrappers slightly toned and dust-stained. Complete run of this significant Hungarian post-war journal of modern and avant-garde art and culture, edited by Lajos Kassák, who reappeared as a graphic designer after a decade and a half by designing the covers and typography of the issues. What is remarkable about Kassák's post-war project is its openness toward the architectural and artistic positions that he believed he had overcome with Constructivism in the interwar period. His group of editors included not only Ernö Kállai, the former editor-in-chief of the "bauhaus" magazine published in Dessau under Hannes Meyer, but also the architect and art historian Virgil Borbiró (also known as Bierbauer), who until 1928 mainly produced historicist architectural designs. After a trip to Holland, he turned his attention to modern industrial architecture as well as reformist housing construction and ran the magazine "Tür és Forma". Among other things, he was now involved in major urban regulation plans in Budapest. His theoretical and practical engagement with urban planning was clearly influenced by his art history studies with Heinrich Wöfflin and his method of "comparative seeing". Already in the first issue of "Alkotás", Borbiró makes remarkable comparisons between various microscopic cell structures on the one hand and urban planning on the other in his essay "Új városépítés, természetes városépítés" (New urbanism, natural urbanism). He takes these comparisons so far that he ends up juxtaposing a carcinoma with a historical city map of Mechelen. In Kassák's circle, the machine alone was no longer the benchmark for the development of forms in art and architecture. Borbiró, who wrote his doctoral thesis on Bramante's first plans for St. Peter's in Rome, was not the only author in the journal who saw modernism in continuity with tradition (on Virgil Borbiró cf. AKL XII, 1996, p. 662). The architect, designer, and illustrator Lajos Kozma, whose designs are a far cry from Kassák's Constructivism, deals extensively with the development of the form of columns and pillars from antiquity through the Middle Ages to the Renaissance, for example, in No. 9-10. Similarly to Kassák's pre-war journals, such as A Tett, MA, and Dokumentum, Alkotás explored both the international and the Hungarian contemporary arts scene, but with a focus on emerging trends in the immediate post-war period. In contrast to the earlier journals, it avoided political statements in an attempt to create wide-ranging international networks. The immediate post-war period also saw Kassák himself turn away from his Constructivist rules. He began to paint figuratively again. When he returned to abstraction in the mid-1950s, however, this did not mean a return to the old mechanical rigor. For Kassák, the publication of "Alkotás" was linked to his involvement in the Art Council, which came to an end with the collapse of the democratic phase. The magazine was also discontinued after the Communist takeover in Hungary in 1948, whereupon many of its contributors went into exile or suffered a harsh fate in political prisons. (Cf. AKL LXXIX, 2013, p. 391) The issues include contributions by and about Pablo Picasso, Georges Braque, Henri Matisse, Moholy-Nagy, Robert Delaunay, Georges Rouault, Marcel Breuer, Lajos Kassák, Max Ernst, Jean Arp, Béla Czobel, Ödön Márffy, Gyula Derkovits, Gyula Hincz, Lajos Tihanyi, József Csáky, Jen? Barcsay, Károly Kernstok and others. Equal attention is paid to literature, painting, graphic arts, sculpture, and architecture. Csaplár, Cat. Budapest 1999, nr. 162. As of Februrary 2025, KVK and OCLC show five complete runs in North America.