Kimberly chung (65 risultati)

Hardcover. Condizione: Very Good. very good condition. some light penciling in text.

Hardcover. Condizione: Fine. 1st Edition. A fine copy, clean and bright. 359pp.

Condizione: Like New. Great shape- like new! Has a publisher remainder mark. hardcover Used - Like New 2020.

hardcover. Condizione: Very Good.

Condizione: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New. Brand new. Excellent customer service.

1. Aufl. Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world. (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 3100 ill. OLeinen / Hardcover (cloth).…

Condizione: New. 2020. 01st Edition. Hardcover. . . . . .

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1800grams, ISBN:9780714878331. …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Starving ghosts, anguished farmers, and grieving mothers. Floating heads, gaunt bodies, and masses of bodily fluids. Such are the visceral sensations, exaggerated affects, and suffering subjects that characterized leftist Korean cultural production in the 1920s and 1930s. In popular fiction, print cartoons, reportage, and other emergent forms of mass culture, scenes detailing the spectacular bodily harms endured by figures like migrant workers, tenant farmers, and everyday families proliferated. Yet at the time such representations were criticized as excessively grotesque and insufficiently political by leftist intellectuals, and they have subsequently been overlooked by scholars in favor of socialist realism and its dynamic proletarian heroes. The Sensational Proletarian, by contrast, focuses on these textual and visual representations to tell the story of how new affects and everyday experiences introduced by imperial capitalism and colonial modernity were mediated through the lower-class body. Kimberly Chung traces the emergence of "the sensational proletarian" as a central figure of colonial Korean print culture and reads its varied manifestations as emblematic of Korean efforts not only to grapple with modernity, imperialism, and capitalism, but to do so using the new political ideology and imaginary of Marxism. This book brings to light the centrality of sensational cultures in the development of class politics in Korea, an integral relationship that continues throughout modern and contemporary Korean cultural history. …

Condizione: New.

hardcover. Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Starving ghosts, anguished farmers, and grieving mothers. Floating heads, gaunt bodies, and masses of bodily fluids. Such are the visceral sensations, exaggerated affects, and suffering subjects that characterized leftist Korean cultural production in the 1920s and 1930s. In popular fiction, print cartoons, reportage, and other emergent forms of mass culture, scenes detailing the spectacular bodily harms endured by figures like migrant workers, tenant farmers, and everyday families proliferated. Yet at the time such representations were criticized as excessively grotesque and insufficiently political by leftist intellectuals, and they have subsequently been overlooked by scholars in favor of socialist realism and its dynamic proletarian heroes. The Sensational Proletarian, by contrast, focuses on these textual and visual representations to tell the story of how new affects and everyday experiences introduced by imperial capitalism and colonial modernity were mediated through the lower-class body. Kimberly Chung traces the emergence of "the sensational proletarian" as a central figure of colonial Korean print culture and reads its varied manifestations as emblematic of Korean efforts not only to grapple with modernity, imperialism, and capitalism, but to do so using the new political ideology and imaginary of Marxism. This book brings to light the centrality of sensational cultures in the development of class politics in Korea, an integral relationship that continues throughout modern and contemporary Korean cultural history. Kimberly Chung traces the emergence of ""the sensational proletarian"" as a central figure of colonial Korean print culture and reads its varied manifestations as emblematic of Korean efforts not only to grapple with modernity, imperialism, and capitalism, but to do so using the new political ideology and imaginary of Marxism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2020. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Condizione: New.

Condizione: New.

Condizione: new.

Condizione: New.

hardcover. Condizione: New.

Hardcover. Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: new.

Hardback. Condizione: New. The first comprehensive survey to explore the rich and complex history of contemporary Korean art Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.…

Hardcover. Condizione: new. Hardcover. COLLISION, INNOVATION, AND INTERACTION: KOREAN ART FROM 1953 is the first book to survey the diverse developments of Korean art from 1953 to the present. Starting from the signing of the Korean armistice agreement, a tumultuous political climate beset the country, forever changing the pursuit of art for generations to come. This book will discuss the art movements and collectives that flourished and evolved through the past seven decades, covering the most important chapters in Korean contemporary art, from the avant-garde movements of the 1950s through the boom of the 1990s with the birth of the Gwangju Biennial, as well as the challenging relationship with the North Korean art scene. The first comprehensive survey to explore the rich and complex history of contemporary Korean art Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…