Kimberli meyer (25 risultati)

Hardcover. Condizione: Used. Cover image/edition NOT as pictured.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condizione: NEW. Supplement.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover without dustjacket as issued, unpaginated; in English and Arabic; as new condition; clean and crisp; no internal marks. (Colorful spine with no text) Foreign shipping may be extra.

Softcover. Condizione: Near fine. Softcover. Large octavo. 163pp. Illustrated. Contributors from around the world including planners, artists, architects, designers, activists and myriad other cultural practitioners respond to the current and impending challenges facing the urban environment. Light scuff to black wrappers.…

Soft cover. Condizione: As New. First Edition. A crisp As New copy inscribed by author Susan Morgan on the title page. 143 pp. + "The Demise of the Dodge House" insert. Related ephemera laid in. Inscribed by the Author.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: new. Hardcover. With text in both English and Spanish Drawing upon the reach of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America. Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney's engagement within Latin America, that extends from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright The Day of the Dead. The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including "Disney, Marx and Labor" and "he Politics of Appropriations". How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. 180 Illustrations Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America, extending from Donald Duck's first featured role, to the 2013 attempt to copyright the Day of the Dead. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Broschur / Softcover. 1. Aufl. Authors: Kimberli Meyer und Susan M. Morgan - // Komplett mit Beiheft // Book in ENGLISH ! - // Esther McCoy wurde in Arkansas geboren und wuchs in Kansas auf. Während der 1920er-Jahre kam sie nach Greenwich Village, wo sie eine Art Anstellung (bzw. Ausbildung absolvierte) als »Schreiberin«[writer] bei dem US-Schriftsteller Theodore Dreiser bekam. 1932 zog sie nach Los Angeles und schrieb für Literaturmagazine und fortschrittliche, moderne Zeitungen. Nach einer Anstellung in der Konstruktionsabteilung der US-Company Douglas Aircraft wurde sie Zeichnerin im Büro des berühmten Architekten R. M. Schindler. Ab 1945 widmete sich McCoy in ihren Schriften in erster Linie der Architektur. In den kommenden 40 Jahren befasste Sie sich mit dem »vibrant character of West Coast modernism«. Ihre Schriften erschienen regelmäßig in der Los Angeles Times, in Arts & Architecture, in Zodiac, und Architectural Forum. 1960 gab McCoy ihr bahnbrechendes Buch »Five California Architects« heraus, das bis heute zu den wegweisenden Büchern über die kalifornische Architektur zählt . (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 1100.…

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Softcover. Condizione: Gut. [1., neue Ausg.]. 143 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. N06283 9783869842653 Sprache: Englisch Gewicht in Gramm: 1050.

Stiff Card Wrappers. Condizione: As New. First Edition. First Printing. A Very Fine copy in folding brown card wrappers, with pamphlet tucked into special pocket of rear cover. 144pp. Illustrated. A celebration and memorial for the famous Los Angeles architectural historian and preservationist. Q10568. …

Hardcover. Condizione: Brand New. 01 edition. 159 pages. 10.00x8.00x0.50 inches. In Stock.

Paperback. Condizione: Brand New. 304 pages. 12.25x9.00x1.00 inches. In Stock.

Hardcover. Condizione: new. Hardcover. With text in both English and Spanish Drawing upon the reach of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America. Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney's engagement within Latin America, that extends from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright The Day of the Dead. The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including "Disney, Marx and Labor" and "he Politics of Appropriations". How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Ruben Ortiz-Torres, amongst others. 180 Illustrations Investigating the reception and reuse of the imagery of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of Walt Disney in Latin America, extending from Donald Duck's first featured role, to the 2013 attempt to copyright the Day of the Dead. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: Very Good. Very Good Minus; Hardcover; Light overall wear to the covers wtih one minor impression-mark to the front cover; Unblemished textblock edges; The endpapers and text pages are all clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 4.2 lbs; Yellow and orange covers with title in white lettering; 2014, Moderne Kunst Nürnberg; 344 pages; "Everything Loose Will Land: 1970s Art and Architecture in Los Angeles," by Alex Kitnick, et al.…

