Kentridge william (583 risultati)

Soft cover. Condizione: Fine.

Hardcover with dustjacket, 264 pages, very POOR condition, still bound pages detached from covers; no internal marks. DVD missing. As is; reference copy. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Condizione: as new. Wie neu/Like new.

Hardback. Condizione: Good. William Kentridge, one of the leading artists of our time, offers a personal account of his childhood, creative practice, and the studio spaces--understood both as physical places and a way of thinking--that have shaped his life and work For more than thirty years, Kentridge's art has been celebrated for its profound engagement with history, politics, and the uncertainties of the human condition. In 2024, he delivered the prestigious Slade Lectures at the University of Oxford; A Natural History of the Studio brings these together in a lively, book-length exploration of the creative process. Moving between memory, art history, and experiment, Kentridge shows how "the outside world dissolves" into the artist's materials. Inside his studio, films are run backwards and forwards, a glimpse of dappled light brushes up against Constable's vast river landscapes, and Kentridge's own work slowly takes shape and comes into view. Playful and erudite, he emerges as the rare artist with a gift for writing clearly and generously about the creative act. …

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condizione: Very Good. Paperback, clean pages, nice shape overall.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condizione: Good. William Kentridge, one of the leading artists of our time, offers a personal account of his childhood, creative practice, and the studio spaces--understood both as physical places and a way of thinking--that have shaped his life and work For more than thirty years, Kentridge's art has been celebrated for its profound engagement with history, politics, and the uncertainties of the human condition. In 2024, he delivered the prestigious Slade Lectures at the University of Oxford; A Natural History of the Studio brings these together in a lively, book-length exploration of the creative process. Moving between memory, art history, and experiment, Kentridge shows how "the outside world dissolves" into the artist's materials. Inside his studio, films are run backwards and forwards, a glimpse of dappled light brushes up against Constable's vast river landscapes, and Kentridge's own work slowly takes shape and comes into view. Playful and erudite, he emerges as the rare artist with a gift for writing clearly and generously about the creative act. …

Hardcover. Condizione: As New. Excellent, unread, like-new condition.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: New. Brand New.

Hardcover. Condizione: Very Good. No DJ. Cloth, 187 pages, illustrations (some colour); 25 cm. Charles Eliot Norton Lectures, 2012. Near fine. Firm binding, clean inside copy. Front board lightly soiled. Missing acetate DJ. *** "Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge's thoughts on art, art-making, and the studio. Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of 'drawing lessons.' Incorporating elements of graphic design and ranging freely from discussions of Plato's cave to the Enlightenment's role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms-and deceptions-through which we construct meaning in the world." - Publisher. Size: 8vo.…

Condizione: New.

Condizione: New.

Hardcover. Condizione: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardcover. Condizione: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardcover. Condizione: Used.

Paperback. Condizione: New. For more than three decades, artist William Kentridge has explored in his work the nature of subjectivity, the possibilities of revolution, the Enlightenment's legacy in Africa, and the nature of time itself. At the same time, his creative work has stretched the boundaries of the very media he employs. Though his pieces have allowed viewers to encounter the traditions of landscape and self-portraiture, the limits of representation and the possibilities for animated drawing, and the labor of art, a guide to understanding the full scope of his art has been available until now. For five days, Kentridge sat with Rosalind C. Morris to talk about his work. The result That Which Is Not Drawn;is a wide-ranging conversation and deep investigation into the artist's techniques and into the psychic and philosophical underpinnings of his body of work. In these pages, Kentridge explains the key concerns of his art, including the virtues of bastardy, the ethics of provisionality, the nature of translation and the activity of the viewer.And together, Kentridge and Morris trace the migration of images across his works and consider the possibilities for a revolutionary art that remains committed to its own transformation. "That's the thing about a conversation," Kentridge reflects. "The activity and the performance, whether it's the performance of drawing or the performance of speech and conversation, is also the engine for new thoughts to happen. It's not just a report of something you know." And here, in this engaging dialogue, we at last have a guide to the continually exciting, continually changing work of one of our greatest living artists.…

Hardcover. Condizione: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardback. Condizione: New. Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. The White Horse (1819) by John Constable (17761837) is the first of the series of the "six-footers," monumental landscapes of the English countryside that would become the artist's most famous works. Constable described the scene as "a placid representation of a serene, grey morning, summer." Years later, he said, "there are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest - this is mine". An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. AUTHORS: William Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions. Aimee Ng is a curator at The Frick Collection, New York, and is a specialist in Italian Renaissance art. 38 colour illustrations.…

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. The White Horse (1819) by John Constable (17761837) is the first of the series of the "six-footers," monumental landscapes of the English countryside that would become the artist's most famous works. Constable described the scene as "a placid representation of a serene, grey morning, summer." Years later, he said, "there are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest - this is mine". An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. AUTHORS: William Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions. Aimee Ng is a curator at The Frick Collection, New York, and is a specialist in Italian Renaissance art. 38 colour illustrations An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…