Keith slater (134 risultati)

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Keith, Doug (illustratore).

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Doug Keith (illustratore).

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Doug Keith (illustratore). …

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Doug Keith (illustratore).…

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Doug Keith (illustratore).

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Doug Keith (illustratore).

Paperback. Condizione: Very Good. Open Market Ed. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Condizione: ACCEPTABLE. A very nice solid and presentable hardcover book.NO DUST JACKET. Clean throughout.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Fine. 1st Edition. a nice, clean copy, no creasing, like new, octavo paperback, 215 pages.

Paperback. Condizione: New.

Hardcover. Condizione: Fair. Condizione sovraccoperta: Fair. First Edition. Moisture stains, curl to exterior corners of pages. Dust jacket with chip missing to front, tear and edge wear. Moisture stain visible on interior dust jacket. Expedited or International shipping may cost more. Keith, Doug (illustratore). Inscribed by Author(s).…

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover. Condizione: Near Fine -. Condizione sovraccoperta: Near Fine. First Edition, First Printing. An oversize picture book with the story outlined on the dustjacket flaps, but told in the body of the book only through pictures. A number of small scrapes on the dustjacket. Signed by the Illustrator DOUG KEITH on the flyleaf. Doug Keith (illustratore). Signed by Author(s).…

Condizione: New.

Paperback or Softback. Condizione: New. The Catcher in the Rye and Philosophy: A Book for Bastards, Morons, and Madmen. Book.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. NON price-clipped dust jacket [$ 2.75] mostly clean, some age discoloration, colors muted but appear unfaded, edge wear, sunned spine, previous book store price label [.59] at front flap. Pages [127] clean, unmarked, binding tight and square. Tan boards with geometric pattern boards, red cloth spine, silver lettering, mostly clean [minor soiling at spine edges], a little shelf wear at extremities. PO's name at fep, marked out. A humorous real-life memoir. Media Mail, Priority & most international shipping include free tracking information. Every book listed is located in my smoke free and climate controlled shop. All are inspected by me and will have qualities and/or flaws described. Salter, George [jacket] (illustratore).…

Paperback. Condizione: New. Few novels have had more influence on individuals and literary culture than J.D. Salinger's The Catcher in the Rye. Published in 1951 and intended by Salinger for adults (early drafts were published in the New Yorker and Colliers), the novel quickly became championed by youth who identified with the awkwardness and alienation of the novel's protagonist, Holden Caulfield. Since then the book and its reclusive author have been fixtures of both popular and literary culture. Catcher is perhaps the only modern novel that is revered equally by the countless Americans whom Holden Caulfield helped through high school and puberty and literary critics (such as the New Yorker's Adam Gopnik who insisted as recently as 2010 that Catcher is a "perfect" twentieth-century novel). One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salinger's attention to the nuances and qualities of experience in the modern world. Coupled with Salinger's deft subjective, first-person style, Holden comes to seem more real than any fictional character should.This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salinger's attention to lived, as opposed to theorized, experience. Holden's preoccupation with "phonies," along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurt's recently celebrated analysis of "bullshit." Per Salinger's request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salinger's death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: As New. Paperback--no flaws.

Soft cover. Condizione: Very Good. First Printing. 207 pp. Trade paperback format. Signed by Matt Jackson on the title page. Light rubbing on the corners with a flat uncreased spine; aside from the author's signature, no interior markings. This story collection contains: I Love Alberta Beef by Kyle MacDonald; Lost in Translation by Conor Grennan; I Sold My Gold Tooth for Gas Money by Michael Glinz; Seafood Diet by Jeremiah Sutherland; The Rhein in Flames by Keith Slater; Hobos at Large by Lyle Underwood; Strange Guest by Jim Sawatzky; Kima by Sharon Fitzsimmons; Seal of Approval by Philip Torrens; Dracula's Curse by Erica Amery; 101 Ways to Destroy a Camera by Matt Jackson; Love in the Air by Lucia Martin; Mount Everglades by Wayne Van Sickle; Old McDonald Had a Bike by Conor Grennan; Whirlybird Applesauce by Michael Barnes; Don't Pick Up Hitchhikers by Christina Cherneskey; Serendipity by Beverley Abbott; Indonesian Freighter by Ed Yatscoff; Public Parking by Lesley Monette; Molloy and Me by Mark Fisher; Family Ties by Michael L. Plouffe; Cheating the Grim Reaper by Matt Jackson; Follow the Red Breaks Road by Stephen Legault; Motorcycle Therapy by Jeremy Kroeker; Arresting Scenery by Michelle Bland; Trans-Canada Christmas by Kathy Chiasson; Drive-away Honeymoon by Curtis Foreman; and The Great Mother's Day Race by John Judd. Size: 8vo. Signed by Editor. Book.…

Condizione: New. In English.

Paperback. Condizione: New. Few novels have had more influence on individuals and literary culture than J.D. Salinger's The Catcher in the Rye. Published in 1951 and intended by Salinger for adults (early drafts were published in the New Yorker and Colliers), the novel quickly became championed by youth who identified with the awkwardness and alienation of the novel's protagonist, Holden Caulfield. Since then the book and its reclusive author have been fixtures of both popular and literary culture. Catcher is perhaps the only modern novel that is revered equally by the countless Americans whom Holden Caulfield helped through high school and puberty and literary critics (such as the New Yorker's Adam Gopnik who insisted as recently as 2010 that Catcher is a "perfect" twentieth-century novel). One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salinger's attention to the nuances and qualities of experience in the modern world. Coupled with Salinger's deft subjective, first-person style, Holden comes to seem more real than any fictional character should.This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salinger's attention to lived, as opposed to theorized, experience. Holden's preoccupation with "phonies," along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurt's recently celebrated analysis of "bullshit." Per Salinger's request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salinger's death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.…

Condizione: New.