EUR 13,36
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
EUR 15,26
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
EUR 15,26
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
Lingua: Inglese
Editore: Tate Publishing(UK) September 2018, 2018
ISBN 10: 184976588X ISBN 13: 9781849765886
Da: Lot 49 Books, Philadelphia, PA, U.S.A.
Hardcover. Condizione: Used. Condizione sovraccoperta: Very Good. Hardcover with a little shelfwear to the jacket. Very good/ near fine.
paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.
Condizione: New.
Da: Lakeside Books, Benton Harbor, MI, U.S.A.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Stiff Wrappers. Condizione: Fine Condition. 176 pages. 100 color illustrations. Introduction by Andrea Lissoni and Nicholas Serota. Published on the occasion of the exhibition from the Tate Modern London Biography. Further Reading. Exhibited Work. Book.
Condizione: As New. Unread book in perfect condition.
Prima edizione
EUR 27,61
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. About the book: Hardcover with jacket. First Edition, First Printing. Both book and jacket are in fine condition. Additional photos available upon request.
Lingua: Inglese
Editore: Barnes Foundation and Yale University Press, 2024
ISBN 10: 0300276192 ISBN 13: 9780300276190
Da: ANARTIST, New York, NY, U.S.A.
Softcover in printed slipcase, 174 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Paperback. Condizione: new. Paperback. Reassessing the career of the hugely influential Harper's Bazaar art director, who changed the course of twentieth-century American photography and graphic design This lavishly illustrated volume explores the influence and significance of the Russian-born photographer, designer, and instructor Alexey Brodovitch (18981971), best known for his art directorship of the American fashion magazine Harper's Bazaar between 1934 and 1958, as well as his tutelage of many celebrated documentary and fashion photographers, including Irving Penn, Richard Avedon, Eve Arnold, and Lillian Bassman. Though disparate in their aesthetic approaches, these figures are unified by their responses to Brodovitch's dictum to "astonish me." The authors address Brodovitch's impact on photography as an artistic medium in the mid-twentieth century and explore how European art and design became the foundation of a new American print culture. Brodovitch's own work will be illuminated through his personal projectssuch as the magazine Portfolio and the photographic project Ballet, which depicted performances of the Ballets Russes de Monte Carlo in the United States (whose evolution echoed Brodovitch's own emigre condition). Case studies of his transformative collaborations with photographers such as Arnold, Avedon, Penn, Lisette Model, Henri Cartier-Bresson, Hans Namuth, and Andre Kertesz reveal pivotal encounters that may surprise even the most ardent photography aficionado. An illustrated chronology offers an important tool for scholars on this influential but often overlooked figure. Distributed for the Barnes Foundation Exhibition Schedule: Barnes Foundation, Philadelphia (March 3May 19, 2024) Reassessing the career of the hugely influential Harpers Bazaar art director, who changed the course of twentieth-century American photography and graphic design Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Barnes Foundation 3/26/2024, 2024
ISBN 10: 0300276192 ISBN 13: 9780300276190
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Alexey Brodovitch: Astonish Me. Book.
EUR 42,43
Quantità: 11 disponibili
Aggiungi al carrelloCondizione: New.
EUR 47,89
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: The Barnes Foundation, Philadelphia, 2024
ISBN 10: 0300276192 ISBN 13: 9780300276190
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Slipcased. Condizione: VG+: As new in shrinkwrap. A black book with white text on the spine. There is a white slipcase with black text on the spine. "The 160-page illustrated exhibition catalogue Alexey Brodovitch: Astonish Me is published by the Barnes Foundation in association with Yale University Press. Edited by curator Katy Wan and including essays from Vince Aletti, David Campany, and Wan, the book gives particular attention to his pivotal relationships with photographers. The authors address Brodovitch's impact on photography as an artistic medium in the mid-20th century and explore how European art and design became the foundation of a new American print culture. Brodovitch's own work is illuminated through his personal projects--such as the magazine Portfolio and the photographic project Ballet, which depicted performances of the itinerant Ballets Russes de Monte Carlo in the United States. Case studies of his transformative collaborations with photographers such as Eve Arnold, Richard Avedon, Irving Penn, Lisette Model, Henri Cartier-Bresson, Hans Namuth, and André Kertész reveal pivotal encounters that may surprise even the most ardent photography aficionado.".
