Katrin gischler (14 risultati)
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Taschenbuch. Condizione: Neu. Neuware - Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 65%, University of Reading (Department of English and American Literature), course: Writing America 2, language: English, abstract: Before we deal with gender identity it is first of all important to unde…rstand the definition of gender. The Oxford Companion to African-American Literature explains it as follows:'Gender is different from sexuality [sic!]. Sexuality concerns physical and biological differences that distinguish males from females. Cultures construct differences in gender. These social constructions attach themselves to behaviors, expectations, roles, representations, and sometimes to values and beliefs that are specific to either men and women.'In this following paper I'm going to analyse the different gender identities appearing in the poetry of Emily Dickinson and the autobiography of Frederick Douglass.1 My main focus is concentrated on the use and description of gender in both genres. How are gender identities characterized and how do we get to know them Which gender does Dickinson use in the chosen poems and how are their identities constructed Referring to Douglass it is interesting to look at how he constitutes himself as an identity.Referring to Emily Dickinson, I chose several poems, like 'I'm 'wife' - I've finished that-', 'I felt my life with both hands', 'A Wife- at Daybreak I shall be', 'I was the slightest in the House-' and 'I tie my Hat'. Gender Identities in Emily Dickinson's Poetry In the lyric poem there is for the most part no description of who is speaking, no embodiment, no development, no introduced 'character'. For example, Dickinson's various personae or self-positionings as 'Earl', 'Wife' or 'Queen' are known either only by the tone and manner of the text or by self-naming within the poem's text. Dickinson's speaker exclaims 'A Wife - at Daybreak- I shall be-' but the poem provides no corroboration of these identity markers. Dickinson neither describes her speakers in narrative terms nor describes their positions as separate from herself, except in the single cryptic comment to Thomas Wentworth Higginson, 'When I state myself [that is, use 'I'] as the Representative of the Verse- it does not mean me- but a supposed person'.2.
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Taschenbuch. Condizione: Neu. Neuware - Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 65%, University of Reading (Department of English and American Literature), course: Writing America 2, language: English, abstract: Robert Lee Frost belongs to one of the most popular and influential writ…ers of the 20th century. Although his career started only at the age of forty, he made his mark as a poet, becoming more and more widely known until at the end he was the United States' de facto poet laureate.1The clarity of Frost's diction, the colloquial rhythms, the simplicity of his images and above all the folksy speaker- these are intended to make the poems look natural, unplanned. By investing in the New England terrain he revitalised the tradition of New England regionalism. Readers who accepted Frost's persona and his setting as typically American accepted the powerful myth that this rural part of the country was the heart of America.Among the major concerns that appear in Frost's poetry are the fragility of life, the consequences of rejecting or accepting the conditions of one's life, the passion of inconsolable grief, the difficulty of sustaining intimacy, the fear of loneliness and isolation, the tensions between the individual and society, and the place of tradition and custom.3 The tensions between the individual and society become apparent in Frost's examination and metaphorical use of geographical boundaries. In this respect, I am going to focus on one of Frost's most popular poems Mending Wall from the volume of poems called North of Boston (1914) and a more less known poem Trespass from A Witness Tree (1942).
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 75, University of Reading (Department of Politics), course: American Government and Politics, language: English, abstract: The question why gu…n control has become such a contentious issue in American politics has to be lighted up from different perspectives, both historically and politically. America is undoubtedly one of the countries with the largest private firearms arsenals, and very likely the leading one worldwide. Periodic assassinations and assassination attempts as well as mass shootings like the Columbine High School massacre in April, 1999, focused national attention and have pushed the debate and governmental regulations over gun control. A close look on America's gun history is needed in order to understand why firearms play such an important role in America's history which distinctly diverges from the rest of the world. Nevertheless, American citizens and their views on the gun control issue are split into the policies of gun control proponents and their opponents which are resembled in interest groups who play an important role in the United States political procedure. Thus, it is of interest in how far the policies of both sides diverge and how successful they are in influencing the legislative process.
