Ruscha ed (884 risultati)

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Anne. Appleby; Bryan Hunt; Jane Freilicher; Slyvia P. Mangold; Ed Ruscha; April Gornik; Anne Appleby (illustratore). …

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Anne. Appleby; Bryan Hunt; Jane Freilicher; Slyvia P. Mangold; Ed Ruscha; April Gornik; Anne Appleby (illustratore). …

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Anne. Appleby; Bryan Hunt; Jane Freilicher; Slyvia P. Mangold; Ed Ruscha; April Gornik; Anne Appleby (illustratore).…

Hardback. Condizione: Fair. Assembled in the form of a thick block, this book reproduces approximately 600 word drawings, paintings and works on paper by the Los Angeles-based American artist Edward Ruscha (b. 1937). The result is a sort of novel without an obvious plot, a series of words with no narrative. monochromatic, abstract background in the late 1950s and has continued to explore the language-based imagery that has become a hallmark of his work. Pulling elements from the visual language of advertising and commercial art, he has made hundreds of word prints, drawings, and paintings that exhibit an interplay between bold letters and shaded backgrounds. Some of the works consist of only one word - great, mud, trust; others of short combinations or phrases - Indeed I do, She sure knew her devotionals and They called her Styrene.…

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Anne. Appleby; Bryan Hunt; Jane Freilicher; Slyvia P. Mangold; Ed Ruscha; April Gornik; Anne Appleby (illustratore).

Hardback. Condizione: Fair. Assembled in the form of a thick block, this book reproduces approximately 600 word drawings, paintings and works on paper by the Los Angeles-based American artist Edward Ruscha (b. 1937). The result is a sort of novel without an obvious plot, a series of words with no narrative. monochromatic, abstract background in the late 1950s and has continued to explore the language-based imagery that has become a hallmark of his work. Pulling elements from the visual language of advertising and commercial art, he has made hundreds of word prints, drawings, and paintings that exhibit an interplay between bold letters and shaded backgrounds. Some of the works consist of only one word - great, mud, trust; others of short combinations or phrases - Indeed I do, She sure knew her devotionals and They called her Styrene.…

hardcover. Condizione: Very Good. clean, sturdy, and unmarked -rw. Anne. Appleby; Bryan Hunt; Jane Freilicher; Slyvia P. Mangold; Ed Ruscha; April Gornik; Anne Appleby (illustratore).

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Very Good green cloth boards with white lettering along spine. Binding and hinges tight and square; Contents clean and unmarked. VG dust jacket not price clipped; light rubbing along edges. 105 pp. Anne. Appleby; Bryan Hunt; Jane Freilicher; Slyvia P. Mangold; Ed Ruscha; April Gornik; Anne Appleby (illustratore).…

hardcover. Condizione: Fair.

Paperback. Condizione: Very Good. Paperback, clean pages, nice shape overall.

Condizione: good. Good: The book has been read but is in good condition. It has very minimal damage to the cover, including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. The binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, and no writing in the margins. There are no missing pages. See the seller's listing for full details and a description of any imperfections.…

Hardcover. Condizione: As New. Ships Out Tomorrow.

Hardcover. Condizione: Very Good. Ships Out Tomorrow.

First Edition. First edition. Softcover. Text by Mary Richards including an interview with Ruscha. An examination of Ruscha's art and photography as well as a look at some of his books. Includes numerous color and black and white illustrations. A fine copy in wrappers.

Hardcover. Condizione: Very Good-. No Dust Jacket. First Edition. 8vo - over 7?" - 9?" In colored boards, 8vo(oblong), unpag. Illustrated profusley. (bump to rear lower tip with clear tape repair). Color and B&W Illustration (illustratore).

hardcover. Condizione: Very Good. Used - Very Good.

Condizione: New.

Hardcover. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: As New. Unread book in perfect condition.

No Binding. Condizione: Good. Postcard in Good condition, unmailed, with a little writing on reverse. Cards are sent in stiff mailers. Photo.

hardcover. Condizione: Very Good. 2000 Hirshorn Museum Wash DC. Pages are all clean and bright no marks. Blue hardcover is clean and strong. Dust jacket is missing.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

No Binding. Condizione: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Photo.

Condizione: New.

Condizione: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. Cloth, xix, 312 pages, illustrations (some colour); 25 cm. Edited by Deborah Treisman, from interviews with Anne Doran. Tight, clean copy. Dust jacket protected in a mylar cover. *** "An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol's Campbell's Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman's edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art--before it was even known as Pop Art. In 1967, when Hopps became the director of Washington's Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as 'the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation).' He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book, a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century." - Publisher. Size: 8vo. Collectible.…