paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
paperback. Condizione: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .
Da: Kevin T. Ransom- Bookseller, Amherst, NY, U.S.A.
Prima edizione
Soft cover. Condizione: As New. First Edition. Oblong 4to. Glossy, stiff pictorial wrappers. 131pp. Profusely illustrated in color. As new.
Condizione: New. Shrink wrapped! A brand new, unused and unread copy in perfect condition.
Lingua: Inglese
Editore: Univ of Washington Pr, Seattle, Washington, U.S.A., 1998
ISBN 10: 0935037896 ISBN 13: 9780935037890
Da: Juniper Point Books, Round Lake, NY, U.S.A.
Stiff Wraps. Condizione: Near Fine. 131pgs, ill, beautiful copy.
Paperback. Condizione: Very Good. Very nice and clean. Text free of highlighting and writing. Tightly bound. The artists who came and formed the tight-knit northern New Mexican artistic community that flourished between the wars and later were as diverse as the styles they developed and brought with them. Not all, of course, were painting in the modern idiom, but it is undeniable that many of the most talented and interesting of these painters were. These diffuse elements fuse with a strong regional feeling in the art of the New Mexico modernists. The roots of this tradition lay in a centuries-old tradition of Western art, culture and myth. What is fascinating to today's viewer is to note how they worked to tap into the spirit and feeling of a land which was home to human culture for centuries before the white man arrived. What is truly fascinating is to see how well they succeeded in melding this ancient place with their own modern times. This catalogue explores the styles of 12 of the most important and influential artists including Andrew Dasburg, Frank Applegate, Emil Bisttram and Cady Wells. 146 pages.
EUR 13,71
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Aggiungi al carrelloCondizione: New.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
paperback. Condizione: Good. Good condition paperback. Pages are clean and unmarked. Minor edgewear and very slight corner bumping. Tulsa's largest used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.
Lingua: Inglese
Editore: Gerald Peters Gallery, U.S.A., 2011
ISBN 10: 0935037896 ISBN 13: 9780935037890
Da: Adagio Books, Longmont, CO, U.S.A.
Soft cover. Condizione: Good. In good, clean, unmarked condition with scuffs on the cover. Spine uncreased. Text crisp. Size: 12 x 9 1/2.
Lingua: Inglese
Editore: University of Nebraska Press, 2011
ISBN 10: 0935037896 ISBN 13: 9780935037890
Da: INDOO, Avenel, NJ, U.S.A.
EUR 17,09
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Aggiungi al carrelloCondizione: New. Brand New.
EUR 15,46
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of Washington Press, Seattle, 1998
ISBN 10: 0935037896 ISBN 13: 9780935037890
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. The artists who came and formed the tight-knit northern New Mexican artistic community that flourished between the wars and later were as diverse as the styles they developed and brought with them. Not all, of course, were painting in the modern idiom, but it is undeniable that many of the most talented and interesting of these painters were. These diffuse elements fuse with a strong regional feeling in the art of the New Mexico modernists. The roots of this tradition lay in a centuries-old tradition of Western art, culture and myth. What is fascinating to today's viewer is to note how they worked to tap into the spirit and feeling of a land which was home to human culture for centuries before the white man arrived. What is truly fascinating is to see how well they succeeded in melding this ancient place with their own modern times. This catalogue explores the styles of 12 of the most important and influential artists including Andrew Dasburg, Frank Applegate, Emil Bisttram and Cady Wells. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Gerald Peters Gallery, Santa Fe, NM, 1995
ISBN 10: 0935037985 ISBN 13: 9780935037982
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Paperback. Condizione: Near Fine. 1st. ix, 197 pages, colour illustrations, facsimiles; 23 x 29 cm. Catalogue of an exhibition held at the Gerald Peters Gallery, August 18 to September 30, 1995. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. Richly illustrated with colour plates. Size: Oblong. Collectible.
EUR 26,16
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Aggiungi al carrelloCondizione: New.
EUR 31,99
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Aggiungi al carrelloCondizione: New.
EUR 28,65
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. illustrated edition. 131 pages. 9.75x12.25x0.75 inches. In Stock.
Da: A Small Bookshop, ELMHURST, VIC, Australia
Prima edizione
EUR 28,51
Quantità: 1 disponibili
Aggiungi al carrelloPictorial Card Cover. Condizione: Near Fine. First Paperback Edition. B&W photographs and colour plates throughout. Oblong. 24 cm x 30 cm. 131 p.
EUR 24,53
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Lingua: Inglese
Editore: Gerald Peters Gallery Dez 2011, 2011
ISBN 10: 0935037896 ISBN 13: 9780935037890
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 30,61
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Frederick Remington's early paintings of the West were more literal depictions than his romanticized later ones. The boldness Remington had lost in his work by eliminating hard outlines began to reinstate itself in his later works with vigorous brushwork. In his later years, he preferred to paint nocturnes because it allowed him greater freedom and depth of perspective. This commemorative catalogue focuses on Remington's nocturnes and bronzes, a body of work that provides a clear view of the artist's mature vision. In the years between 1905 and his death in 1909, the new direction of Remington's art finally earned him the critical recognition he had been seeking.