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 2, University of Kassel (Anglistik-Amerikanistik), course: American Crime Fiction, language: English, abstract: Raymond Thornton Chandler started his career as a… crime novelist relatively late in 1933 at the age of 45 (Widdicombe, xvi). With the foundation of the Black Mask Magazine, Chandler, as well as many other writers, got the chance to test his talent as a crime novelist and simultaneously to raise some money. His first stories were miniature novels which were strongly influenced by his British sophistication and education (Phillips, 17). But he was aware of the fact that he had to veil his style of writing in order to make it acceptable to the American readers, especially the Black Mask readers (Phillips, 17). During 1933 and 1939 Chandler published 20 detective stories in several 'pulp magazines' until he wrote his first novel The Big Sleep (Neumeyer, 329). By writing longer fiction Chandler had to portray his characters fully and give an authentic sense of the world, whereas the short story allowed him to rely on action (MacShane, 63).Chandler's ambition was to mark off from the English detectives of Agatha Christie and Dorothy Sayers, i.e. to create a reliable character that would 'leave scars' and transfer what he calls a ''half-poetical emotion' that is the heart of the work' (MacShane, 69). This kind of reliability became one of Chandler's dogmas and occurs not only in his creation of characters and plot but also in the historical background of the stories. In the following paper I'm going to analyze the origin and development of the private-eye in general. I will focus my analysis on the development of the detective in American 'hard-boiled' fiction with reference to Philip Marlowe in Raymond Chandler's 'The Curtain', 'Killer in the Rain', and the novel The Big Sleep. The choice relies on the fact that The Big Sleep and its character Philip Marlowe evolved from the two short stories. The question also includes how Marlowe is characterized throughout the stories.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 65%, University of Reading (Department of English and American Literature), course: Writing America 2, language: English, abstract: Before we dea…l with gender identity it is first of all important to understand the definition of gender. The Oxford Companion to African-American Literature explains it as follows:'Gender is different from sexuality [sic!]. Sexuality concerns physical and biological differences that distinguish males from females. Cultures construct differences in gender. These social constructions attach themselves to behaviors, expectations, roles, representations, and sometimes to values and beliefs that are specific to either men and women.'In this following paper I'm going to analyse the different gender identities appearing in the poetry of Emily Dickinson and the autobiography of Frederick Douglass.1 My main focus is concentrated on the use and description of gender in both genres. How are gender identities characterized and how do we get to know them Which gender does Dickinson use in the chosen poems and how are their identities constructed Referring to Douglass it is interesting to look at how he constitutes himself as an identity.Referring to Emily Dickinson, I chose several poems, like 'I'm 'wife' - I've finished that-', 'I felt my life with both hands', 'A Wife- at Daybreak I shall be', 'I was the slightest in the House-' and 'I tie my Hat'. Gender Identities in Emily Dickinson's Poetry In the lyric poem there is for the most part no description of who is speaking, no embodiment, no development, no introduced 'character'. For example, Dickinson's various personae or self-positionings as 'Earl', 'Wife' or 'Queen' are known either only by the tone and manner of the text or by self-naming within the poem's text. Dickinson's speaker exclaims 'A Wife - at Daybreak- I shall be-' but the poem provides no corroboration of these identity markers. Dickinson neither describes her speakers in narrative terms nor describes their positions as separate from herself, except in the single cryptic comment to Thomas Wentworth Higginson, 'When I state myself [that is, use 'I'] as the Representative of the Verse- it does not mean me- but a supposed person'.2 16 pp. Englisch.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 65%, University of Reading (Department of English and American Literature), course: Writing America 2, language: English, abstract: Robert Lee Fr…ost belongs to one of the most popular and influential writers of the 20th century. Although his career started only at the age of forty, he made his mark as a poet, becoming more and more widely known until at the end he was the United States' de facto poet laureate.1The clarity of Frost's diction, the colloquial rhythms, the simplicity of his images and above all the folksy speaker- these are intended to make the poems look natural, unplanned. By investing in the New England terrain he revitalised the tradition of New England regionalism. Readers who accepted Frost's persona and his setting as typically American accepted the powerful myth that this rural part of the country was the heart of America.Among the major concerns that appear in Frost's poetry are the fragility of life, the consequences of rejecting or accepting the conditions of one's life, the passion of inconsolable grief, the difficulty of sustaining intimacy, the fear of loneliness and isolation, the tensions between the individual and society, and the place of tradition and custom.3 The tensions between the individual and society become apparent in Frost's examination and metaphorical use of geographical boundaries. In this respect, I am going to focus on one of Frost's most popular poems Mending Wall from the volume of poems called North of Boston (1914) and a more less known poem Trespass from A Witness Tree (1942). 