Paperback. Condizione: New. Reyner Banham once said of the great architecture historian Esther McCoy (1904-1989) that "no-one can write about architecture in California without acknowledging her as the mother of us all." Esther McCoy first moved to Los Angeles in 1932, commencing what would be a lifelong infatuation with the city's architecture and a vocation as the pre-eminent historian of west coast modernist architecture. Initially employed as a draftswoman in the studio of R.M. Schindler, McCoy became intimately involved in the preservationist politics of Los Angeles, contributing significant coverage of controversial slum clearances and spending nearly a decade campaigning to save Dodge House in West Hollywood from demolition. By 1960, McCoy had published Five California Architects, her seminal study of the work of Irving Gill, Charles and Henry Greene, Bernard Maybeck and Rudolf Schindler. Through this pioneering volume and subsequent books, essays and lectures, McCoy established the terms by which we understand the history of California modernism today. Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design is the first major catalogue to survey this distinguished figure's life and work. Highlighting the extraordinary range and significance of her presence in the field, this volume affirms McCoy's place as a key figure in American architectural history.…

Paperback. Condizione: New. Urban Future Manifestos invites contributors from around the world to respond to the current and impending challenges facing the urban environment. Calling on planners, artists, architects, designers, activists and myriad other cultural practitioners, this publication offers a set of interdisciplinary statements that respond to urgent issues of growth and migration, economic and political theory, and gender dynamics and ecology, as they relate to contemporary cities across the globe. Contributors present their varying practices and intellectual approaches to the problems that are affecting them most. The project is inspired by the MAK Urban Future Initiative Fellowship (UFI), which was launched by the MAK Center for Art and Architecture at the Schindler House in Los Angeles in 2008. Echoing UFI's mission, this publication aims to promote meaningful exchange between creative thinkers from diverse nations in order to cultivate visionary conceptions of the urban future.…

Hardcover. Condizione: New. In an urban zone crisscrossed by multilane freeways and gridded with broad boulevards, the roadside billboards of Los Angeles may well be the city's most visible platform for art. How Many Billboards? documents a 2010 project in which billboards in Los Angeles were turned over to 23 artists to do with as they wished, asserting the ongoing legacy of California Conceptualism and its combination of language-based strategies with Pop-inflected aesthetics. "Astonish!" declares Kenneth Anger's billboard, in commanding upper-case orange lettering, recapitulating Diaghilev's famous advice to Cocteau. "I Look Good, I Know," says Yvonne Rainer's billboard; "I Can't Hear, I Can't See, But I Look Good." Martha Rosler's collaboration with Josh Neufeld makes a plea for spending on higher education in California, and Renee Green's image of a darkened shore with silhouetted figures gathered near a tourist ferry is accompanied by the two-line commentary "Strangers begin again/Native strangers hosting." Other artists participating in this occasion are Michael Asher, Jennifer Bornstein, Eileen Cowin, Christina Fernandez, Ken Gonzales Day, Kira Lynn Harris, Larry Johnson, John Knight, David Lamelas, Brandon Lattu, Daniel Joseph Martinez, Kori Newkirk, Allen Ruppersberg, Allan Sekula, Susan Silton, Kerry Tribe, Jim Welling and Lauren Woods. Essays by Kimberli Meyer, Gloria Sutton and Nizan Shaked, who co-curated the project, contextualize the works in relation to Conceptual and Pop art idioms, provide background material on the artists and outline the MAK Center's plans to enliven public space.…

Hardcover. Condizione: New. Los Angeles-based new media artist Jennifer Steinkamp's installation, "Dervish," anchored the United States presentation at the 11th International Cairo Biennale in 2008. Steinkamp is known for virtually transforming architectural space through her immersive video works, in a manner that tests viewers' sense of perception, combining political and cultural elements with state-of-the-art technologies to create a sophisticated illusionism. This volume is designed to read from right to left, in accordance with Arabic conventions. It features the photographic series, Dervish Cairo, published here for the first time, as well as a newly-commissioned essay by art historian Nizan Shaked and U. S. commissioner Kimberli Meyer laying out a new theoretical basis for the artist's multifaceted practice. …

Paperback. Condizione: New. 0.39 x 12.36 x 9.45 Inches.