kart lawrence (8 risultati)

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. Illustrated (illustratore). Dj Has Heavy Edgewear With Several Tears, Some Taped. Dj Has Been Price-Clipped & The Entire Inside Back Flap Of Dj Is Missing. Book Has Light Edgewear. Light Wear. Very Light Soiling. Page Edges Are Tanned.

Hardcover. Condizione: g. First edition. 4to. 230pp. Black cloth binding with dj. Head and tail of spine and corners lightly bumped. Head and tail of spine of dj bumped. Light creasing to edges. 1 inch tear to front hinge. Frontis. Profusely illustrated with b/w photos and facsimiles. In good condition.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Very good with very good dust jacket. Dust jacket is rubbed at spine tips, is bumped at the corners, has a 1/2 inch chip at top front edge, and has a two inch tear at bottom front edge. 229 pages with index and illustrations.

Paperback. Condizione: Near Fine. SIGNED. Poet and translator signatures found on first page. This is one of a limited edition of 300 copies. Very slight rubbing to edges yellow cloth wrappers, otherwise fine. Text in English and Italian. Signed by Authors.

Hardcover. Condizione: New. Kendrick, Mel (illustratore). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. Signed.

Hardcover. Condizione: New. Kendrick,Mel (illustratore). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Coupling" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Coupling", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 99 1/2 by 27 1/2 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condizione: New. Kendrick,Mel (illustratore). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Helmet" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Helmet", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 92 1/4 by 19 1/2 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condizione: New. Kendrick,Mel (illustratore). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Sperm" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Sperm", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 91 1/2 by 20 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.