Katherine e wheatley (22 risultati)

Hardcover. Condizione: VG / Dj. 345pp.

Hardcover. Condizione: Good. . . . . 8vo, hardcover, yellow cloth. Presentation copy, SIGNED by the author on the front endpaper. Vg condition in good dj. NOT ex-library. Dust jacket chipped at spine and rear panel. Contents crisp, clean, no marking or writing. 245 pp. Signed.

Hardcover. 345pp. Ink signature else very good condition with text clean and binding sound without dust jacket.

Hardcover. Condizione: Very Good. No Dust Jacket. Ex-Library.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Very good with good, price clipped dust jacket. Spotting on page fore edge, bottom page edge, and bottom half of dust jacket front panel. Dust jacket is also worn at spine tips and corners and is bumped along top edges. Name and address sticker at top of front endpaper. …

Condizione: New.

Paperback or Softback. Condizione: New. Racine and English Classicism. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New. 2015. Illustrated. paperback. . . . . .

Condizione: New. 2015. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 358 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condizione: Brand New. 358 pages. 9.00x6.00x1.00 inches. In Stock. This item is printed on demand.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Print on Demand 358.

Condizione: New. Print on Demand 358.

Condizione: New. PRINT ON DEMAND 358.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A comparison of neo-classical English translations of Racine with the originals, and an analysis of what was changed and why.InhaltsverzeichnisPrefacePart I. Racine Improved I. John Crowne and Racine.…

Taschenbuch. Condizione: Neu. Racine and English Classicism | Katherine E. Wheatley | Taschenbuch | Einband - flex.(Paperback) | Englisch | University of Texas Press | EAN 9781477307007 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Literary historians and critics who have written on the influence of Racine in England during the neoclassical period apparently have assumed that the English translators and adapters of Racine's plays in general succeeded in presenting the real Racine to the English public. Katherine Wheatley here reveals the wide discrepancy between avowed intentions and actual results. Among the English plays she compares with their French originals are Otway's Titus and Berenice, Congreve's The Mourning Bride, and Philips's The Distrest Mother. These comparisons, fully supported by quoted passages, reveal that those among the English public and contemporary critics who could not themselves read French had no chance whatever to know the real Racine: 'The adapters and translators, so-called, had eliminated Racine from his tragedies before presenting them to the public.' Unacknowledged excisions and additions, shifts in plot, changes in dénouement, and frequent mistranslation turned Racine's plays into 'wretched travesties.' Two translations of Britannicus, intended for reading rather than for acting, are especially revealing in that they show which Racinian qualities eluded the British translators even when they were not trying to please an English theatergoing audience. Why it is, asks the author, that no English dramatist could or would present Racine as he is to the English public of the neoclassical period To answer this question she traces the development of Aristotelian formalism in England, showing the relation of the English theory of tragedy to French classical doctrine and the relation of the English adaptations of Racine to the English neoclassical theory of tragedy. She concludes that 'deliberate alterations made by the English, far from violating classical tenets, bring Racine's tragedies closer to the English neoclassical ideal than they were to begin with, and this despite the fact that some tenets of English doctrine came from parallel tenets widely accepted in France.' She finds that 'in the last analysis, French classical doctrine was itself a barrier to the understanding of Racinian tragedy in England and an incentive to the sort of change English translators and adapters made in Racine.' This paradox she explains by the fact that Racine himself had broken with the classical tradition as represented by Corneille.…