Lingua: Inglese
Editore: Contemporary Arts Museum, Houston, 2000
ISBN 10: 0936080574 ISBN 13: 9780936080574
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: Contemporary Arts Museum, Houston, 2000
ISBN 10: 0936080574 ISBN 13: 9780936080574
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Contemporary Arts Museum, Housto, 2000
ISBN 10: 0936080574 ISBN 13: 9780936080574
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.
Soft cover. Condizione: Fine.
Lingua: Inglese
Editore: Contemporary Arts Museum, Houston, 2000
ISBN 10: 0936080574 ISBN 13: 9780936080574
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 6,91
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Lingua: Inglese
Editore: San Francisco Museum of Modern Art, 2009
ISBN 10: 0300150482 ISBN 13: 9780300150483
Da: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 264 pages, very POOR condition, still bound pages detached from covers; no internal marks. DVD missing. As is; reference copy. Foreign shipping may be extra.
Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
EUR 10,07
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. pp. 200.
Da: Books From California, Simi Valley, CA, U.S.A.
paperback. Condizione: Very Good.
Condizione: New. pp. 200.
Lingua: Inglese
Editore: Museum of Contemporary Art, San Diego, 2002
ISBN 10: 0934418616 ISBN 13: 9780934418614
Da: Singing Saw Books, Portland, OR, U.S.A.
Paperback. Condizione: Very Good. Paperback, clean pages, nice shape overall.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Paperback. Condizione: Fine. 1st. xvi, 187 pages, illustrations; 24 cm. October files, 21. Tight, clean copy. *** "Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works. The texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series 9 Drawing for Projection; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the page--particularly the smudges, smears, and erasures that characterize his stop-animations--define the act of drawing as a temporal medium. Krauss's understanding of Kentridge's work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist's work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects" - Publisher. Size: 8vo. Collectible.
EUR 13,87
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. pp. 116.
Condizione: New.
Hardcover. Condizione: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.
Hardcover. Condizione: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.
EUR 22,51
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. The White Horse (1819) by John Constable (17761837) is the first of the series of the "six-footers," monumental landscapes of the English countryside that would become the artist's most famous works. Constable described the scene as "a placid representation of a serene, grey morning, summer." Years later, he said, "there are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest - this is mine". An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. AUTHORS: William Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions. Aimee Ng is a curator at The Frick Collection, New York, and is a specialist in Italian Renaissance art. 38 colour illustrations.
Lingua: Inglese
Editore: Seagull Books London Ltd, GB, 2017
ISBN 10: 0857424459 ISBN 13: 9780857424457
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 22,55
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. For more than three decades, artist William Kentridge has explored in his work the nature of subjectivity, the possibilities of revolution, the Enlightenment's legacy in Africa, and the nature of time itself. At the same time, his creative work has stretched the boundaries of the very media he employs. Though his pieces have allowed viewers to encounter the traditions of landscape and self-portraiture, the limits of representation and the possibilities for animated drawing, and the labor of art, a guide to understanding the full scope of his art has been available until now. For five days, Kentridge sat with Rosalind C. Morris to talk about his work. The result That Which Is Not Drawn;is a wide-ranging conversation and deep investigation into the artist's techniques and into the psychic and philosophical underpinnings of his body of work. In these pages, Kentridge explains the key concerns of his art, including the virtues of bastardy, the ethics of provisionality, the nature of translation and the activity of the viewer.And together, Kentridge and Morris trace the migration of images across his works and consider the possibilities for a revolutionary art that remains committed to its own transformation. "That's the thing about a conversation," Kentridge reflects. "The activity and the performance, whether it's the performance of drawing or the performance of speech and conversation, is also the engine for new thoughts to happen. It's not just a report of something you know." And here, in this engaging dialogue, we at last have a guide to the continually exciting, continually changing work of one of our greatest living artists.
Hardcover. Condizione: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.
Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Condizione: New. pp. 116.
paperback. Condizione: Good. Ex-library copy with usual markings.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Centre de Cultura Contemporània de Barcelona, 2022
ISBN 10: 8409459248 ISBN 13: 9788409459247
Da: AG Library, Malaga, MA, Spagna
EUR 9,50
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. Idioma/Language: Catalán. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
EUR 14,51
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. pp. 116.