16 pp. Englisch.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 75, University of Reading (Department of Politics), course: American Government and Politics, language: English, abstract: The… question why gun control has become such a contentious issue in American politics has to be lighted up from different perspectives, both historically and politically. America is undoubtedly one of the countries with the largest private firearms arsenals, and very likely the leading one worldwide. Periodic assassinations and assassination attempts as well as mass shootings like the Columbine High School massacre in April, 1999, focused national attention and have pushed the debate and governmental regulations over gun control. A close look on America's gun history is needed in order to understand why firearms play such an important role in America's history which distinctly diverges from the rest of the world. Nevertheless, American citizens and their views on the gun control issue are split into the policies of gun control proponents and their opponents which are resembled in interest groups who play an important role in the United States political procedure. Thus, it is of interest in how far the policies of both sides diverge and how successful they are in influencing the legislative process. 16 pp. Englisch.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 2, University of Kassel (Anglistik-Amerikanistik), course: American Crime Fiction, language: English, abstract: Raymond Thornton Chandler started… his career as a crime novelist relatively late in 1933 at the age of 45 (Widdicombe, xvi). With the foundation of the Black Mask Magazine, Chandler, as well as many other writers, got the chance to test his talent as a crime novelist and simultaneously to raise some money. His first stories were miniature novels which were strongly influenced by his British sophistication and education (Phillips, 17). But he was aware of the fact that he had to veil his style of writing in order to make it acceptable to the American readers, especially the Black Mask readers (Phillips, 17). During 1933 and 1939 Chandler published 20 detective stories in several 'pulp magazines' until he wrote his first novel The Big Sleep (Neumeyer, 329). By writing longer fiction Chandler had to portray his characters fully and give an authentic sense of the world, whereas the short story allowed him to rely on action (MacShane, 63).Chandler's ambition was to mark off from the English detectives of Agatha Christie and Dorothy Sayers, i.e. to create a reliable character that would 'leave scars' and transfer what he calls a ''half-poetical emotion' that is the heart of the work' (MacShane, 69). This kind of reliability became one of Chandler's dogmas and occurs not only in his creation of characters and plot but also in the historical background of the stories. In the following paper I'm going to analyze the origin and development of the private-eye in general. I will focus my analysis on the development of the detective in American 'hard-boiled' fiction with reference to Philip Marlowe in Raymond Chandler's 'The Curtain', 'Killer in the Rain', and the novel The Big Sleep. The choice relies on the fact that The Big Sleep and its character Philip Marlowe evolved from the two short stories. The question also includes how Marlowe is characterized throughout the stories. 32 pp. Englisch.
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 65%, University of Reading (Department of English and American Literature), course: Writing America 2, language: English, abstract: Before we deal wi…th gender identity it is first of all important to understand the definition of gender. The Oxford Companion to African-American Literature explains it as follows:¿Gender is different from sexuality [sic!]. Sexuality concerns physical and biological differences that distinguish males from females. Cultures construct differences in gender. These social constructions attach themselves to behaviors, expectations, roles, representations, and sometimes to values and beliefs that are specific to either men and women.¿In this following paper I¿m going to analyse the different gender identities appearing in the poetry of Emily Dickinson and the autobiography of Frederick Douglass.1 My main focus is concentrated on the use and description of gender in both genres. How are gender identities characterized and how do we get to know them Which gender does Dickinson use in the chosen poems and how are their identities constructed Referring to Douglass it is interesting to look at how he constitutes himself as an identity.Referring to Emily Dickinson, I chose several poems, like ¿I¿m ¿wife¿ ¿ I¿ve finished that-¿, ¿I felt my life with both hands¿, ¿A Wife- at Daybreak I shall be¿, ¿I was the slightest in the House-¿ and ¿I tie my Hat¿. Gender Identities in Emily Dickinson¿s Poetry In the lyric poem there is for the most part no description of who is speaking, no embodiment, no development, no introduced ¿character¿. For example, Dickinson¿s various personae or self-positionings as ¿Earl¿, ¿Wife¿ or ¿Queen¿ are known either only by the tone and manner of the text or by self-naming within the poem¿s text. Dickinson¿s speaker exclaims ¿A Wife ¿ at Daybreak- I shall be-¿ but the poem provides no corroboration of these identity markers. Dickinson neither describes her speakers in narrative terms nor describes their positions as separate from herself, except in the single cryptic comment to Thomas Wentworth Higginson, ¿When I state myself [that is, use ¿I¿] as the Representative of the Verse- it does not mean me- but a supposed person¿.2GRIN Publishing GmbH, Waltherstraße 23, 80337 München 16 pp. Englisch.
