Kanz roland (74 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Ill. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Ill. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Fine. Trade paperback. A fine copy 96 pages. Full page reproductions of outstanding art and text about the picture and the artist. This is a wonderful work that can introduce a reader to the world of ART.

Paperback. Condizione: etwas berieben, sonst sehr gut. 360 Seiten 580 gr.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

geringe äußere Gebrauchsspuren. Gewicht in Gramm: 550.

Condizione: New.

Hardback. Condizione: New. The Kunsthistorisches Institut Bonn, Yesterday and Today. The imposing presence of architecture captured in the absence of humans: that is the defining characteristic of the photographs with which Candida Höfer (b. 1944, Eberswalde; lives and works in Cologne) has risen to international renown. In 1992, she captured the Kunsthistorisches Institut der Rheinischen Friedrich-Wilhelms-Universität Bonn in ten analogue black-and-white pictures that have not been on public display. In 2020, Höfer returned to the institute to take more pictures using a digital camera.The two series now make their public début in the institute's halls and are gathered in this book. Undertaking a historically and aesthetically captivating comparison, Höfer probes the ways in which university life has changed over almost three decades. Candida Höfer was a member of Bernd Becher's inaugural photography class at the Kunstakademie Düsseldorf. Her works were shown at documenta 11 in 2002, and in 2003, she and Martin Kippenberger represented Germany at the 50th Biennale di Venezia.…

broschiert. Condizione: Gut. 360 S. guter Zustand, EInband leicht berieben,Schnitt etwas stockfleckig LIEFERZEITEN / DELIVERY TIMES: DEUTSCHLAND 5 - 14 Tage EUROPA/EUROPE: 7 - 30 Tage/Days USA/WELTWEIT/WORLDWIDE: 14 - 60 Tage/Days (!!!) +++ Sprache: Deutsch Gewicht in Gramm: 600.

Couverture souple. Condizione: Bon. Peinture. Riche iconographie. 19x23 cm. 96 p. Broché. Bon état. Intérieur en bon état. in-8°.

Abb., 359 S. Orig. Karton ordentlich.

Hardback. Condizione: New. The Kunsthistorisches Institut Bonn, Yesterday and Today. The imposing presence of architecture captured in the absence of humans: that is the defining characteristic of the photographs with which Candida Höfer (b. 1944, Eberswalde; lives and works in Cologne) has risen to international renown. In 1992, she captured the Kunsthistorisches Institut der Rheinischen Friedrich-Wilhelms-Universität Bonn in ten analogue black-and-white pictures that have not been on public display. In 2020, Höfer returned to the institute to take more pictures using a digital camera.The two series now make their public début in the institute's halls and are gathered in this book. Undertaking a historically and aesthetically captivating comparison, Höfer probes the ways in which university life has changed over almost three decades. Candida Höfer was a member of Bernd Becher's inaugural photography class at the Kunstakademie Düsseldorf. Her works were shown at documenta 11 in 2002, and in 2003, she and Martin Kippenberger represented Germany at the 50th Biennale di Venezia.…

Condizione: Fine. Some outer edges have minor scuffs. Cover has light scratches. Book content is in like new condition.

Condizione: BUONO USATO. IED. Da revisionare INGLESE Volume brossurato in cartonato flessibile lucido, copertina con bandelle, ben tenuta illustrata da tavola a colori. Buonissimo lo stato conservativo, pagine perfettamente tenute, con velatura avorio, pià intensa ai tagli, segnati da fitto pulviscolo. Ricco di riproduzioni di opere pittoriche a colori e in bianco e nero. Il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria. Numero pagine 96.…

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

hardcover. Condizione: Very Good. No dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Broschiert. Condizione: Gut. 23 cm, 357 gr. 96 S. eng. Broschiert. zahlr. Ill. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat keine Gebrauchsspuren; Ist gering schief gelagert; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

219 SS. Okart. Sammlerstempel auf dem Vortitelblatt.

Broschiert. Condizione: Gut. 22cm; 227 S. Broschiert. Ill. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren, weil Deckel gering gebogen ist; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

359 S. mit vielen, auch farbigen Abbildungen. Orig. Broschur. Sehr guter Zustand. CHF 20. Leipzig, Dresden, Meissen, Erzgebirge, Elbe.

Soft cover. Condizione: As New. Like new, never been used.

Condizione: New. Das Kunsthistorische Institut Bonn im Wandel der ZeitArchitektonische Praesenz bei gleichzeitiger Abwesenheit von Menschen ist das Charakteristikum der fotografischen Werke, mit denen Candida Hoefer (geb. 1944 in Eberswalde, lebt und arbeitet in Koeln) interna.

Condizione: Sehr gut. 2019. 228 S. Giovanni Casanova war als Professor und Direktor der Kunstakademie in Dresden ein bekannter Künstler. Daß der Name Casanova einmal weltberühmt sein würde, konnte er nicht ahnen. Dies war das Erbe seines älteren Bruders Giacomo, dessen Ruhm die Erinnerung an den Künstlerbruder verblassen ließ. Giovanni Casanova gelang als Künstler eine von Erfolgen begleitete Karriere, zunächst in Rom als hochgelobter Antikenzeichner, der auch in Herkulaneum tätig war, und dann ab 1764 in Dresden als bewunderter Kunsttheoretiker und Altertumskenner. Seine klassizistische Kunstlehre, vorgetragen in mehrjährigen Vorlesungen, wirkte weit über Dresden hinaus und zog viele junge Talente an. Kanz Biographie schildert, eingebettet in die Familiengeschicke und die Akademiegeschichte, erstmals die bewegte Karriere Giovanni Casanovas. Prägend war die Mitarbeit bei Mengs in Rom, seine Freundschaft und stärker noch seine spätere Feindschaft zu Winckelmann, wechselhaft war seine künstlerische Produktion und berüchtigt sein Hang zu Kontroversen mit Kollegen. Ein ausführlicher Quellenanhang bietet unveröffentlichte Dokumente zur Künstlerkarriere, zur Verurteilung wegen angeblicher Wechselfälschung in Rom und zu seiner Rolle als Akademiemitglied. . Ge193,51 Sprache: Deutsch Gewicht in Gramm: 420.…

Hardback. Condizione: New. The Kunsthistorisches Institut Bonn, Yesterday and Today. The imposing presence of architecture captured in the absence of humans: that is the defining characteristic of the photographs with which Candida Höfer (b. 1944, Eberswalde; lives and works in Cologne) has risen to international renown. In 1992, she captured the Kunsthistorisches Institut der Rheinischen Friedrich-Wilhelms-Universität Bonn in ten analogue black-and-white pictures that have not been on public display. In 2020, Höfer returned to the institute to take more pictures using a digital camera.The two series now make their public début in the institute's halls and are gathered in this book. Undertaking a historically and aesthetically captivating comparison, Höfer probes the ways in which university life has changed over almost three decades. Candida Höfer was a member of Bernd Becher's inaugural photography class at the Kunstakademie Düsseldorf. Her works were shown at documenta 11 in 2002, and in 2003, she and Martin Kippenberger represented Germany at the 50th Biennale di Venezia.…