kelley william thomas (82 risultati)

Soft cover. Condizione: Very Good. Light wear. Edited by Edward L. Ferman. Cover art by Mel Hunter. Includes "The Goat Without Horns" (pt 2 of 2) by Thomas Burnett Swann; "The Ultimate Thrill" (novelet) by Albert Teichner; "The Travelin' Man" by Leo P. Kelley; "Rings on Her Fingers" by William Walling; "Landed Minority" by Pamela Sargent; "Tough Rocks and Hard Stones" by David R. Bunch. Film Review: "Beneath the Planet of the Apes" by Baird Searles. Features: "Books" by James Blish; "Cartoon" by Gahan Wilson; 'Reward of Virtue" (verse) by L. Sprague de Camp; 'Science: The Lopsided Sun" by Isaac Asimov.

Soft cover. Condizione: Good Plus. Light cover wear, owner's name blacked out on title page. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Good. Hardcover. No DJ. Pages are clean and unmarked. Covers show light edge wear with rubbing. Binding is tight, hinges strong. Book slightly shelf-cocked.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Condizione: Good. Former library hardcover, no dust jacket, in Good condition. Clean pages aside from library marks. Good binding. Ships fast and guaranteed well protected with domestic tracking.

SingleIssueMagazine. Condizione: Very Good+. Vol. 39, No. 3. Edited by Edward L. Ferman. Cover art by Mel Hunter. Includes "The Goat Without Horns" (pt 2 of 2) by Thomas Burnett Swann; "The Ultimate Thrill" (novelet) by Albert Teichner; "The Travelin' Man" by Leo P. Kelley; "Rings on Her Fingers" by William Walling; "Landed Minority" by Pamela Sargent; "Tough Rocks and Hard Stones" by David R. Bunch. Film Review: "Beneath the Planet of the Apes" by Baird Searles. Features: "Books" by James Blish; "Cartoon" by Gahan Wilson; 'Reward of Virtue" (verse) by L. Sprague de Camp; 'Science: The Lopsided Sun" by Isaac Asimov. Tanning; light dent to front. Book.

Paperback. Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good. Some creasing. *.

Hardcover. Condizione: Very Good. No Jacket.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Softcover. 229-344 pp. Volume 1, Number 3 (Fall 1993). Softcover. Very good condition; touches of wear on covers.

Softcover. 473-626 pp. Volume 5, Number 4 (Winter 1997). Softcover. Very good condition; touches of wear on covers.

SingleIssueMagazine. Condizione: Very Good-. Vol. 8, No. 3. Pulp magazine. Cover art by Arnold Kohn for "Cult of the Eagle" (novelet) by Berkeley Livingston; rear cover by Frank R. Paul for "Stories of the Stars- Antares" by Alexander Blade (house pseud.). Includes "To Watch by Night" (short novel) by Robert Moore Williams; "Tree's a Crowd" by Robert Bloch; "He Who Saw Tomorrow" (novelet) by Thomas P. Kelley; "Jimmy Takes a Trip" by William Lawrence Hamling; "The Softly Silken Wallet" by David Wright O'Brien; "The Tale of the Last Man" by Richard S. Shaver. Features: "The Editor's Notebook"; "Beaumont's Human Guinea Pigs" by H. R. Stanton; "Call a Doctor!" by R. Clayton; "Cosmic Creation" by J. R. Canfield; "Take a Suggestion, Miss Fitt" by Carter T. Wainwright; "The Great Leonardo" by Jeffrey Stevens; "New Faces for Sale" by June Lurie; "The Conquest of Pain" by Pete Bogg; "Reader's Page"; "Death's Fury" by C. P. Holmesby. Illustrated by J. Allen St. John, Rod Ruth, Brady, William A. Gray, & Arnold Kohn. Spine is fading; rear hinge wrinkled with short tears; marks on front; tanning; creasing. Book.