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 2, University of Kassel (Anglistik-Amerikanistik), course: American Crime Fiction, language: English, abstract: Raymond Thornton Chandler started his… career as a crime novelist relatively late in 1933 at the age of 45 (Widdicombe, xvi). With the foundation of the Black Mask Magazine, Chandler, as well as many other writers, got the chance to test his talent as a crime novelist and simultaneously to raise some money. His first stories were miniature novels which were strongly influenced by his British sophistication and education (Phillips, 17). But he was aware of the fact that he had to veil his style of writing in order to make it acceptable to the American readers, especially the Black Mask readers (Phillips, 17). During 1933 and 1939 Chandler published 20 detective stories in several ¿pulp magazines¿ until he wrote his first novel The Big Sleep (Neumeyer, 329). By writing longer fiction Chandler had to portray his characters fully and give an authentic sense of the world, whereas the short story allowed him to rely on action (MacShane, 63).Chandler¿s ambition was to mark off from the English detectives of Agatha Christie and Dorothy Sayers, i.e. to create a reliable character that would ¿leave scars¿ and transfer what he calls a ¿¿half-poetical emotion¿ that is the heart of the work¿ (MacShane, 69). This kind of reliability became one of Chandler¿s dogmas and occurs not only in his creation of characters and plot but also in the historical background of the stories. In the following paper I¿m going to analyze the origin and development of the private-eye in general. I will focus my analysis on the development of the detective in American ¿hard-boiled¿ fiction with reference to Philip Marlowe in Raymond Chandler¿s ¿The Curtain¿, ¿Killer in the Rain¿, and the novel The Big Sleep. The choice relies on the fact that The Big Sleep and its character Philip Marlowe evolved from the two short stories. The question also includes how Marlowe is characterized throughout the stories.GRIN Publishing GmbH, Waltherstraße 23, 80337 München 32 pp. Englisch.
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Taschenbuch. Condizione: Neu. Gender identities in the poetry of Emily Dickinson and in the narrative life of Frederick Douglass | Katrin Gischler | Taschenbuch | 16 S. | Englisch | 2007 | GRIN Verlag | EAN 9783638764087 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]co…m | Anbieter: preigu Print on Demand.
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Taschenbuch. Condizione: Neu. The Theme of Boundaries in the Poetry of Robert Frost | Katrin Gischler | Taschenbuch | 16 S. | Englisch | 2007 | GRIN Verlag | EAN 9783638764094 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Print on Demand.
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Taschenbuch. Condizione: Neu. Why has gun control become such a contentious issue in American politics? | Katrin Gischler | Taschenbuch | 16 S. | Englisch | 2007 | GRIN Verlag | EAN 9783638764100 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Prin…t on Demand.
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Da: preigu, Osnabrück, Germaniapreigu
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Taschenbuch. Condizione: Neu. The Development of the Detective in American "hard-boiled" Fiction with Reference to Philip Marlowe in Raymond Chandler's "The Curtain", "Killer in the Rain" and "The Big Sleep" | Katrin Gischler | Taschenbuch | 32 S. | Englisch | 2007 | GRIN Verlag | EAN 9783638659215 | Verantwortliche Person für d…ie EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Print on Demand.
