Kendall tina (62 risultati)

Soft Cover. Condizione: fine. Includes kid-friendly activities; 8" tall; 128pp; 2 color type & ils. Alison Kendall (illustratore). Paperback.

Condizione: New.

Paperback. Condizione: New. This book considers the complex and often contradictory relations that are forged between boredom and everyday media use in the twenty-first century and demonstrates how networked media have developed new technical means of capitalizing on boredom's state of suspension to make it into a source of value creation. Focusing on the discursive, technological, and affective structures that encourage users to be entertaining and to remain entertained, the book analyses how boredom has been increasingly instrumentalized as both an individual mood and a wider structure of feeling that drives participation across media networks. It identifies the range of cultural techniques for codifying, classifying, sensing, and pre-empting boredom, as well as those that teach users, counter-intuitively, to embrace boring media as a means of coping with the intensities of always-on existence.However, if boredom is positioned in a digital network culture as a feeling that keeps driving us back to our social media feeds, it is important to ask how else it might operate. While the technological affordances of computational media have put pressure on our ability to conceive of boredom as a radical challenge to digital capitalism, this book attempts to think about the potential that might still be embedded in boredom's capacity to temporarily suspend or to neutralize dominant structures of attention and affect. Building on the work of Giorgio Agamben, Byung-Chul Han, Roland Barthes, and from historical accounts of boredom and entertainment, the book provides a new understanding of boredom in the context of networked media.…

Paperback. Condizione: new. Paperback. This book considers the complex and often contradictory relations that are forged between boredom and everyday media use in the twenty-first century and demonstrates how networked media have developed new technical means of capitalizing on boredoms state of suspension to make it into a source of value creation. Focusing on the discursive, technological, and affective structures that encourage users to be entertaining and to remain entertained, the book analyses how boredom has been increasingly instrumentalized as both an individual mood and a wider structure of feeling that drives participation across media networks. It identifies the range of cultural techniques for codifying, classifying, sensing, and pre-empting boredom, as well as those that teach users, counter-intuitively, to embrace boring media as a means of coping with the intensities of always-on existence.However, if boredom is positioned in a digital network culture as a feeling that keeps driving us back to our social media feeds, it is important to ask how else it might operate. While the technological affordances of computational media have put pressure on our ability to conceive of boredom as a radical challenge to digital capitalism, this book attempts to think about the potential that might still be embedded in boredoms capacity to temporarily suspend or to neutralize dominant structures of attention and affect. Building on the work of Giorgio Agamben, Byung-Chul Han, Roland Barthes, and from historical accounts of boredom and entertainment, the book provides a new understanding of boredom in the context of networked media. Provides the first in-depth analysis of the relationship between boredom and networked media, particularly in the wake of the Coronavirus lockdowns. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Paperback. Condizione: New. This book considers the complex and often contradictory relations that are forged between boredom and everyday media use in the twenty-first century and demonstrates how networked media have developed new technical means of capitalizing on boredom's state of suspension to make it into a source of value creation. Focusing on the discursive, technological, and affective structures that encourage users to be entertaining and to remain entertained, the book analyses how boredom has been increasingly instrumentalized as both an individual mood and a wider structure of feeling that drives participation across media networks. It identifies the range of cultural techniques for codifying, classifying, sensing, and pre-empting boredom, as well as those that teach users, counter-intuitively, to embrace boring media as a means of coping with the intensities of always-on existence.However, if boredom is positioned in a digital network culture as a feeling that keeps driving us back to our social media feeds, it is important to ask how else it might operate. While the technological affordances of computational media have put pressure on our ability to conceive of boredom as a radical challenge to digital capitalism, this book attempts to think about the potential that might still be embedded in boredom's capacity to temporarily suspend or to neutralize dominant structures of attention and affect. Building on the work of Giorgio Agamben, Byung-Chul Han, Roland Barthes, and from historical accounts of boredom and entertainment, the book provides a new understanding of boredom in the context of networked media.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condizione: Fine.

