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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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Condizione: New.
Paperback. Condizione: new. Paperback. In Counter-Texts, Kim Dhillon provides a much-needed critical reassessment of written language in contemporary art. Considering the politics, aesthetics and ethics of language, Dhillon explores artworks that use inscribed language, with a particular focus on works that challenge dominant narratives or which reveal, in visual form, the varied systems of oppression contained within words. Featuring many artists from diverse backgrounds, ranging from artists such as Serena Lee, Abbas Akhavan and Joi T. Arcand to Glenn Ligon, Brian Jungen and Susan Hiller, Dhillon rewrites the understanding of text in contemporary visual art. Counter-Texts explores how and why visual artists use written language, and interrogates the power held in words. A much-needed critical re-assessment of language in contemporary art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: New. In Counter-Texts, Kim Dhillon provides a much-needed critical reassessment of written language in contemporary art. Considering the politics, aesthetics and ethics of language, Dhillon explores artworks that use inscribed language, with a particular focus on works that challenge dominant narratives or which reveal, in visual form, the varied systems of oppression contained within words. Featuring many artists from diverse backgrounds, ranging from artists such as Serena Lee, Abbas Akhavan and Joi T. Arcand to Glenn Ligon, Brian Jungen and Susan Hiller, Dhillon rewrites the understanding of text in contemporary visual art. Counter-Texts explores how and why visual artists use written language, and interrogates the power held in words.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 215 pages. 8.00x6.00x0.50 inches. In Stock.
Paperback. Condizione: New. In Counter-Texts, Kim Dhillon provides a much-needed critical reassessment of written language in contemporary art. Considering the politics, aesthetics and ethics of language, Dhillon explores artworks that use inscribed language, with a particular focus on works that challenge dominant narratives or which reveal, in visual form, the varied systems of oppression contained within words. Featuring many artists from diverse backgrounds, ranging from artists such as Serena Lee, Abbas Akhavan and Joi T. Arcand to Glenn Ligon, Brian Jungen and Susan Hiller, Dhillon rewrites the understanding of text in contemporary visual art. Counter-Texts explores how and why visual artists use written language, and interrogates the power held in words.
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Condizione: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In Counter-Texts, Kim Dhillon provides a much-needed critical reassessment of written language in contemporary art. Considering the politics, aesthetics and ethics of language, Dhillon explores artworks that use inscribed language, with a particular focus on works that challenge dominant narratives or which reveal, in visual form, the varied systems of oppression contained within words. Featuring many artists from diverse backgrounds, ranging from artists such as Serena Lee, Abbas Akhavan and Joi T. Arcand to Glenn Ligon, Brian Jungen and Susan Hiller, Dhillon rewrites the understanding of text in contemporary visual art. Counter-Texts explores how and why visual artists use written language, and interrogates the power held in words. A much-needed critical re-assessment of language in contemporary art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In Counter-Texts, Kim Dhillon provides a much-needed critical reassessment of written language in contemporary art. Considering the politics, aesthetics and ethics of language, Dhillon explores artworks that use inscribed language, with a particular focus on works that challenge dominant narratives or which reveal, in visual form, the varied systems of oppression contained within words. Featuring many artists from diverse backgrounds, ranging from artists such as Serena Lee, Abbas Akhavan and Joi T. Arcand to Glenn Ligon, Brian Jungen and Susan Hiller, Dhillon rewrites the understanding of text in contemporary visual art. Counter-Texts explores how and why visual artists use written language, and interrogates the power held in words. A much-needed critical re-assessment of language in contemporary art. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Paperback. Condizione: New. In Counter-Texts, Kim Dhillon provides a much-needed critical reassessment of written language in contemporary art. Considering the politics, aesthetics and ethics of language, Dhillon explores artworks that use inscribed language, with a particular focus on works that challenge dominant narratives or which reveal, in visual form, the varied systems of oppression contained within words. Featuring many artists from diverse backgrounds, ranging from artists such as Serena Lee, Abbas Akhavan and Joi T. Arcand to Glenn Ligon, Brian Jungen and Susan Hiller, Dhillon rewrites the understanding of text in contemporary visual art. Counter-Texts explores how and why visual artists use written language, and interrogates the power held in words.
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Aggiungi al carrelloCondizione: New. A much-needed critical re-assessment of language in contemporary art.Über den AutorKim Dhillon is an essayist, poet, and art theorist, and teaches critical theory and curating at the University of Victoria, British Columb.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - A timely look at visual artists who use language to challenge dominant narratives in contemporary art, with deep resonance in the politics of sex and race.
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Aggiungi al carrelloPaperback. Condizione: New. In Counter-Texts, Kim Dhillon provides a much-needed critical reassessment of written language in contemporary art. Considering the politics, aesthetics and ethics of language, Dhillon explores artworks that use inscribed language, with a particular focus on works that challenge dominant narratives or which reveal, in visual form, the varied systems of oppression contained within words. Featuring many artists from diverse backgrounds, ranging from artists such as Serena Lee, Abbas Akhavan and Joi T. Arcand to Glenn Ligon, Brian Jungen and Susan Hiller, Dhillon rewrites the understanding of text in contemporary visual art. Counter-Texts explores how and why visual artists use written language, and interrogates the power held in words.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Counter-Texts | Language in Contemporary Art | Kim Dhillon | Taschenbuch | Art since the 80s | Einband - flex.(Paperback) | Englisch | 2022 | Reaktion Books | EAN 9781789145564 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.