Kenneth ames matthew wittmann (16 risultati)

Condizione: acceptable. USED book in ACCEPTABLE condition. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. May be missing dust jacket. Supplemental items such as access codes and CDs not guaranteed.

Oversized Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Jacket As Issued.

Hardcover. Condizione: Good. . Satisfaction 100% guaranteed.

Hardcover. Condizione: Near Fine. Near Fine condition hardcover book, no dust jacket. Very slight shelf wear and shallow scratching to covers and spine. Very slight bumping to corners and spine edges. Slightest yellowing to text block edges. All of our books are individually inspected and described. Never X-library unless specifically described as such. …

Hardcover. Condizione: Very good. Cloth, no dj. Minor shelf wear. Else very sound.

Hardcover. Condizione: Used-Very Good. Cloth, no dj. Minor shelf wear. Else a bright, clean copy.

Hardcover. Condizione: Used-Very Good. Cloth, no dj. Minor shelf wear. Else a nice, clean copy.

Hardcover. Condizione: Like New. First Edition. First Edition, First Printing. Published by Yale University Press, 2012. Folio. Hardcover. Book is like new.

Hardcover. Condizione: New. New copy in publisher's shrink wrap. Location K125.

Hardcover. Condizione: As New. No Dustjacket. First Edition. ISBN 0300185391. Oversized, Heavy, Hardback. No dustjacket as issued. Near Fine Condition. Tight, bright, attractive copy with no markings to the book. As new condition. No statement of later printing on copyright page. No Signature.

hardcover. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 459 pages: illustrations (some color), portraits; 28 cm. Notes; Includes bibliographical references (pages 437-448) and index. Contents; Introduction / Kenneth L. Ames -- The circus Americanized / Janet M. Davis -- The transnational history of the early American circus / Matthew Wittmann -- The American circus in Victorian Britain / Brenda Assael -- American circus posters / Paul Stirton -- Shelburne Museum's Colchester posters and circus advertising / Kory W. Rogers -- The circus parade / Gregory J. Renoff -- Circus music in America / Leon Botstein -- The American circus tent / Fred Dahlinger, Jr. -- Elephants and the American circus / Susan Nance -- Horses and cat acts in the early American circus / Brett Mizelle -- Performed identities as circus illusions / Peter Tait -- The Americanization of the circus clown / Rodney Huey -- The American circus spectacle / Jennifer Lemmer Posey -- The circus in nineteenth-century American children's literature / Ellen Butler Donovan -- Circus toys in the gilded age / Eugene W. Metcalf -- The WPA circus in New York / Susan Weber -- Disability and the circus / Rachel Adams. Summary; The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences. Subjects; Circus - United States - History - Pictorial works. PERFORMING ARTS / Circus. HISTORY / United States / General. ANTIQUES & COLLECTIBLES / Americana. ANTIQUES & COLLECTIBLES / Popular Culture. 2 Kg.…

1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 459 pages: illustrations (some color), portraits; 28 cm. Notes; Includes bibliographical references (pages 437-448) and index. Contents; Introduction / Kenneth L. Ames -- The circus Americanized / Janet M. Davis -- The transnational history of the early American circus / Matthew Wittmann -- The American circus in Victorian Britain / Brenda Assael -- American circus posters / Paul Stirton -- Shelburne Museum's Colchester posters and circus advertising / Kory W. Rogers -- The circus parade / Gregory J. Renoff -- Circus music in America / Leon Botstein -- The American circus tent / Fred Dahlinger, Jr. -- Elephants and the American circus / Susan Nance -- Horses and cat acts in the early American circus / Brett Mizelle -- Performed identities as circus illusions / Peter Tait -- The Americanization of the circus clown / Rodney Huey -- The American circus spectacle / Jennifer Lemmer Posey -- The circus in nineteenth-century American children's literature / Ellen Butler Donovan -- Circus toys in the gilded age / Eugene W. Metcalf -- The WPA circus in New York / Susan Weber -- Disability and the circus / Rachel Adams. Summary; The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences. Subjects; Circus - United States - History - Pictorial works. PERFORMING ARTS / Circus. HISTORY / United States / General. ANTIQUES & COLLECTIBLES / Americana. ANTIQUES & COLLECTIBLES / Popular Culture. 2 Kg.…

Hardcover. Condizione: Brand New. 432 pages. 10.94x1.73x8.82 inches. In Stock.

Hardcover. Condizione: New.

459 Seiten, zahlreiche Abbildungen, 4°, großformatiger Orig.-Pappband (Einband leicht bestoßen; sonst sehr gutes Exemplar). - Erste Ausgabe / First Edition. - Publishes by te Bard Graduate Center: Decorative Arts, Desighn History, Material Culture. - (SW: Zirkus; Kulturgeschichte; Amerika; amerikanischer Zirkus). - "The circus is a source of nostalgia for Americans of all ages, either from memories of attending P. T. Barnum's "Greatest Show on Earth," or through the colorful evocations in many movies, television programs, and books. Interest in the circus phenomenon is unflagging, yet there have been few publications that look closely at how the circus's European origins were refashioned for an American audience. Lavishly illustrated and carefully researched, this volume explores how American culture, values, demography, and business practices altered the fundamental nature of the European circus, and how, by the end of the 19th century, they had transformed it into a distinctly American pastime. - At the peak of its cultural significance, the circus was a sophisticated combination of theater and business, and made effective use of advertising, train travel, and hyperbole. The subjects in The American Circus reflect this complexity, ranging widely from thematic explorations of circus music and elephants to more closely focused studies of objects such as circus toys, souvenirs, and performers' costumes. The book also explores the dark and even nefarious side of the circus, and its associations with marginalized dimensions of American life and culture. With contributions from leading scholars, this stylishly designed volume aims to identify the salient features of an Americanized cultural product and to analyze its appeal for American audiences." (Verlag). …