Katherine m bourguignon (70 risultati)

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: New. New.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: very_good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good.

Softcover, 308 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good. 56 page paperback exhibition catalog with color illustrations. Text in English. Exhibition was a Musee d'art americain, Giverny in 2003. No flaws - unmarked, tight and clean.

Soft cover. Condizione: Very Good. Light wear to edges otherwise, clean, sound, copy. 219 pgs. Exhibition Catalogue.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: acceptable. USED book in ACCEPTABLE condition. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. May be missing dust jacket. Supplemental items such as access codes and CDs not guaranteed.

Condizione: New.

Soft cover. Condizione: Very Good. Excellent condition with minor use wear (minor scuffing) to cover and body of book. 100% guarantee if not sartisfied with purchase.

Soft cover. Condizione: Fine. Pb, 184pp, colour illustrations. Fine clean copy, looks as new. Art catalogue accompanying the exhibition held at the Ashmolean in 2018, focusing on American artists from the 1920s and 1930s, whose detached view on the modern world led to sober depictions of urban and industrial environments, featuring orderliness, stillness, or uneasiness and also to straight-edged abstractions. Contents: Cool Modernism in America 1915-1945; Modern, Cool and Cold; Leaving the Body - the Empty Spaces of American Modernism; Works in Focus; Exhibitions in Focus; Catalogue; Select Bibliography. Size: 4to - over 9¾" - 12" tall.…

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condizione: NF. Quarto. Softcover. Illustrated wraps. 184 pages : illustrations (chiefly color) ; 28 cm. "As some American artists began to eliminate people and remove extraneous details from their compositions, they often employed neat, orderly brushwork or close-up, unemotional photography. Artists as diverse as Patrick Henry Bruce, John Covert, Georgia O'Keeffe, Paul Strand and Arthur Dove navigated European and American avant-garde circles, picking and choosing new ideas and methods. Inspiration ranged from Cubism and machine parts to new technologies, and they found ways to bring order to the modern world through extreme simplification. For them, abstraction involved absence and presence - the evacuation of human beings but also the desire to depict something that would not otherwise be visible or to render visible unseen natural processes like the passage of time, sound waves, or weather patterns. Their artworks provide a new context for the precisionist works in the subsequent sections and point to modern ideas about what art could be" c --Publisher's description. "This catalogue looks at a current in interwar American art that is relatively unknown. The familiar story of America in the 'roaring Twenties' is that of 'The Great Gatsby', the Harlem Renaissance, and the Machine Age; while the 1930s are known as the Steinbeckian world marked by the Depression and the New Deal. This exhibition focuses on the artists who grappled with the experience of modern America with a cool, controlled detachment, almost completely eliminating people from their pictures. For some artists this treatment reflected an ambivalence and anxiety about the modern world. Factories without workers and streets without people. Factories without workers and streets without people could seem strange and empty places. George Ault (1891-1948) and Niles Spencer (1893-1952) painted eerie factories with darkened windows. Their precise, orderly painting style adds to the unsettling atmosphere of their work. In 'Manhattan Bridge Loop' (1928), Edward Hopper (1882-1967) captured the stilled, quiet mood of the city, including a solitary pedestrian. For others, this cool treatment of contemporary America was a positive more response - an expression of optimism and pride. Skyscrapers and bridges become studies in geometry; and cities are cleansed and ordered with no crowds and no chaos. Louis Lozowick's (1892-1973) prints capture the energy of the city in curving sprawls and buildings soaring into the sky; while Ralston Crawford (1906-78) and Charles Sheeler (1883-1965) depicted the architecture of industrial America - factories, grain elevators, water plants - as the country's new cathedrals, glorious in their scale and feats of engineering, yet oddly emptied of people. The detached, frozen appearance of the scenes creates an uncertain or ambiguous atmosphere.".…

Hardcover. Condizione: VG-. green pictorial boards w/ white stamped printing. 208 pgs w/ color illustrations. pictorial & purple dustjacket w/ white printing. Inspired by The Mint Museum's 2016 acquisition of John Leslie Breck's canvas Suzanne Hoschedé-Monet Sewing, this volume includes approximately 70 of Breck's finest works, drawn from public and private collections. Along with his scenes of Giverny and America, this volume features a selection of paintings from his sojourn in Venice in 1897. Always interested exploring in new ways of seeing the world, Breck had begun to explore aspects of post-Impressionism and Asian aesthetics in the years before his early death, at the age of 39, in 1899. This volume also features up to 36 additional comparative images, including details, photographs, and paintings by Monet and other leading American impressionists including Willard Metcalf, Theodore Robinson, Lila Cabot Perry, Childe Hassam, and Arthur Wesley Dow, presented throughout the main essays and chronology and appendices.--Amazon.…

Condizione: New. 2018. Paperback. . . . . .

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. The Terra Foundation for American Art uses its impressive collection of American art spanning a two-hundred-year period to fulfill its mission. Since the Foundation's establishment in 1978, it has sought to share the collection's extraordinary pieces by renowned American artists like Mary Cassatt, Georgia O'Keeffe, and Edward Hopper with an international audience, encouraging the study of American art around the world. Conversations with the Collection helps to realize the Foundation's mission of serving as a "museum without walls," bringing art and scholarship to a global audience. The handbook entries and scholars' responses to the artworks that comprise these Conversations provide fascinating insight not only into the collection and its holdings, but also into the Foundation's history of making these works accessible to art historians and art lovers beyond the United States. The texts achieve a range of objectives, describing the significance of individual pieces in the collection, movements and themes that provide context for these works, and the Foundation's innovative objective of bringing its collection to an international audience. Indeed, this distinctive handbook demonstrates the success of the Foundation's mission: the works in its collection have had an impact on worldwide audiences, leading to a richer appreciation for American art.…

Oversize Paperback. Condizione: Near Fine. No Jacket.

Paperback. Condizione: Brand New. pck pap/ps edition. 307 pages. 9.75x7.00x1.25 inches. In Stock.

Condizione: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Very Good. No jacket. Ashmolean Museum, 2018. Paperback, 4to, 184pp, illust. A good copy. 9781910807217/1.0uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…