Paperback. Condizione: new. Paperback. Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noe, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection of essays devoted to the new extremism in contemporary European cinema critically interrogates this highly contentious body of work and demonstrates that these films and the controversies they engender are indispensable to the critical task of rethinking the terms of spectatorship. Through critical discussions of key films and directors, this book sheds new light on cutting-edge debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema.Including important new work from internationally renowned scholars Martin Barker and Martine Beugnet, as well as combining a range of approaches to extreme cinema across audience research and theories of spectator ship, this exploration of the darkest side of cinema will be an invaluable resource for film scholars and students. Explosive images of sex and violence characterise what has come to be known as the 'new extremism' in contemporary European cinema. This collection of essays is devoted to the new extremism in contemporary European cinema and will critically interrogate this highly contentious body of work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noé, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection of essays devoted to the new extremism in contemporary European cinema critically interrogates this highly contentious body of work and demonstrates that these films and the controversies they engender are indispensable to the critical task of rethinking the terms of spectatorship. Through critical discussions of key films and directors, this book sheds new light on cutting-edge debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema.Including important new work from internationally renowned scholars Martin Barker and Martine Beugnet, as well as combining a range of approaches to extreme cinema across audience research and theories of spectator ship, this exploration of the darkest side of cinema will be an invaluable resource for film scholars and students.…

Condizione: New.

Paperback or Softback. Condizione: New. The New Extremism in Cinema: From France to Europe. Book.

Paperback. Condizione: New. Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noé, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection of essays devoted to the new extremism in contemporary European cinema critically interrogates this highly contentious body of work and demonstrates that these films and the controversies they engender are indispensable to the critical task of rethinking the terms of spectatorship. Through critical discussions of key films and directors, this book sheds new light on cutting-edge debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema.Including important new work from internationally renowned scholars Martin Barker and Martine Beugnet, as well as combining a range of approaches to extreme cinema across audience research and theories of spectator ship, this exploration of the darkest side of cinema will be an invaluable resource for film scholars and students.…

Condizione: new.

Condizione: New. pp. 248.

Condizione: New.

paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2013. Reprint. Paperback. Through critical discussions of key films and directors, this book sheds light on debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema. Editor(s): Horeck, Tanya; Kendall, Dr. Tina. Num Pages: 248 pages. BIC Classification: 1D; 1DDF; APF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 156 x 233 x 18. Weight in Grams: 380. From France to Europe. 248 pages. Editor(s): Horeck, Tanya; Kendall, Dr. Tina. Through critical discussions of key films and directors, this book sheds light on debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema. Cateogry: (UP) Postgraduate, Research & Scholarly. BIC Classification: 1D; 1DDF; APF. Dimension: 156 x 233 x 18. Weight: 374. . . . . . …

Condizione: New. pp. 248 1st Edition.

Condizione: New. pp. 248.

Condizione: New. 2013. Reprint. Paperback. Through critical discussions of key films and directors, this book sheds light on debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema. Editor(s): Horeck, Tanya; Kendall, Dr. Tina. Num Pages: 248 pages. BIC Classification: 1D; 1DDF; APF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 156 x 233 x 18. Weight in Grams: 380. From France to Europe. 248 pages. Editor(s): Horeck, Tanya; Kendall, Dr. Tina. Through critical discussions of key films and directors, this book sheds light on debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema. Cateogry: (UP) Postgraduate, Research & Scholarly. BIC Classification: 1D; 1DDF; APF. Dimension: 156 x 233 x 18. Weight: 374. . . . . . Books ship from the US and Ireland. …

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - This book considers the complex and often contradictory relations that are forged between boredom and everyday media use in the twenty-first century and demonstrates how networked media have developed new technical means of capitalizing on boredom's state of suspension to make it into a source of value creation. Focusing on the discursive, technological, and affective structures that encourage users to be entertaining and to remain entertained, the book analyses how boredom has been increasingly instrumentalized as both an individual mood and a wider structure of feeling that drives participation across media networks. It identifies the range of cultural techniques for codifying, classifying, sensing, and pre-empting boredom, as well as those that teach users, counter-intuitively, to embrace boring media as a means of coping with the intensities of always-on existence.However, if boredom is positioned in a digital network culture as a feeling that keeps driving us back to our social media feeds, it is important to ask how else it might operate. While the technological affordances of computational media have put pressure on our ability to conceive of boredom as a radical challenge to digital capitalism, this book attempts to think about the potential that might still be embedded in boredom's capacity to temporarily suspend or to neutralize dominant structures of attention and affect. Building on the work of Giorgio Agamben, Byung-Chul Han, Roland Barthes, and from historical accounts of boredom and entertainment, the book provides a new understanding of boredom in the context of networked media.…

Paperback. Condizione: Brand New. reprint edition. 242 pages. 9.00x6.00x0.75 inches. In Stock.