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Lingua: Inglese
Editore: Springer International Publishing AG, Cham, 2025
ISBN 10: 3031886631 ISBN 13: 9783031886638
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Hardcover. Condizione: new. Hardcover. The invention of Mauveine by Perkin in 1856 led to a revolution in the world of textiledyeing. In the second half of the 19th century, natural dyes were quickly replaced by newly developed synthetic dyes which resulted in a bright palette of colours. The synthetic dyes were not only cheaper to produce, but also easier to apply on textiles due to new dyeing mechanisms. As a result, production costs decreased tremendously and brilliantly dyed textiles became available to the larger public. The introduction of synthetic dyes had a strong impact in fashion; in addition, these colourants were also used as stains on furniture, as inks and in paints.In this publication, the development of these vivid colourants is presented. It brings together information about the history of synthetic dyes, including the first attempts, the so-called semi-synthetic dyes, and presenting the most relevant dyes and dye classes, such as nitro dyes, tri-arylmethanes, azo dyes, xanthenes, sulfur dyes, synthetic alizarin and synthetic indigo. It contains a wealth of information regarding the numerous synonyms, trade names, manufacturers and patents. International trade and competition, which was fierce, are discussed. The chemistry behind the synthetic dyeing is explained, including new dyeing technologies developed. The application of dyes and their fastness properties are also presented. An overview of analytical techniques used for characterisation is given. Many case studies are included, expressing the importance of the dyes and the creativity of mankind when applying these colourants. As such, this publication can be seen as a colourful journey through history, relevant for conservators, curators, historians, chemists and all who are interested in the history and development of synthetic dyes. It brings together information about the history of synthetic dyes, including the first attempts, the so-called semi-synthetic dyes, and presenting the most relevant dyes and dye classes, such as nitro dyes, tri-arylmethanes, azo dyes, xanthenes, sulfur dyes, synthetic alizarin and synthetic indigo. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloCondizione: New. In English.
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ISBN 10: 3031886631 ISBN 13: 9783031886638
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Aggiungi al carrelloHardback. Condizione: New.
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ISBN 10: 3031886631 ISBN 13: 9783031886638
Da: CitiRetail, Stevenage, Regno Unito
EUR 113,18
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. The invention of Mauveine by Perkin in 1856 led to a revolution in the world of textiledyeing. In the second half of the 19th century, natural dyes were quickly replaced by newly developed synthetic dyes which resulted in a bright palette of colours. The synthetic dyes were not only cheaper to produce, but also easier to apply on textiles due to new dyeing mechanisms. As a result, production costs decreased tremendously and brilliantly dyed textiles became available to the larger public. The introduction of synthetic dyes had a strong impact in fashion; in addition, these colourants were also used as stains on furniture, as inks and in paints.In this publication, the development of these vivid colourants is presented. It brings together information about the history of synthetic dyes, including the first attempts, the so-called semi-synthetic dyes, and presenting the most relevant dyes and dye classes, such as nitro dyes, tri-arylmethanes, azo dyes, xanthenes, sulfur dyes, synthetic alizarin and synthetic indigo. It contains a wealth of information regarding the numerous synonyms, trade names, manufacturers and patents. International trade and competition, which was fierce, are discussed. The chemistry behind the synthetic dyeing is explained, including new dyeing technologies developed. The application of dyes and their fastness properties are also presented. An overview of analytical techniques used for characterisation is given. Many case studies are included, expressing the importance of the dyes and the creativity of mankind when applying these colourants. As such, this publication can be seen as a colourful journey through history, relevant for conservators, curators, historians, chemists and all who are interested in the history and development of synthetic dyes. It brings together information about the history of synthetic dyes, including the first attempts, the so-called semi-synthetic dyes, and presenting the most relevant dyes and dye classes, such as nitro dyes, tri-arylmethanes, azo dyes, xanthenes, sulfur dyes, synthetic alizarin and synthetic indigo. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloHardcover. Condizione: Brand New. 489 pages. 9.25x6.10x9.21 inches. In Stock.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Issues in Contemporary Oil Paint | Aviva Burnstock (u. a.) | Taschenbuch | xv | Englisch | 2016 | Springer | EAN 9783319379333 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
Lingua: Inglese
Editore: Springer International Publishing AG, CH, 2025
ISBN 10: 3031886631 ISBN 13: 9783031886638
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches.
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Aggiungi al carrelloBuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches.
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