Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Lingua: Inglese
Editore: Manchester University Press, GB, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Aggiungi al carrelloPaperback. Condizione: New. The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.
Lingua: Inglese
Editore: Manchester University Press, GB, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.
Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Aggiungi al carrelloPaperback. Condizione: Brand New. 336 pages. 9.21x6.14x0.70 inches. In Stock.
Lingua: Inglese
Editore: Cambridge Scholars Publishing, 2012
ISBN 10: 1443841862 ISBN 13: 9781443841863
Da: Basi6 International, Irving, TX, U.S.A.
Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Lingua: Inglese
Editore: Manchester University Press 2022-12-13, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Aggiungi al carrelloPaperback. Condizione: New.
Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Aggiungi al carrelloPaperback. Condizione: Brand New. 336 pages. 9.21x6.14x0.70 inches. In Stock.
Lingua: Inglese
Editore: Manchester University Press, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
Da: Fables Books, Goshen, IN, U.S.A.
Condizione: like_new. Appears unused. Individually inspected by Shadow. Thanks for supporting an independent bookseller!
Lingua: Inglese
Editore: Manchester University Press, GB, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.
Lingua: Inglese
Editore: Manchester University Press, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
Da: moluna, Greven, Germania
EUR 30,35
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Lingua: Inglese
Editore: Manchester University Press, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
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Lingua: Inglese
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ISBN 10: 1526142090 ISBN 13: 9781526142092
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Lingua: Inglese
Editore: Manchester University Press, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Manchester University Press, GB, 2022
ISBN 10: 1526167131 ISBN 13: 9781526167132
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Aggiungi al carrelloPaperback. Condizione: New. The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.
Lingua: Inglese
Editore: Manchester University Press, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 89,55
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Lingua: Inglese
Editore: Manchester University Press, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
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Lingua: Inglese
Editore: Manchester University Press, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Manchester University Press, GB, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
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Aggiungi al carrelloHardback. Condizione: New. The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.
Lingua: Inglese
Editore: Manchester University Press, GB, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 139,11
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Aggiungi al carrelloHardback. Condizione: New. The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.
Lingua: Inglese
Editore: Manchester University Press, GB, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
EUR 141,20
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Aggiungi al carrelloHardback. Condizione: New. The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.
Lingua: Inglese
Editore: Manchester University Press, GB, 2020
ISBN 10: 1526142090 ISBN 13: 9781526142092
Da: Rarewaves.com UK, London, Regno Unito
EUR 115,09
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Aggiungi al carrelloHardback. Condizione: New. The book presents a systematic method of interpreting Shakespeare film adaptations based on their cinematic genres. Its approach is both scholarly and reader-friendly, and its subject is fundamentally interdisciplinary, combining the findings of Shakespeare scholarship with film and media studies, particularly genre theory. The book is organised into six large chapters, discussing films that form broad generic groups. Part I looks at three genres from the classical Hollywood era (western, melodrama and gangster-noir), while Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). Beside a few better-known examples of mainstream cinema, the volume also highlights the Shakespearean elements in several nearly forgotten films, bringing them back to critical attention.