SingleIssueMagazine. Condizione: Very Good-. Vol. 8, No. 3. Pulp magazine. Cover art by Arnold Kohn for "Cult of the Eagle" (novelet) by Berkeley Livingston; rear cover by Frank R. Paul for "Stories of the Stars- Antares" by Alexander Blade (house pseud.). Includes "To Watch by Night" (short novel) by Robert Moore Williams; "Tree's a Crowd" by Robert Bloch; "He Who Saw Tomorrow" (novelet) by Thomas P. Kelley; "Jimmy Takes a Trip" by William Lawrence Hamling; "The Softly Silken Wallet" by David Wright O'Brien; "The Tale of the Last Man" by Richard S. Shaver. Features: "The Editor's Notebook"; "Beaumont's Human Guinea Pigs" by H. R. Stanton; "Call a Doctor!" by R. Clayton; "Cosmic Creation" by J. R. Canfield; "Take a Suggestion, Miss Fitt" by Carter T. Wainwright; "The Great Leonardo" by Jeffrey Stevens; "New Faces for Sale" by June Lurie; "The Conquest of Pain" by Pete Bogg; "Reader's Page"; "Death's Fury" by C. P. Holmesby. Illustrated by J. Allen St. John, Rod Ruth, Brady, William A. Gray, & Arnold Kohn. Spine is faded, hinge areas lightly affected; letter W on cover in pencil and minor stain/soil as well; tanning; foxing. Book.

Softcover. 229-344 pp. Volume 1, Number 3 (Fall 1993). Softcover. Very good condition; touches of wear on covers.

Softcover. 473-626 pp. Volume 5, Number 4 (Winter 1997). Softcover. Very good condition; touches of wear on covers.

Paperback. Condizione: Very Good+. Very good+ paperback copy, from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy; text also very good+. Ships from Dinkytown in Minneapolis, Minnesota.

Couverture souple. Condizione: Bon. Edition originale. In-8° broché, paginé de 467 à 592 - Articles originaux : Hellenic Standards for the Modern World. - The Dedication of the Citrus Experiment Station and Graduate School of Tropical Agriculture, Riverside, California, March 27, 1918 : Dedication of the Citrus Experiment Station Laboratories, Riverside, California, March 27, 1918. - Address in Presenting Flags, Donated by the Riverside Chamber of Commerce. - The Citrus Experiment Station and Graduate School of Tropical Agriculture.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition/1st Printing (complete number line). Laid-in (not attached) are signed items of four of the subjects of the book. Laid-in is a color photo sheet SIGNED by MIYAMURA HIROSHI (Korean War MOH); a B&W phot sheet SIGNED by VERNON BAKER (WWII MOH); a color photo-card SIGNED by WILLIAM 'DOC' CHARETTE (Lorea MOH); and a card SIGNED by THOMAS KELLEY (Vietnam MOH). $25.95 price present on DJ flap; mylar protected. 300 pages. Size: 8vo - over 7¾" - 9¾" tall. Signed by the Subject(S).

