Ketner joseph d ii (76 risultati)

1991. North America, art, history. Amon Carter Museum, 251 p., very good cloth and dust jacket.

hardcover. Condizione: As New. Used, hardcover like new with original dust jacket. Sharp, square, clean & serviceable copy. No highlighting, marginalia or tears.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Red cloth boards in mylar protected dust jacket. Illustrations, appendix, bibliography and index. 252 pages. Heavy book extra shipping charge may apply. FINE in FINE dust jacket.

Condizione: New.

Hardcover w/DJ. Condizione: Very Good/Good. Fort Worth, TX/New York, NY: Amon Carter Museum/Harry N. Abrams. Very Good/Good. (1991). . Hardcover w/DJ. Oblong Sm 4to., 252 pp., DJ sun faded . Black & White/Color Illus. & Photos (illustratore).

Hardcover. First edition. 252pp. Quarto [27 cm] Rust colored cloth over boards with a gilt stamped title on the spine. Very good. The top fore edge corner of the front cover is bumped. In a very good dust jacket, with heavy discoloration to the jacket's spine, and the surrounding area on the rear panel. Includes many sketches and drawings never before published.…

Condizione: As New. Unread book in perfect condition.

Softcover exhibition catalog, 96 pages, as new condition; clean and crisp; tight binding; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Over-sized hardbound (quarto). First edition: the printing numerals are a full line beginning with 1. AS NEW. No wear to the binding. No slope, no twist from reading or improper shelving. No bumped corners. No broken hinges. Pages are tight and clean with no marks. No name of previous owner. No musty odor. No tobacco odor. No water damage. No soiling. The as new dust jacket shows no wear, no sun fading. Bright, crisp copy.…

Soft cover. Condizione: Fine. 1st Edition. 96 Pp/ Exhibition Catalog, Well-Illustrated. Fine. Color And B/W Plates (illustratore).

Softbound. Condizione: VG+. Color illustrated wraps. 96 pp., 71 color and b&w illustrations. Over the first three decades of his career, Bruce Nauman used the medium of light to explore the twists and turns of perception, logic, and meaning. This catalogue, which accompanies a travelling exhibition, focuses on his work that uses neon and fluorescent light in signs and room installations, and it includes images of nearly all Nauman's work with light. …

Cloth. Condizione: Fine Condition. Fine Condition. Red cloth covered hardcover binding with gold stamping on the spine and paper dustjacket now encased in Mylar. Both binding and dustjacket are in crisp, tight, unmarked condition. 251 page monograph on the little known Western artist is loaded with predominantly black and white, but some color reproductions of his paintings and numerous reproductions of his drawings and sketchbooks. Heavily annotated and indexed essays place his work in context, especially his civic murals. Book.…

First edition. 4to. 95 pp w/select bibliography. Very good plus in illustrated wrappers.

Hardcover. Condizione: Good. Original pictorial boards, dust jacket, numerous (full page) illustrations (including photographs) mostly in colour, small 4to.

Hardcover. Condizione: Book fine, Dust jacket fine. 1st. With 241 illustrations, including 24 plates in full color.

hardcover. Condizione: Fine copy in fine dust jacket. 1st. 4to, 223 pp., With essays by Keith Hartley and Gregory Volk and contributions by Bruno Bischofberger, Keith Haring and Julian Schnabel. Profusely illustrated (illustratore).

Condizione: New.

Hardcover. Size: 11.5"x10.75" oblong, 252 pp., profusely illustrated in colour. As new, clean, tight & bright condition, with bright and crisp dust jacket / still shrinkwrapped.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. 1st Edition. First edition, hardcover, few light marks to bottom of text-block, previous owner's gift inscription to front endpaper, otherwise a tight, Very Good + copy in a like dustjacket that has minor shelf wear.

Condizione: As New. Unread book in perfect condition.

Softcover. Blue and color illus. wraps, French flaps; 223 pp.; many color illus. Issued in conjunction with a 2009-2011 series of exhibitions that featured works produced by American pop artist Andy Warhol (1928-1987) during the last decade of his life. With six thematic and illustrated essays by Keith Haring, Julian Schnabel, and others. The main illustrated catalogue presents 80 specific pieces. Includes selected bibliography. VG (Ex-lib., like new but for pocket inside back cover, and pencil writing at half title page).…

Hardcover. Condizione: Very good. Hardcover. 63pp. Lightly rubbed and edgeworn, else very good.

hardcover. Condizione: Fine copy in fine dust jacket. 1st. 4to, 252 pp. Well-illustrated (illustratore).

Condizione: Very Good.

Paperback. Condizione: New.

Condizione: as new. Milwaukee Art Museum/MIT Press. 2006. Paperback. 96pp. Ill. Condition: very good, clean and unread copy. - 96-page catalogue for an exhibition held January 28-April 9, 2006, in Milwaukee; Veröffentlichung zur gleichnamigen Ausstellung vom 28. Januar bis zum 9. April 2006 im Milwaukee Art Museum. Mit Essays von Joseph D. Ketner II, Janet Kraynak und Gregory Volk Images of nearly all Bruce Nauman's signs and room installation using neon and fluorescent light, from Window or Wall Sign (1967) to the monumental One Hundred Live and Die (1984), accompanied by interpretive essays. Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, Window or Wall Sign, in 1967. He wanted, he said, to achieve ''an art that would kind of disappearthat was supposed to not quite look like art.'' Light offered Nauman a medium both elusive and effervescent, but one that could also aggressively convey a message. Over the first three decades of his career, Nauman used the medium of light to explore the twists and turns of perception, logic, and meaning with the earnest playfulness that characterizes all his art. Elusive Signs focuses on the discrete body of Nauman's work that uses neon and fluorescent light in signs and room installations, and includes images of nearly all Nauman's work with light. After Window or Wall Sign, Nauman embarked on a series of neons that grappled with the semiotics of body and identity, and with My Name as Though it Were Written on the Surface of the Moon (1968), he forces the viewer to contemplate the role of naming in forming identity. Language - signs and symbols - plays an important role in Nauman's art. His later neon works emphasize the neon as a sign, presenting provocative twists of language and offering harsh and humorous sociopolitical commentary in such pieces as Run from Fear, Fun from Rear (1972). This series culminates in the monumental, billboard-size One Hundred Live and Die (1984), which employs overwhelming scale to bombard the viewer with sardonic aphorisms. In incisive essays that accompany the images of Nauman's work, Joseph Ketner II of the Milwaukee Art Museum (which originated the exhibit this book accompanies) and critics Janet Kraynak and Gregory Volk analyze the works in light both as a body of work and as an access point to Nauman's entire career. Condition : as new copy. ISBN 9780944110836. Keywords : ART.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. book is in fine condition with a near fine dust jacket. Colour illustrations throughout.

Original publisher's red-brown cloth hardback, gilt lettering spine, pictorial dustjacket, oblong shaped large 4to: 252pp., 24 coloured page-large plates, over 200 bl.& wh text-illustrations, chapternotes & references, checklist artwork Wimar, index, colophon.