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 58,61
Quantità: 6 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Reassessing the career of the hugely influential Harper's Bazaar art director, who changed the course of twentieth-century American photography and graphic design This lavishly illustrated volume explores the influence and significance of the Russian-born photographer, designer, and instructor Alexey Brodovitch (1898-1971), best known for his art directorship of the American fashion magazine Harper's Bazaar between 1934 and 1958, as well as his tutelage of many celebrated documentary and fashion photographers, including Irving Penn, Richard Avedon, Eve Arnold, and Lillian Bassman. Though disparate in their aesthetic approaches, these figures are unified by their responses to Brodovitch's dictum to "astonish me." The authors address Brodovitch's impact on photography as an artistic medium in the mid-twentieth century and explore how European art and design became the foundation of a new American print culture. Brodovitch's own work will be illuminated through his personal projects-such as the magazine Portfolio and the photographic project Ballet, which depicted performances of the Ballets Russes de Monte Carlo in the United States (whose evolution echoed Brodovitch's own émigré condition). Case studies of his transformative collaborations with photographers such as Arnold, Avedon, Penn, Lisette Model, Henri Cartier-Bresson, Hans Namuth, and André Kertész reveal pivotal encounters that may surprise even the most ardent photography aficionado. An illustrated chronology offers an important tool for scholars on this influential but often overlooked figure. Distributed for the Barnes Foundation Exhibition Schedule: Barnes Foundation, Philadelphia (March 3-May 19, 2024).
EUR 46,21
Quantità: 11 disponibili
Aggiungi al carrelloCondizione: new.
EUR 50,38
Quantità: 3 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: New.
EUR 44,31
Quantità: 10 disponibili
Aggiungi al carrellopaperback. Condizione: New. Special order direct from the distributor.
Condizione: NEW.
EUR 44,79
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 44,89
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
EUR 44,90
Quantità: 10 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
EUR 50,09
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. slp edition. 173 pages. 12.75x9.50x0.75 inches. In Stock.
EUR 49,66
Quantità: 3 disponibili
Aggiungi al carrellopaperback. Condizione: New.
EUR 54,48
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. In.
Paperback. Condizione: New. Reassessing the career of the hugely influential Harper's Bazaar art director, who changed the course of twentieth-century American photography and graphic design This lavishly illustrated volume explores the influence and significance of the Russian-born photographer, designer, and instructor Alexey Brodovitch (1898-1971), best known for his art directorship of the American fashion magazine Harper's Bazaar between 1934 and 1958, as well as his tutelage of many celebrated documentary and fashion photographers, including Irving Penn, Richard Avedon, Eve Arnold, and Lillian Bassman. Though disparate in their aesthetic approaches, these figures are unified by their responses to Brodovitch's dictum to "astonish me." The authors address Brodovitch's impact on photography as an artistic medium in the mid-twentieth century and explore how European art and design became the foundation of a new American print culture. Brodovitch's own work will be illuminated through his personal projects-such as the magazine Portfolio and the photographic project Ballet, which depicted performances of the Ballets Russes de Monte Carlo in the United States (whose evolution echoed Brodovitch's own émigré condition). Case studies of his transformative collaborations with photographers such as Arnold, Avedon, Penn, Lisette Model, Henri Cartier-Bresson, Hans Namuth, and André Kertész reveal pivotal encounters that may surprise even the most ardent photography aficionado. An illustrated chronology offers an important tool for scholars on this influential but often overlooked figure. Distributed for the Barnes Foundation Exhibition Schedule: Barnes Foundation, Philadelphia (March 3-May 19, 2024).