Hardcover. Condizione: New.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Presumed First Edition, First printing. xiv, 427, [5] pages. Footnotes. Map. List of Abbreviations. Ink notation on fep from previous owner. DJ is in a plastic sleeve. This is the Hudson Institute Series on National Security and International Order Number 2. Herman Kahn (February 15, 1922 - July 7, 1983) was a founder of the Hudson Institute and one of the preeminent futurists of the latter part of the twentieth century. He originally came to prominence as a military strategist and systems theorist while employed at the RAND Corporation. He became known for analyzing the likely consequences of nuclear war and recommending ways to improve survivability, making him one of the historical inspirations for the title character of Stanley Kubrick's classic black comedy film satire Dr. Strangelove. In his commentary for Fail Safe, director Sidney Lumet remarked that the Professor Groeteschele character is also based on Herman Kahn. Kahn's theories contributed heavily to the development of the nuclear strategy of the United States. The short answer to the title question is: Yes, if we don't lose the war here at home. Mr. Kahn, a veteran student of military affairs, points out in this informative discussion that the Tet Offensive seriously demoralized our own leaders even though we wound up winning that engagement-because they had not believed that North Vietnam could, at that stage, mobilize an attack of that magnitude. As for the press, it is reflecting the culture it lives in. HK: "We don't live in an heroic culture, so you can't report heroism. We don't live in a religious culture, so you can't report it as an anti-Communist crusade-that looks indecent. So you have to report it at the human level. The Hudson Institute is a conservative American think tank based in Washington, D.C. It was founded in 1961 in Croton-on-Hudson, New York, by futurist, military strategist, and systems theorist Herman Kahn and his colleagues at the RAND Corporation. Hudson's initial research projects largely reflected Kahn's personal interests, which included the domestic and military use of nuclear power and scenario planning exercises about present policy options and their possible future outcomes. Kahn and his colleagues made pioneering contributions to nuclear deterrence theory and strategy during this period. Hudson's detailed analyses of "ladders of escalation" and reports on the likely consequences of limited and unlimited nuclear exchanges, eventually published as Thinking About the Unthinkable in 1962 and On Escalation: Metaphors and Scenarios in 1965, were influential within the Kennedy administration, and helped the institute win its first major research contract from the Office of Civil Defense at the Pentagon.

Hardcover. Condizione: Brand New. har/psc edition. 194 pages. 9.75x8.00x0.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Fine. 1st Edition. First edition, first printing of this collection of short stories by Margaret Atwood, David Morrell and more. SIGNED by 16 authors Nancy Kilpatrick, Caro Soles, Kelley Armstrong, Margaret Atwood, David Morrell, Lisa Morton, Nancy Holder, Uwe Sommerlad, Michael Jecks, William F. Nolan, Jason V. Brock, Sunni K. Brock, Colleen Anderson and Robert Bose. In fine unread condition. Signed by Author.

Condizione: New. Autor/Autorin: John H. WilsonDr. Wilson is a cardiologist/electrophysiologist who has practiced clinical electrophysiology for 30 years. For many years he was the director of electrophysiology and section head of cardiology at Good Samaritan Hospit.

Condizione: New. In.

Condizione: New. pp. 192.

Condizione: New. pp. 192.

Hardcover. Condizione: Brand New. 175 pages. 9.25x6.50x0.75 inches. In Stock.

Single Issue Magazine. Condizione: Good. Winter, William (Cover Art); Rockett, Paul; Ehricht, Horst; Dellow, Alex; McNally, Ed (illustratore). First Edition. 72 pages. Features: Nice colour photo ad for Red Cap ale inside front cover; Nostalgic full-page Aunt Jemima pancake ad; Great full-page colour photo ad for the 1959 line of Rambler automobiles; Is Diefenbaker running a one-man government?; My dad was king of the medicine men - Doc Tom Kelley and his Medicine Show; The Woman who can do anything - Malvina Labine is Reeve of Rayside Township near Sudbury - and she has given birth to 20 children! - article with great photos; Holiday Weekend in Ottawa - Trent Frayne and June Callwood take their family for a trip; The delicate art of giving the sack - some techniques; How I Beat My Middle-Aged Spread - Lloyd Percival describes how he shaped up - article with photos; Attractive colour ad for the 1959 Plymouth Fury; Caterpillar colour photo ad features large shot of Highway 401 passing through Toronto - all four lanes of it - my how things have changed!; Nice Oldsmobile colour ad for the Dynamic 88 Holiday Sportsedan; Now totally politically incorrect, the colour photo ad for O'Keefe beer inside back cover shows a couple watching a scantilly clad woman on tv while drinking beer and smoking!; Back cover Coke ad shows a couple preparing pop and sandwiches for a party; and more. Moderate wear. Unmarked. A sound vintage copy.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.