Kinkeldey otto (68 risultati)

Condizione: Very Good. Reprint. 5 1/2 x 8 1/2 inches. xi, 152 pages. This was editor David G. Hughes' copy and he has signed his name on ffep. Condition of the book is Very Good, exterior excellent, previous owner's name on ffep, text is very clean, binding is tight.

Wraps. Condizione: Good. First Edition. Ticks to head and heel of spine.

Condizione: New.

Condizione: Very Good. Condizione sovraccoperta: good. First printing. 5 1/2 x 8 1/2 inches. xi, 152 pages. Signed by editor David Hughes, with an inscription , on ffep, "David with love to Aunt Ethel 14.vi.59". Condition of the book is Very Good, very light foxing to endpapers, text is very clean, binding is tight. Dust jacket is Good, spine is lightly toned and stained, covers are lightly stained. STK. …

Condizione: Very Good. Condizione sovraccoperta: very good. First printing. 5 1/2 x 8 1/2 inches. xi, 152 pages. Inscribed by A. Tillman Merrit, who wrote the Introductory Address, on ffep, "For Claudio with renewed thanks, Tillman". Condition of the book is Very Good, exterior excellent, text is very clean, binding is tight. Dust jacket is Very Good, spine is toned and stained. STK.…

Condizione: Very Good. Condizione sovraccoperta: good. First printing. 5 1/2 x 8 1/2 inches. xi, 152 pages. Signed by editor David Hughes, with an inscription , on ffep, "David with love to Mother 14.vi.59". Condition of the book is Very Good, light ring-stain on front cover, light foxing to endpapers, text is very clean, binding is tight. Dust jacket is Good, spine is lightly toned andcovers are lightly stained. STK.…

Soft Cover. Condizione: Very Good. Copyright 1952 by The American Musicolog. 74 + pp. Vol. V, Spring 1952, No. 1 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Smooth covers. …

Soft Cover. Condizione: Very Good. Copyright 1948 by The American Musicolog. 75 + pp. Vol. I, Spring 1948, No. 1 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Smooth covers. …

Condizione: New.

Paperback or Softback. Condizione: New. Orgel Und Klavier in Der Musik Des 16. Jahrhunderts: Ein Beitrag Zur Geschichte Der Instrumentalmusik. Book.

Condizione: New.

Condizione: Good. Gilt cloth, sheet music.; Spine discoloured.

Condizione: As New. Unread book in perfect condition.

Condizione: Good. Original gilt lettered red cloth, musical sclaes, 8vo.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Hardback or Cased Book. Condizione: New. Orgel Und Klavier in Der Musik Des 16. Jahrhunderts: Ein Beitrag Zur Geschichte Der Instrumentalmusik. Book.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Condizione: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Condizione: New. Print on Demand. This book delves into the historical intersection of music and book printing during the 15th century, known as the incunabula period. The author examines how the need for printed music in liturgical and theoretical works pushed the boundaries of printing technology, leading to innovative methods like woodblock and metal-block printing. The book also explores the impact of these advancements on the dissemination of musical knowledge and the evolution of musical practices during the Renaissance. Through detailed analysis of rare printed materials, the author sheds light on the interplay between music, technology, and the dissemination of ideas in a pivotal era. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Kartoniert. 1960. 269 S. Oktn. (Musik, Festschriften) U. a.: Lowinsky-Early scores in manuscript; Reese- The polyphoic magnificat of the renaissance; Sachs-Primitive and medieval music. A parallel; Barbour- The principles of Greek notation; Lowens- Andrew Law and the pirates. (Journal of the American musicological Society XIII) (best.). Buch.…

Condizione: New. In.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

321 s. Oln Goldprägung, reprografischer Nachdruck der Ausgabe Leipzig 1910, 4° sehr guter Zustand. Bücher.

Soft cover. Condizione: Very Good. No Jacket. (2), 44, (2) pages. 203 x 136 mm. Name of early owner written neatly on top margin of title page.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.