kaye mitchell (218 risultati)

Condizione: Fine. 200 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condizione: New.

Condizione: Very Good. 1776951463. 4/23/2026 1:37:43 PM.

Soft cover. Condizione: Fine. Excellent used condition. Inscribed by one of the authors. The Friends of the Bridgeport Public Library use these funds to promote literacy in the community and in the Bridgeport Public Schools.

Paperback. Condizione: new. Paperback. Examining the genre-bending writing of Dodie Bellamy, whose work has focused on sexuality,politics,feminism,narrative experimentation,and all things queer.Dodie Bellamy(b.1951,in North Hammond,Indiana)has lived and worked in San Francisco since 1978.A vital contributor to the Bay Area's avant-garde literary scene,Bellamy is a novelist and poet whose work has focused on sexuality,politics,feminism,narrative experimentation,and all things queer.In her words,she champions "the vulnerable,the fractured,the disenfranchised,the fucked-up."Dodie Bellamy Is on Our Mind is the first major publication to address Bellamy's prolific career as a genre-bending writer. Megan Milks made several trips to San Francisco in order to spend time with Bellamy and craft a provocative and fascinating profile of the writer. Originally delivered as a lecture at the Wattis Institute, Andrew Durbin's text takes the form of a personal essay, expertly weaving anecdotes of his own encounters with Bellamy's writing with insights into broader themes in her work. Academic Kaye Mitchell takes a close look at the role of shame and its relationship to femininity in particular texts by Bellamy. And Bellamy and her late husband Kevin Killian offer deeply personal, emotionally wrenching ruminations on topics from the mundane (drawing) to the profound (mortality). These texts, alongside archival photos and a complete bibliography make, this book an important compendium on Bellamy. Examining the genre-bending writing of Dodie Bellamy, whose work has focused on sexuality, politics, feminism, narrative experimentation, and all things queer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft Cover. Condizione: Good. First Edition. With photograph from show of Anna Maria Alberghetti on front of playbill; show at the Imperial Theare; directed and choregraphed by Gower Champion; some of the cast: Kaye Ballard, James Mitchell, Jerry Orback, the Martin Brothers a little rubbing and tiny nicks to edges of front cover, a little normal aging to interior pages; otherwise in GOOD COND.

Hardcover. Condizione: Used-Very Good. 1st Edition. Cloth, no dj. Slight shelf wear. Else a bright, clean copy.

Condizione: New. In.

Paperback. Condizione: New.

Printed wraps, 8 1/2 x 11 inches, 60 pp., numerous figures and tables. Ex-library, with usual markings, else very good plus. (3214034).

Condizione: As New. Unread book in perfect condition.

Wraps. Condizione: Very Good. Vol. CCX, No. 4. Edited by Dorothy McIlwraith. Cover by Charles Wood for "Little Trunk" (novelette) by Andrew A. Caffrey. Includes "The Storyteller's Circle"; "The Shooter's Corner" by Pete Kuhlhoff; "Ride 'Em Mohawk" by William L. Rohde; "McCarthy Wises Up" by Starr Jenkins; "Murder Under the Morne" (novelette) by G. S. Mitchell; "The Bases-Full Expert" by Malcolm K. Murchie; "Athabsca Brigade" by Dan Cushman; "Otoes of the Fog" by William McMillan; "The Necklet" by Louis Kaye; "The Avenger of Blood" by Many Wade Wellman; "North of the Rio Grande" by Raymond Emery Lawrence; "You Never can Tell" by Patrick O'Keeffe. Illustrated by Humiston and others. Creasing; heavy dealer's price in pencil on front; tanning. Magazine.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. Through readings of an array of recent texts literary and popular, fictional and autofictional, realist and experimental this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page.

Condizione: NEW.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: As New. Unread copy in mint condition.

Paperback. Condizione: New. Through readings of an array of recent texts literary and popular, fictional and autofictional, realist and experimental this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page.

Condizione: new.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Examines the intersection of shame, gender and writing in contemporary literatureConsiders the particular intersection of shame, gender and writing in literature produced since the 1990sViews shame as a constitutive factorin the social construction and experience of femininityAnalyses a diverse range of texts from pulp to literary fiction to life writing and autofiction, with a self-reflexive focus on the formal disjunctions produced by/in the writing of shame, and on the shame attending the act of writing itselfOfferspolitical readings of neglected genres (lesbian pulp fiction), highly topical texts (like Kraus's I Love Dick and Knausgaard's My Struggle), and established authors (such as Mary Gaitskill, A.M. Homes, Rupert Thomson)Through readings of an array of recent texts literary and popular, fictional and autofictional, realist and experimental this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page. Through readings of an array of recent texts literary and popular, fictional and autofictional, realist and experimental this book maps out a contemporary, Western, shame culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial and crucially overlooked period of British literary history. Via detailed readings of authors such as Ann Quin, B.S. Johnson, Alexander Trocchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 60s avant-garde, earlier modernisms and later postmodern writing. The volume shows that the 1960s is an even more vibrant period of literary experiment in Britain than might previously have been supposed and that the avant-garde fiction produced then rewards our renewed attention to it. Key Features:Provides much-needed critical analyses of the work of 60s avant-garde writers Offers focused essays each presents one author in their cultural/critical/historical contexts by experts in the fieldRecuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernismResponds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial and crucially overlooked period of British literary history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history. Via detailed readings of authors such as Ann Quin, B.S. Johnson, Alexander Trocchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 60s avant-garde, earlier modernisms and later postmodern writing. The volume shows that the 1960s is an even more vibrant period of literary experiment in Britain than might previously have been supposed - and that the avant-garde fiction produced then rewards our renewed attention to it. Key Features:Provides much-needed critical analyses of the work of 60s avant-garde writers Offers focused essays - each presents one author in their cultural/critical/historical contexts - by experts in the fieldRecuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernismResponds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally.

Paperback. Condizione: New. This introduction places Kennedy's work in a clear historical and theoretical context. Its importance is considered in terms of contemporary Scottish identity and relevance to key issues in contemporary culture. Accessible and comprehensive, this guide includes a timeline of key dates, interview with the author and an overview of critical reception.

Condizione: New.

Paperback. Condizione: New. A multiple award-winning author, Sarah Waters is one of the most critically and commercially successful novelists writing today. In such novels as Fingersmith, Tipping the Velvet, Affinity and The Night Watch, her writing has played compellingly with popular and generic forms and narrative techniques and covered a number of important contemporary themes. This critical guide is the first book to offer a wide range of current critical perspectives on Waters' work. With chapters written by leading established and emerging scholars the book explores issues such as gender, sexuality, class, time and space in Waters' fiction, as well as her appropriation of a range of genres from the historical and neo-victorian novel to the gothic. The book also includes a new interview with Waters herself, a timeline of her life, chapter summaries and guides to further reading, making this an essential guide to the work of one of the most exciting voices in contemporary fiction.