Kenneth o drake (21 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. Instead of following the traditional chronological order in studying the Beethoven piano sonatas, Kenneth Drake places them in categories that reflect certain qualities of the music. Approaching the sonatas as an interpreter's search for meaning, he begins with the Classic composers' expressive treatment of the keyboard - such as touches, articulation, line, color, silence, and the pacing of musical ideas. He then analyzes individual Beethoven sonatas, exploring such qualities as motivic development, color, philosophic overtones, and technical facility. Juxtaposing sonatas of like characteristics, regardless of where they fall in Beethoven's oeuvre, Drake places the very early Op. 2 No. 2 and the monumental Op. 101 in the chapter entitled Line and Space. Under the heading Descriptive Music, he discusses Op. 81a and Op 13; under Motivic Development, Op. 2 No. 1, Op. 57, and Op. 110; and under Movement as Energized Color, Op. 53. The Quasi una Fantasia encompasses not only the Sonata Op. 27 No. 2, to which Beethoven gave that title, but also Sonatas Op. 26 and, Op. 27 No. 1. Drake pursues the emotional and interpretive implications of such elements as rhythm, dynamics, slurs, harmonic effects, and melodic development. He provides hundreds of musical examples and points out the specific measures in which Beethoven so skillfully employed these compositional devices. Kenneth Drake regards the Beethoven sonatas as products of an inner necessity that pianists share with the composer. He encourages musicians to exercise intuition and independence of thought in studying the 32 and to seek not just performance skills but logical conclusions about ideas and relationships within thescore.…

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

hardcover. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

Paperback. Condizione: Good. Instead of following the traditional chronological order in studying the Beethoven piano sonatas, Kenneth Drake places them in categories that reflect certain qualities of the music. Approaching the sonatas as an interpreter's search for meaning, he begins with the Classic composers' expressive treatment of the keyboard - such as touches, articulation, line, color, silence, and the pacing of musical ideas. He then analyzes individual Beethoven sonatas, exploring such qualities as motivic development, color, philosophic overtones, and technical facility. Juxtaposing sonatas of like characteristics, regardless of where they fall in Beethoven's oeuvre, Drake places the very early Op. 2 No. 2 and the monumental Op. 101 in the chapter entitled Line and Space. Under the heading Descriptive Music, he discusses Op. 81a and Op 13; under Motivic Development, Op. 2 No. 1, Op. 57, and Op. 110; and under Movement as Energized Color, Op. 53. The Quasi una Fantasia encompasses not only the Sonata Op. 27 No. 2, to which Beethoven gave that title, but also Sonatas Op. 26 and, Op. 27 No. 1. Drake pursues the emotional and interpretive implications of such elements as rhythm, dynamics, slurs, harmonic effects, and melodic development. He provides hundreds of musical examples and points out the specific measures in which Beethoven so skillfully employed these compositional devices. Kenneth Drake regards the Beethoven sonatas as products of an inner necessity that pianists share with the composer. He encourages musicians to exercise intuition and independence of thought in studying the 32 and to seek not just performance skills but logical conclusions about ideas and relationships within thescore.…

Paperback. Condizione: Good. Pages unmarked, gentle wear.

Stapled wraps. Condizione: Very Good. Text in Japanese and English. ; 8vo ; 56 pages.

Condizione: New.

Condizione: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Paperback or Softback. Condizione: New. The Beethoven Sonatas and the Creative Experience. Book.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0289369819.

Condizione: Very Good. Sold by the UK charity Kisharon Langdon; offering opportunities and support for people within the autism and learning disability community.

Condizione: New. 1994. Paperback. . . . . .

Condizione: New. In English.

Condizione: New. 1994. Paperback. . . . . . Books ship from the US and Ireland.

Hard Cover. Condizione: Good. No Jacket. Reprint. some wear to covers and cover edges, library marks mainly endpapers, otherwise book clean and tight Size: 12mo - over 6¾" - 7¾" tall. Ex Library.

Hardcover. First Edition Thus; Second Printing. Book condition is Very Good in boards. Text is clean and unmarked. ; 9 X 6.60 X 1 inches; 336 pages.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condizione: Neu. Neuware - Instead of following the traditional chronological order in studying the Beethoven piano sonatas, Kenneth Drake places them in categories that reflect certain qualities of the music. Approaching the sonatas as an interpreter's search for meaning, he begins with the Classic composers' expressive treatment of the keyboard - such as touches, articulation, line, color, silence, and the pacing of musical ideas. He then analyzes individual Beethoven sonatas, exploring such qualities as motivic development, color, philosophic overtones, and technical facility. Juxtaposing sonatas of like characteristics, regardless of where they fall in Beethoven's oeuvre, Drake places the very early Op. 2 No. 2 and the monumental Op. 101 in the chapter entitled ''Line and Space.'' Under the heading ''Descriptive Music,'' he discusses Op. 81a and Op 13; under ''Motivic Development,'' Op. 2 No. 1, Op. 57, and Op. 110; and under ''Movement as Energized Color,'' Op. 53. The ''Quasi una Fantasia'' encompasses not only the Sonata Op. 27 No. 2, to which Beethoven gave that title, but also Sonatas Op. 26 and, Op. 27 No. 1. Drake pursues the emotional and interpretive implications of such elements as rhythm, dynamics, slurs, harmonic effects, and melodic development. He provides hundreds of musical examples and points out the specific measures in which Beethoven so skillfully employed these compositional devices. Kenneth Drake regards the Beethoven sonatas as products of an inner necessity that pianists share with the composer. He encourages musicians to exercise intuition and independence of thought in studying the ''32'' and to seek not just performance skills but logical conclusions about ideas and relationships within thescore.…

Condizione: New. Instead of following the traditional chronological order in studying the Beethoven piano sonatas, this title places them in categories that reflect certain qualities of the music. It begins with the Classic composers expressive treatment of the keyboard - .