Katherine jentleson (39 risultati)

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover without dustjacket as issued, 192 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. Visionary self-taught Southern folk artist Minnie Evans receives a long overdue encore of her mystical, divinely inspired drawingsPublished with High Museum of Art.American artist Minnie Evans (18921987) once said her drawings of harmoniously intertwined human, botanical and animal forms came from visions of "the lost world," or nations destroyed by the Great Flood as described in the Book of Genesis. As the visions she experienced in childhood became stronger, Evans produced a large body of work ranging from abstract to representational styles. When she turned 56, she transitioned from decades of employment as a domestic worker to collecting admissions at Airlie Gardens in Wilmington, North Carolina. She made art during idle moments and hung it on and near the Gardens' wrought-iron gate. Selling or giving away her drawings to visitors led to a wider reputation and eventually a 1966 exhibition at a New York church titled The Lost World of Minnie Evans.This publication reprises that 1966 title, honoring Evans' interest in biblical and ancient civilizations while foregrounding the spiritual and historical circumstances of her extraordinary life. More than 100 of her artworks are presented in a range of contexts, from the extrasensory experiences of her visions to the double-edged realities of her life in the Jim Crow South. Her drawings, beautiful and complex, thus become portals into her "lost world." Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardback. Condizione: New. Visionary self-taught Southern folk artist Minnie Evans receives a long overdue encore of her mystical, divinely inspired drawingsPublished with High Museum of Art.American artist Minnie Evans (1892-1987) once said her drawings of harmoniously intertwined human, botanical and animal forms came from visions of "the lost world," or nations destroyed by the Great Flood as described in the Book of Genesis. As the visions she experienced in childhood became stronger, Evans produced a large body of work ranging from abstract to representational styles. When she turned 56, she transitioned from decades of employment as a domestic worker to collecting admissions at Airlie Gardens in Wilmington, North Carolina. She made art during idle moments and hung it on and near the Gardens' wrought-iron gate. Selling or giving away her drawings to visitors led to a wider reputation and eventually a 1966 exhibition at a New York church titled The Lost World of Minnie Evans.This publication reprises that 1966 title, honoring Evans' interest in biblical and ancient civilizations while foregrounding the spiritual and historical circumstances of her extraordinary life. More than 100 of her artworks are presented in a range of contexts, from the extrasensory experiences of her visions to the double-edged realities of her life in the Jim Crow South. Her drawings, beautiful and complex, thus become portals into her "lost world.".…

hardcover. Condizione: New. Brand New.

Condizione: New. 2020. Illustrated. Hardcover. . . . . .

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. After World War I, artists without formal training "crashed the gates" of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson "Grandma" Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.…

Hardcover with dustjacket, 250 pages; small tear to dj at bottom of rear cover; otherwise as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: New.

Hardback. Condizione: New. After World War I, artists without formal training "crashed the gates" of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson "Grandma" Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.…

Hardcover. Condizione: Brand New. 192 pages. 9.84x0.79x11.02 inches. In Stock.

Condizione: New. 2020. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. After World War I, artists without formal training crashed the gates of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson Grandma Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Condizione: New. In English.

Hardcover. Condizione: Brand New. 248 pages. 10.25x8.00x0.75 inches. In Stock.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Cloth. Condizione: Fine Condition. Fine Condition. 250 pages. 72 illustrations 53 in color. Selected Bibliography. Notes. List of illustrations. Index. Book.

Hardcover. Condizione: new. Hardcover. Visionary self-taught Southern folk artist Minnie Evans receives a long overdue encore of her mystical, divinely inspired drawingsPublished with High Museum of Art.American artist Minnie Evans (18921987) once said her drawings of harmoniously intertwined human, botanical and animal forms came from visions of "the lost world," or nations destroyed by the Great Flood as described in the Book of Genesis. As the visions she experienced in childhood became stronger, Evans produced a large body of work ranging from abstract to representational styles. When she turned 56, she transitioned from decades of employment as a domestic worker to collecting admissions at Airlie Gardens in Wilmington, North Carolina. She made art during idle moments and hung it on and near the Gardens' wrought-iron gate. Selling or giving away her drawings to visitors led to a wider reputation and eventually a 1966 exhibition at a New York church titled The Lost World of Minnie Evans.This publication reprises that 1966 title, honoring Evans' interest in biblical and ancient civilizations while foregrounding the spiritual and historical circumstances of her extraordinary life. More than 100 of her artworks are presented in a range of contexts, from the extrasensory experiences of her visions to the double-edged realities of her life in the Jim Crow South. Her drawings, beautiful and complex, thus become portals into her "lost world." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Condizione: New. KlappentextAn unprecedented look at Nellie Mae Rowe‿s art as a radical act of self-expression and liberation in the post-civil rights-era SouthA New York Times critics pick | Best Art Books 2021During the last 15 years of her life, Ne.

Buch. Condizione: Neu. Neuware - Visionary self-taught Southern folk artist Minnie Evans receives a long overdue encore of her mystical, divinely inspired drawingsPublished with High Museum of Art. American artist Minnie Evans (1892-1987) once said her drawings of harmoniously intertwined human, botanical and animal forms came from visions of 'the lost world,' or nations destroyed by the Great Flood as described in the Book of Genesis. As the visions she experienced in childhood became stronger, Evans produced a large body of work ranging from abstract to representational styles. When she turned 56, she transitioned from decades of employment as a domestic worker to collecting admissions at Airlie Gardens in Wilmington, North Carolina. She made art during idle moments and hung it on and near the Gardens' wrought-iron gate. Selling or giving away her drawings to visitors led to a wider reputation and eventually a 1966 exhibition at a New York church titled The Lost World of Minnie Evans.This publication reprises that 1966 title, honoring Evans' interest in biblical and ancient civilizations while foregrounding the spiritual and historical circumstances of her extraordinary life. More than 100 of her artworks are presented in a range of contexts, from the extrasensory experiences of her visions to the double-edged realities of her life in the Jim Crow South. Her drawings, beautiful and complex, thus become portals into her 'lost world.'. …

Buch. Condizione: Neu. Neuware.

Hardback. Condizione: New. After World War I, artists without formal training "crashed the gates" of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson "Grandma" Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.…