Kehde suzanne (105 risultati)

Paperback. Condizione: New. Signed by the Author! * NEW Inside and Out! Clean & Crisp Pages. (E-mail for more info./pics).

Paperback. Condizione: Good. Satisfaction 100% guaranteed.

Paperback. Condizione: Good. Satisfaction 100% guaranteed.

Paperback. Condizione: Good. Satisfaction 100% guaranteed.

Paperback. Condizione: Good. Satisfaction 100% guaranteed.

Paperback. Condizione: Good. Satisfaction 100% guaranteed.

Paperback. Condizione: Good. Satisfaction 100% guaranteed.

Condizione: New.

Paperback or Softback. Condizione: New. Narratives of Nostalgia, Gender, and Nationalism. Book.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Most Americans think of Betsy Ross as she was depicted in Charles Weisberger's popular painting The Birth of Our Nation's Flag--a motherly figure, sewing at the hearth. In fact, as Jo Ann Menezes's analysis in Nostalgia, Gender, and Nationalism points out, Ross was a widowed businesswoman who ran an upholstery shop out of her house. In Weisberger's painting, all signs of economic industry are erased and Ross's house is transformed into a home rather that the site of cottage industry. Ross is constructed as the perfect heroic mother, worthy of sacred creation; thus, our flag was born. Ross's transformation into an icon neatly illustrates the conjunction of soaring nationalism and the establishment of woman as a fixed domestic presence and serves as an excellent example of the master narratives revealed in Nostalgia, Gender, and Nationalism. The essays in this provocative anthology explore the connections between nation and gender and the ways in which nostalgia functions to bind these two presumably unrelated constructions together.Collectively they suggest that women pay a special fee on behalf of the nation, even though it is traditionally represented as an honorarium given to them and that, in fact, the nation-state takes as a foundational principle the subordination of women.…

Condizione: New. In.

Condizione: New. 1997. Paperback. . . . . .

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 1997. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. 320 pages. 8.50x5.50x0.50 inches. In Stock.

Paperback. Condizione: New. Most Americans think of Betsy Ross as she was depicted in Charles Weisberger's popular painting The Birth of Our Nation's Flag--a motherly figure, sewing at the hearth. In fact, as Jo Ann Menezes's analysis in Nostalgia, Gender, and Nationalism points out, Ross was a widowed businesswoman who ran an upholstery shop out of her house. In Weisberger's painting, all signs of economic industry are erased and Ross's house is transformed into a home rather that the site of cottage industry. Ross is constructed as the perfect heroic mother, worthy of sacred creation; thus, our flag was born. Ross's transformation into an icon neatly illustrates the conjunction of soaring nationalism and the establishment of woman as a fixed domestic presence and serves as an excellent example of the master narratives revealed in Nostalgia, Gender, and Nationalism. The essays in this provocative anthology explore the connections between nation and gender and the ways in which nostalgia functions to bind these two presumably unrelated constructions together.Collectively they suggest that women pay a special fee on behalf of the nation, even though it is traditionally represented as an honorarium given to them and that, in fact, the nation-state takes as a foundational principle the subordination of women.…

Taschenbuch. Condizione: Neu. Neuware - Most Americans think of Betsy Ross as she was depicted in Charles Weisberger's popular painting The Birth of Our Nation's Flag--a motherly figure, sewing at the hearth. In fact, as Jo Ann Menezes's analysis in Nostalgia, Gender, and Nationalism points out, Ross was a widowed businesswoman who ran an upholstery shop out of her house. In Weisberger's painting, all signs of economic industry are erased and Ross's house is transformed into a home rather that the site of cottage industry. Ross is constructed as the perfect heroic mother, worthy of sacred creation; thus, our flag was born. Ross's transformation into an icon neatly illustrates the conjunction of soaring nationalism and the establishment of woman as a fixed domestic presence and serves as an excellent example of the master narratives revealed in Nostalgia, Gender, and Nationalism. The essays in this provocative anthology explore the connections between nation and gender and the ways in which nostalgia functions to bind these two presumably unrelated constructions together. Collectively they suggest that women pay a special fee on behalf of the nation, even though it is traditionally represented as an honorarium given to them and that, in fact, the nation-state takes as a foundational principle the subordination of women. …

Kartoniert / Broschiert. Condizione: New. KlappentextMost Americans think of Betsy Ross as she was depicted in Charles Weisberger s popular painting The Birth of Our Nation s Flag--a motherly figure, sewing at the hearth. In fact, as Jo Ann Menezes s analysis in Nostalgia, Ge.

Hardback. Condizione: New. Most Americans think of Betsy Ross as she was depicted in Charles Weisberger's popular painting The Birth of Our Nation's Flag--a motherly figure, sewing at the hearth. In fact, as Jo Ann Menezes's analysis in Nostalgia, Gender, and Nationalism points out, Ross was a widowed businesswoman who ran an upholstery shop out of her house. In Weisberger's painting, all signs of economic industry are erased and Ross's house is transformed into a home rather that the site of cottage industry. Ross is constructed as the perfect heroic mother, worthy of sacred creation; thus, our flag was born. Ross's transformation into an icon neatly illustrates the conjunction of soaring nationalism and the establishment of woman as a fixed domestic presence and serves as an excellent example of the master narratives revealed in Nostalgia, Gender, and Nationalism. The essays in this provocative anthology explore the connections between nation and gender and the ways in which nostalgia functions to bind these two presumably unrelated constructions together.Collectively they suggest that women pay a special fee on behalf of the nation, even though it is traditionally represented as an honorarium given to them and that, in fact, the nation-state takes as a foundational principle the subordination of women.…

Condizione: New. In.

Condizione: New. In.

PF. Condizione: New.

Paperback. Condizione: New.

Condizione: New. Editor(s): Kehde, Suzanne; Pickering, Jean. Num Pages: 223 pages, biography. BIC Classification: DSA; JFC; JFSJ; JPA. Category: (G) General (US: Trade). Dimension: 216 x 140 x 13. Weight in Grams: 296. . 1997. Paperback. . . . .

Condizione: New. pp. 224.

Condizione: New. pp. 228.

Hardback. Condizione: New. Most Americans think of Betsy Ross as she was depicted in Charles Weisberger's popular painting The Birth of Our Nation's Flag--a motherly figure, sewing at the hearth. In fact, as Jo Ann Menezes's analysis in Nostalgia, Gender, and Nationalism points out, Ross was a widowed businesswoman who ran an upholstery shop out of her house. In Weisberger's painting, all signs of economic industry are erased and Ross's house is transformed into a home rather that the site of cottage industry. Ross is constructed as the perfect heroic mother, worthy of sacred creation; thus, our flag was born. Ross's transformation into an icon neatly illustrates the conjunction of soaring nationalism and the establishment of woman as a fixed domestic presence and serves as an excellent example of the master narratives revealed in Nostalgia, Gender, and Nationalism. The essays in this provocative anthology explore the connections between nation and gender and the ways in which nostalgia functions to bind these two presumably unrelated constructions together.Collectively they suggest that women pay a special fee on behalf of the nation, even though it is traditionally represented as an honorarium given to them and that, in fact, the nation-state takes as a foundational principle the subordination of women.…

Condizione: New. Editor(s): Kehde, Suzanne; Pickering, Jean. Num Pages: 223 pages, biography. BIC Classification: DSA; JFC; JFSJ; JPA. Category: (G) General (US: Trade). Dimension: 216 x 140 x 13. Weight in Grams: 296. . 1997. Paperback. . . . . Books ship from the US and Ireland.